Showing posts with label writing strengths and weaknesses. Show all posts
Showing posts with label writing strengths and weaknesses. Show all posts

Wednesday, August 27, 2014

How your personality type affects your writing

Image by Mr Lightman, freedigitalphotos.net

Before we got married, my hubby and I did a relationship course written by Gary Smalley, in which we learned about the four different personality types. A lot has been written about the four basic temperaments, but of all the explanations I’ve heard, Smalley’s is the clearest.

He compares the four personality types to animals: the lion, otter, golden retriever and beaver.

The lion is a natural leader: bold, confident and assertive.

The otter is the socialite: playful and optimistic.

The golden retriever is a loyal companion: calm and gentle-natured.

The beaver is the details-person: organized and analytical.

For us as a young couple, this knowledge was an eye-opener, and something we’ve carried with us for over a decade of marriage. I learned that I’m a golden retriever/ beaver, while my husband is a lion/ otter. What do they say about how opposites attract?

Each personality type has its particular set of strengths and weaknesses, and knowing these has helped us better understand and appreciate each other, instead of rubbing each other up the wrong way.

Lately I’ve been thinking about how else my personality type influences my behaviour – in particular my writing.

It’s become obvious to me that each temperament has strengths that will benefit our writing, and weaknesses that will make our journey more difficult.

Each person usually has one or two dominant temperaments. Reading over what I’ve just shared, you may instantly recognise yourself in some of these descriptors. If, however, you’re still unsure of where you fit, you can take a quick personality test here (you’ll need to scroll to the bottom of the page). We’ll wait until you get back. 

Got it figured out? Good. That’s the first step. Knowledge is power. If you’re better aware of your writing strengths and weaknesses, and understand that they flow from the core of who you are as a person, you’ll be able to stop fighting them and start working with them.

That means maximizing your strengths and developing strategies  - in line with how you think, what makes you tick - to compensate for, or overcome, your weaknesses. Remember, no one personality type is “better” than another. They’re just different.

Let’s take a look at how this works for each personality type.


Image by John Barker, freedigitalphotos.net

Lion

Writing strengths:
Lions are confident and determined. They love a good challenge, are goal-oriented, and have a “just do it” mentality. While a dozen other writers are still nervously plotting, talking about writing, writing about writing, and doing everything BUT write, Lions have already finished their first book and are onto the second.

Writing weaknesses:
Lions have an arrogant streak, which means they can be unwilling to accept feedback. Their boredom with details can be a hindrance when it comes to painstaking work such as research or line editing.

Self-help strategies:
  • Focus, in your quiet times with God, on developing humility. Even the Lion of Judah, the greatest leader this world has ever known, served others by washing their feet.

  • When you receive critique, instead of becoming angry or dismissing the criticism, give yourself an exercise. Tell yourself, “She’s probably wrong in what she’s said, but I’ll just humor her a little. I’ll back up my original version, then try implementing the suggestion, just as a theoretical exercise. If it stinks, I haven’t lost anything. If it turns out great, well, there ya go.” Approaching critique with such a mindset can help a Lion to embrace change without fighting against their own personality type.

  • Those pesky details: Lions are great problem-solvers and incredible leaders. Why not harness these traits to enlist the help of others? Ted Dekker pays college students to research his books for him. Many published authors corral support from others when it comes to tasks of administration and marketing. If your Great Aunt Mildred was an English teacher for fifty years, and would love nothing better than to pore over your manuscript weeding out punctuation errors – turn her loose with a blood-red pen. Show your appreciation in a way that truly honors your helpers. Then do what Lions do best, and turn your attention to the next project.
Image by Bernie Condon, freedigitalphotos.net

Otter

Writing strengths:
Otters have the ability to splash words onto the page with a carefree zest that many stodgier writers envy. They have vim and flair. They take joy in their craft. Otters also make the best social networkers. They have no trouble building a tribe of fans, because they love people, and people in turn are naturally drawn to them.

Writing weaknesses:
When the task becomes hard, otters quickly lose momentum. Their computer files are littered with the corpses of unfinished manuscripts that started strong and then fizzled. Otters can be disorganized, and have no patience for “boring” but essential tasks such as editing. If it ain’t fun, it don’t get done.

Self-help strategies:
  • Keep it fun. Set goals that have rewards attached. Social rewards work well for otters. For example, fifteen minutes play on Facebook after writing for an hour. A Skype chat with your writing buddies once you reach chapter ten. A chick flick and coffee with a friend for pushing through that sagging middle. A girls’ weekend away once you finish editing your MS.

  • Harness peer power to keep you motivated. Ever heard of #1k1hr? Next time you sit down for an hour-long writing stint, jump on Twitter first and announce your plans to the world. Use the hashtag #1k1hr, and you’ll soon rally a group of eager writers who can cheer you on and celebrate with you when you reach your 1000 word milestone.

  • Give editing a social, interactive element by joining forces with a critique partner or group.

  • Beware of distraction. Social networking is your strength, but spending hours on Facebook each day won’t get that manuscript written. If you’re all play and no work, consider using an app to limit the time you spend on social media sites.
Image by puttsk, freedigitalphotos.net

Beaver

Writing strengths:
The writing world is full of beavers. Highly creative, organised and meticulous, beavers like to have every detail mapped out before they begin writing: each twist and turn of the plot, the intricate backstory of their MC going back two generations, and the height/ eye colour/ favorite ice-cream flavor of each supporting character.  Beavers thrive on research. They set high standards for themselves, and consistently produce quality work.

Writing weaknesses:
Beavers may become so bogged down in their systems and plotting that they struggle to begin. Beavers are perfectionists, and highly self-critical. For a writer, this can be crippling. A beaver can become paralysed by an empty computer screen, a harsh critique, or a sense that their book is not where it should be. Writer’s block is a common malady for the beaver, who often takes an all-or-nothing attitude – if they can’t make it perfect, they can’t bring themselves to try. Beavers may produce very slowly, because they cannot help but edit ruthlessly as they write. When it comes time to submit, a beaver may fret and worry over perfecting every final detail of a manuscript, and struggle to ever hit send.

Self-help strategies:
  • Don’t forget to play. When you feel yourself floundering beneath self-criticism or getting bogged down in details, find ways to recapture the joy of writing. If you usually hole up at home to write, shake up your routine by taking your laptop to a crowded café and doing some people-watching.

  • Try taking frequent short breaks in which you do something else creative to engage the right side of your brain – painting, scrapbooking, pottery, playing music. 

  • Sometimes the best thing a beaver can do is to step away from their project for a time to regain some perspective. Immerse yourself in reading for pleasure alone. Do something that inspires you, like wandering through an antique bookstore or taking a fun research trip. But don’t let yourself stay in limbo. Give yourself a deadline, and get back into it.

  • Loosen up before a big session with the technique of free writing – perfect for shutting down that picky, left-brained internal editor beavers struggle with so much.

  • Don’t isolate yourself. Engage in community with other writers.
Image by Photokanok, freedigitalphotos.net

Golden Retriever

Writing strengths:
Relaxed and easy to work with, the Golden Retriever is every editor’s dream. A Golden Retriever is calm, dependable, and doesn’t stress out under deadline.

Writing weaknesses:
Laziness can be a real problem for the laid-back temperament of a Golden Retriever, who may lack motivation to initiate tasks or carry them through to completion. The Golden Retriever can also be very stubborn, and dislikes change in any form – both of which are bad news when large-scale edits are required.

Self-help strategies:
  • Get an accountability partner who will be tough about holding you to your goals. Golden Retrievers are people-pleasers and dislike confrontation, so if the accountability is genuine, they’ll rise to the challenge.

  • Appeal to your easy-going nature by making it easy to write. Rather than setting a lofty word-count goal, which all sounds like far too much work – especially when your favorite show is on TV – give yourself a goal of 500 words, and try to hit it twice a day.

  • Because you struggle with change, approach edits as an open experiment. Save the whole document with the file name “Original” and the title, and make a new copy entitled “Experiment.” In this new document, take any suggestions you’ve been given and simply give them a go. If you need to reassure yourself that nothing has really changed, click back on over to your original document, still safe and sound and untouched right where you left it. In this way, you’ll give yourself the freedom to play, knowing that any changes you make don’t have to be permanent. Chances are, you’ll find once you’ve actually made the changes that you like it better that way anyway.


So, that’s it from me – the four personality types as they pertain to the writer’s life.

I’m interested to hear your take on this. What is your dominant personality type, or types? Do you have any tips to add that have helped you in your writing journey?



GIVEAWAY!

Don't forget to enter for our huge giveaway at our Facebook Party, Saturday, August 30! For the big giveaway, we are giving away The Writer's Alley New Design Launch Basket containing the following:

  • $20 Amazon gift card
  • Here to Stay by Melissa Tagg (paperback book)
  • Sandwich, with a Side of Romance by Krista Phillips (paperback book)
  • A Side of Faith by Krista Phillips (paperback book)
  • Duchess by Susan May Warren (autographed paperback book)
  • Ghirardelli Dark Chocolate Salted Caramel Squares
  • A Writer's Conference Jamberry PediPack 

Throughout the day of our Facebook party August 30, we will be giving away the following:
  • A Side of Faith by Krista Phillips (ebook)
  • A Home At Trail's End by Melody Carlson (paperback book)
  • $10 Amazon gift card
  • Captured by Love by Jody Hedlund (paperback book)
  • The Writer's Toolbox
  • Showdown by Ted Dekker (paperback book)
  • Love's Reckoning by Laura Frantz (paperback book)
  • Vanished by Irene Hannon (paperback book)
You can enter for a chance to win HERE. Just scroll to the end of the post and enter through our Rafflecopter giveaway widget!

Have a great day!







Karen Schravemade lives in Australia, where she mothers by day and transforms into a fearless blogger by night. Her popular creative home-making blog, A house full of sunshine, reaches over 50,000 readers a month. She's a Genesis finalist for women's fiction and is represented by Rachel Kent of Books & Such. Find her on TwitterGoogle+, and Pinterest.

Friday, December 20, 2013

The Gift of a Perfect Match: 4 Keys to Finding a Compatible Critique Partner (Part UNO)

A she said-she said account—Amy and Pepper Style

Okay, so perfect might be a stretch! We all know perfection as something we strive towards but never fully achieve. I mean, let’s face it, no matter how many times we nip, tuck, and thigh-master our words, our manuscripts will never be perfect. We are extraordinarily imperfect. Our spouses aren’t perfect. (Well, yours is pretty close, Ames. Admit it.) Shoot, our kids are obviously not perfect (Except mine are pretty close, mwhahaha - NOT ;-), so how monumental is the task of trying to find a good fit for a critique or writing partner if opinions, styles, and personalities vary as wide as the Atlantic?

If you’ve been trying on crit partners like shoes on the clearance rack, perhaps you should shake up your tactic.

Totally agreed, Ames. I do think timing has a lot to do with it too. I only knew Amy for a grand total of a month before I realized this gal might be what I’d been praying for in a crit partner. It can be a long process – but, just like in baby-name choices -- you want to be picky. The right fit DOES matter – now and in the future.

Ahh, Pep… I love ya! So, having been blessed as crit partners that more than meet each others needs, we thought we’d share some key pieces to look for in that elusive ONE!

1. Writing Match: What this really means…

ALS: You might think this refers to matching genres or styles. Not necessarily. The match up doesn’t have to be that “matchy-matchy.” For example, Pepper writes, well… everything, but mainly Historical and Contemporary Romance. I write Romantic Suspense. The subject matter and personality that grace our pages are vastly different… so how it is that we are compatible? Simple. We understand each others motivations for the story. We talk openly about our intentions for the message and tone we hope to convey, and we also talk candidly about our strengths and weaknesses. This arms us with the best insight into giving the kind of feedback that will strengthen each of our unique styles.
 
Also important, since you will undoubtedly spend countless hours combing over each others work, be sure to look for a style that doesn’t irritate you. Because regardless of how well it is written, if the type of story or the author’s style doesn’t float your boat, you are in for long, tedious months of likely unpleasant and unhelpful feedback. Anyone been there? Or gotten feedback from someone who simply wasn’t even close to your target reader? Finding a writing match is critical in maintaining a long term partnership which will be a great building block for long term growth. Your thoughts, Pep?

PB: Totally agree here, Ames. One of the things that really confirmed the match for me was how much your pacing, style, and even…our shared ‘overwriting’ ;-) worked well for my reading and writing style. It was a wonderful complement. I LOVE reading your work and I think that has to be a giant consideration when determining the right CP-fit. Amy is a mom of two (almost 3) really young kids. I’m a work-outside-the-home mom of five. We have to be careful of the writing time we DO have – and critiquing something that matches our style and interest makes the time we spend worth it! SO worth it!!! (Whole-heartedly agree!) One of the reasons I think it goes smoother in this area too is because I don’t have to do a lot of ‘guessing’ about her intentions in her writing because we ‘get’ each other. My style is similar enough that I understand her intentions (most of the time) and she does mine. This helps maximize the time we spend critiquing.

2. Personality Match: You mean I have to actually like the person?

ALS: Generally, yes. This is a relationship. When we actually like the other person things tend to go more smoothly. Lines of communication are less likely to be bungled and feelings less likely to be hurt. Again, this doesn’t mean that your personalities are the same. But having similar temperaments, or working with someone who ‘gets’ you is a bit like having a boss you can actually stand. (Not that I would know what that is like. Sheesh!) But honestly, our stories are very close to our hearts, and sharing them with someone you can relate to makes even tough critiques more credible, and all the more palatable.


PB: This is REALLY important! Next to my family and colleagues, Ames has to put up with me the most. Since writing is a ‘hopeful’ life career for both of us, we’re planning on being in each others’ lives for a long time to come. We have similar traits in the fact that we’re both more ‘extroverted’, but within that we have very different personalities too. (Amy’s more direct with a sassy edge. GREAT for suspense writing). Thankfully those personalities complement each other more than annoy J J

"A faithful friend is a strong defense."
But here’s the clincher: The key ingredient to our healthy personality match, I believe, is our mutual positive regard. We care about each other, personally and professionally. We chat about dinner and kids and crazy movies. We’ll throw writing stuff in there too, but, for us, it’s more than that. It’s a real friendship.

Another important addition here – expectations!! Ames and I are SUPER busy ladies. One of the beautiful elements of this relationship is that we both ‘get’ the need for flexibility in reading, writing, and critiquing. There are times when I CAN’T get something back to her as quickly as I’d like – and vice versa. Life calls first! Writer after. We have this agreement and understanding
for flexibility around the writing. Praise God for that!!



So there are a few ideas to get you started. Writing doesn’t have to be a lonely endeavor. Spend some time in prayer about it. Strike up a conversation; be honest about what you are looking for. Who knows, your perfect match might be closer than you think.

Your turn: What are you looking for in a critique partner? Or what elements have you found work well for you? Which ones don't?

                                 


                                Merry Christmas!!!
                                  -Amy & Pepper


Friday, November 22, 2013

‘Tis the season for rejections…

About this time of year… with conference several weeks behind us, the press of the holidays approaching, we often find ourselves in a season that, for a lot of us, might not be so fun. Rejection season.

You labored over every word, dotted every i, crossed every t until your eyes took the same position. And then you held your breath, crossed your fingers, and launched your dream on one giant prayer as you pressed SEND.

Well, send isn’t exactly the end of the line, now is it? Sometimes it feels that way when the silence is so deafening you’d crave a rejection if it meant you’d hear something… anything from the great black void of editors and agents who supposedly have your precious pages.

But then, if your lucky (or some might say otherwise) the waiting ends, and the results come in, and… Splat! Someone press the life-assist button because my mutilated heart is now flat-lining on the floor with my crushed dreams.

Oh, we all like to pretend we’ve developed that tough skin, impenetrable by cutting words, but deep down, if your dream is as big as you claim it is, ooo, those words sure do sting!

Now, feedback, if you get it, can be extremely useful. And not just for unseasoned writers. This is why writers enter contests… sure, we’d like to win, but very often the critique you get from the judges is worth the price of that degrading score.

Sometimes it’s not.

Since you’ll never win over everyone—let’s face it, even NYT Bestsellers get bad reviews--how do you know what feedback to take to heart, and what to let roll off?

I wish the answer was simple. Subjectivity is the name of the game. But for me, I think it’s important to establish what your strengths and weaknesses are as a writer. Work with a crit partner, compile those comments from judges, agents, and editors, and give yourself a baseline. You might be a unique word-smith, describing things in such a way that stirs your reader’s senses. You might have a strong command of language and grammar, keeping a tight and organized flow that provides a seamless read. Or perhaps you struggle with the technicalities but you can pen an unstoppable plot that carries the reader away in spite of the less than fancy words.

Then take an honest look at the criticisms, but don’t let them tear you apart. Remember, these are OPINIONS. All stories can be improved with wise direction, but don’t forget that it’s your story, and YOU alone get to tell it. But at the same time, don’t be so hardheaded that you refute any negative feedback. It’s as important to determine your strengths to build confidence, as it is to acknowledge where you have room to grow.

So, since I’m feeling a little bit jolly and hope to keep my spirits up for the holidays, here are my recommendations for weathering REJECTION season:

--Read your rejection letter, perhaps a couple times, and then put it away until tomorrow.
Our emotions get the best of us in the heat of the moment. Our hopes are riding high, that email drops in our inbox, you’re thinking “This could be it!” and instead of a glowing report, they knock you down a few pegs. Take a breather, sometimes what seems so harsh at first glance can be seen with a more critical eye once the smoke clears. 


--Make notes on what feedback is positive and what is negative.
Use columns if you have to. Then compare the criticism to what you already know about your abilities as a writer. Was this one agent or editor’s opinion consistent with your general consensus of strengths and weaknesses, or might they be someone who just isn’t the right fit for you? You can’t please everyone, so before you go hacking at those hard fought words, determine what will reinforce and strengthen the story you were given and what simply doesn’t mesh with your style and purpose.



--Get a kick-a crit partner who will shoot it to you straight.
This is a biggie, so be choosy if you can! So much of our time is spent silently in our heads or on paper. This is why I read my stories aloud to myself so I can gain some perspective as to how my thoughts translate into real world dialogue and understanding. But at the same time, you will not be able to see what others see. Before you subject yourself to those big glaring “PASS’s” from that dream publisher, get some more eyes on your work. Listen with a critical ear. Weight those suggestions with as little emotion as possible. And don’t just look for someone who will read through and tell you they loved it. They had to have had a thought to the contrary since they weren’t the one who wrote the book.

My crit partner can attest to the fact that if I’m gonna take the time to critique, I’m gonna give ALL of my insights straight up. Now, that doesn’t just mean tearing the book to shreds or being cruel… though I have been known to wield a deadly weapon… it also means explaining what you liked. What made you laugh, cry, what sucked you in or made you fall in love with a character. Strengths and weaknesses here. We all have them both. ** Critical information for weathering those rejections. ** 

--Believe in yourself despite the downpour.
Remember all those stories about the bestseller that collected a stack of rejections before making it big? Don’t let the negative voices drown out what you have to say. You’re story is important. It was given to you for a reason. Don’t get so singularly focused on publication that you lose sight of the joy of creating story. What a beautiful gift… whether it’s meant to be shared with the world or not is sort of out of our hands. Do what you can, write the best story possible, be open to improvement, but don’t let the rejection define you.  

Chin up! God’s got a plan!


What about you… What have you confirmed are your strengths and weaknesses? And how do you stay afloat when those rejections come back and rock your boat? 

*************************************************************************************************
Amy Leigh Simpson writes Romantic Suspense that is heavy on the romance, unapologetically honest, laced with sass and humor, and full of the unfathomable Grace of God. She is the completely sleep deprived mama to two little tow-headed mischief makers and wife to her very own swoon-worthy hero. Represented by the oh-so-wise and dashing Chip MacGregor of MacGregor Literary Inc.

Wednesday, January 23, 2013

How your personality type affects your writing


Image by Mr Lightman, freedigitalphotos.net

Before we got married, my hubby and I did a relationship course written by Gary Smalley, in which we learned about the four different personality types. A lot has been written about the four basic temperaments, but of all the explanations I’ve heard, Smalley’s is the clearest.

He compares the four personality types to animals: the lion, otter, golden retriever and beaver.

The lion is a natural leader: bold, confident and assertive.

The otter is the socialite: playful and optimistic.

The golden retriever is a loyal companion: calm and gentle-natured.

The beaver is the details-person: organized and analytical.

For us as a young couple, this knowledge was an eye-opener, and something we’ve carried with us for over a decade of marriage. I learned that I’m a golden retriever/ beaver, while my husband is a lion/ otter. What do they say about how opposites attract? J

Each personality type has its particular set of strengths and weaknesses, and knowing these has helped us better understand and appreciate each other, instead of rubbing each other up the wrong way.

Lately I’ve been thinking about how else my personality type influences my behaviour – in particular my writing.

It’s become obvious to me that each temperament has strengths that will benefit our writing, and weaknesses that will make our journey more difficult.

Each person usually has one or two dominant temperaments. Reading over what I’ve just shared, you may instantly recognise yourself in some of these descriptors. If, however, you’re still unsure of where you fit, you can take a quick personality test here (you’ll need to scroll to the bottom of the page). We’ll wait until you get back. 

Got it figured out? Good. That’s the first step. Knowledge is power. If you’re better aware of your writing strengths and weaknesses, and understand that they flow from the core of who you are as a person, you’ll be able to stop fighting them and start working with them.

That means maximizing your strengths and developing strategies  - in line with how you think, what makes you tick - to compensate for, or overcome, your weaknesses. Remember, no one personality type is “better” than another. They’re just different.

Let’s take a look at how this works for each personality type.


Image by John Barker, freedigitalphotos.net

Lion

Writing strengths:
Lions are confident and determined. They love a good challenge, are goal-oriented, and have a “just do it” mentality. While a dozen other writers are still nervously plotting, talking about writing, writing about writing, and doing everything BUT write, Lions have already finished their first book and are onto the second.

Writing weaknesses:
Lions have an arrogant streak, which means they can be unwilling to accept feedback. Their boredom with details can be a hindrance when it comes to painstaking work such as research or line editing.

Self-help strategies:
  • Focus, in your quiet times with God, on developing humility. Even the Lion of Judah, the greatest leader this world has ever known, served others by washing their feet.

  • When you receive critique, instead of becoming angry or dismissing the criticism, give yourself an exercise. Tell yourself, “She’s probably wrong in what she’s said, but I’ll just humor her a little. I’ll back up my original version, then try implementing the suggestion, just as a theoretical exercise. If it stinks, I haven’t lost anything. If it turns out great, well, there ya go.” Approaching critique with such a mindset can help a Lion to embrace change without fighting against their own personality type.

  • Those pesky details: Lions are great problem-solvers and incredible leaders. Why not harness these traits to enlist the help of others? Ted Dekker pays college students to research his books for him. Many published authors corral support from others when it comes to tasks of administration and marketing. If your Great Aunt Mildred was an English teacher for fifty years, and would love nothing better than to pore over your manuscript weeding out punctuation errors – turn her loose with a blood-red pen. Show your appreciation in a way that truly honors your helpers. Then do what Lions do best, and turn your attention to the next project.
Image by Bernie Condon, freedigitalphotos.net

Otter

Writing strengths:
Otters have the ability to splash words onto the page with a carefree zest that many stodgier writers envy. They have vim and flair. They take joy in their craft. Otters also make the best social networkers. They have no trouble building a tribe of fans, because they love people, and people in turn are naturally drawn to them.

Writing weaknesses:
When the task becomes hard, otters quickly lose momentum. Their computer files are littered with the corpses of unfinished manuscripts that started strong and then fizzled. Otters can be disorganized, and have no patience for “boring” but essential tasks such as editing. If it ain’t fun, it don’t get done.

Self-help strategies:
  • Keep it fun. Set goals that have rewards attached. Social rewards work well for otters. For example, fifteen minutes play on Facebook after writing for an hour. A Skype chat with your writing buddies once you reach chapter ten. A chick flick and coffee with a friend for pushing through that sagging middle. A girls’ weekend away once you finish editing your MS.

  • Harness peer power to keep you motivated. Ever heard of #1k1hr? Next time you sit down for an hour-long writing stint, jump on Twitter first and announce your plans to the world. Use the hashtag #1k1hr, and you’ll soon rally a group of eager writers who can cheer you on and celebrate with you when you reach your 1000 word milestone.

  • Give editing a social, interactive element by joining forces with a critique partner or group.

  • Beware of distraction. Social networking is your strength, but spending hours on Facebook each day won’t get that manuscript written. If you’re all play and no work, consider using an app to limit the time you spend on social media sites.

Beaver

Writing strengths:
The writing world is full of beavers. Highly creative, organised and meticulous, beavers like to have every detail mapped out before they begin writing: each twist and turn of the plot, the intricate backstory of their MC going back two generations, and the height/ eye colour/ favorite ice-cream flavor of each supporting character.  Beavers thrive on research. They set high standards for themselves, and consistently produce quality work.

Writing weaknesses:
Beavers may become so bogged down in their systems and plotting that they struggle to begin. Beavers are perfectionists, and highly self-critical. For a writer, this can be crippling. A beaver can become paralysed by an empty computer screen, a harsh critique, or a sense that their book is not where it should be. Writer’s block is a common malady for the beaver, who often takes an all-or-nothing attitude – if they can’t make it perfect, they can’t bring themselves to try. Beavers may produce very slowly, because they cannot help but edit ruthlessly as they write. When it comes time to submit, a beaver may fret and worry over perfecting every final detail of a manuscript, and struggle to ever hit send.

Self-help strategies:
  • Don’t forget to play. When you feel yourself floundering beneath self-criticism or getting bogged down in details, find ways to recapture the joy of writing. If you usually hole up at home to write, shake up your routine by taking your laptop to a crowded café and doing some people-watching.

  • Try taking frequent short breaks in which you do something else creative to engage the right side of your brain – painting, scrapbooking, pottery, playing music. 

  • Sometimes the best thing a beaver can do is to step away from their project for a time to regain some perspective. Immerse yourself in reading for pleasure alone. Do something that inspires you, like wandering through an antique bookstore or taking a fun research trip. But don’t let yourself stay in limbo. Give yourself a deadline, and get back into it.

  • Loosen up before a big session with the technique of free writing – perfect for shutting down that picky, left-brained internal editor beavers struggle with so much.

  • Don’t isolate yourself. Engage in community with other writers.


Golden Retriever

Writing strengths:
Relaxed and easy to work with, the Golden Retriever is every editor’s dream. A Golden Retriever is calm, dependable, and doesn’t stress out under deadline.

Writing weaknesses:
Laziness can be a real problem for the laid-back temperament of a Golden Retriever, who may lack motivation to initiate tasks or carry them through to completion. The Golden Retriever can also be very stubborn, and dislikes change in any form – both of which are bad news when large-scale edits are required.

Self-help strategies:
  • Get an accountability partner who will be tough about holding you to your goals. Golden Retrievers are people-pleasers and dislike confrontation, so if the accountability is genuine, they’ll rise to the challenge.

  • Appeal to your easy-going nature by making it easy to write. Rather than setting a lofty word-count goal, which all sounds like far too much work – especially when your favorite show is on TV – give yourself a goal of 500 words, and try to hit it twice a day.

  • Because you struggle with change, approach edits as an open experiment. Save the whole document with the file name “Original” and the title, and make a new copy entitled “Experiment.” In this new document, take any suggestions you’ve been given and simply give them a go. If you need to reassure yourself that nothing has really changed, click back on over to your original document, still safe and sound and untouched right where you left it. In this way, you’ll give yourself the freedom to play, knowing that any changes you make don’t have to be permanent. Chances are, you’ll find once you’ve actually made the changes that you like it better that way anyway.


So, that’s it from me – the four personality types as they pertain to the writer’s life.

I’m interested to hear your take on this. What is your dominant personality type, or types? Do you have any tips to add that have helped you in your writing journey?





Karen Schravemade lives in the land of Oz and likes to confuse her American friends by using weird Australian figures of speech. When she's not chasing after two small boys or cuddling her baby girl, she spends her spare minutes daydreaming about the intricate lives of characters who don't actually exist. Find her on her website and Twitter.