You have a polished draft, and now it’s time to get feedback
before submitting to agents or publishing houses.
Those friends and family members who’ve been bugging and
bugging you? (When-can-we-read-your-book?
Are you finished already?) – finally you have something to offer them, in
the hope of garnering solid feedback you can use.
So you hand the manuscript over, ignoring the tumbling
free-fall in your gut and the sense that you’ve just placed your newborn child
tenderly in the middle of an expressway.
|
Photo by imagerymajestic, freedigitalphotos.net |
Then you wait for the feedback.
When it comes, it sounds like this.
“Oh, I loved it. I
loved it so much.”
“You are such a
talented writer.”
“This was a great
story. Really great. Wow – just wonderful.”
Flattering? Yes.
Affirming? Absolutely.
Helpful?
Not so much.
The problem here is that most people you ask for feedback
(experienced critiquers aside)… well, they know you, and they love you.
They will be kind.
Maybe they did honestly enjoy the book. They may have sensed
that some parts were a little “off”, or not quite there, but either they haven’t
thought through their response deeply enough to analyze exactly what was
lacking, or they simply feel it would be rude to point out any deficiencies.
Generalized praise may make you feel good, but what’s the
point if it’s not even a truly accurate indication of what that person thought?
Remember,
the purpose of engaging a first
reader is to make your book better, not to make you feel better.
(Click to tweet.)
You must give your first readers permission to give honest
feedback.
|
Image by David Castillo Dominici, freedigitalphotos.net |
What’s more, you need to do this in a practical way. Don’t
just say, “Oh, and please feel free to tell me what you REALLY think!” because
the majority of people will be too polite to take you up on that. It’s like
asking your best friend what she really thought
of your 10-year-old daughter’s debut karaoke performance.
Yeah, it stank, but absolutely NO-ONE who loves you is going
to tell you that.
The instinct to preserve the feelings of a friend runs very
deep.
On the other side of the equation you have zealous Aunt Harriet,
who is a whiz at spotting punctuation errors and spelling slips, and will tell
you with relish that you used the wrong form of the word “you’re” on pages 39,
117, and 248.
All of which is well-intentioned, but equally unhelpful.
There’s simply no use doing line edits with a fine-tooth comb if your plot is
fundamentally flawed and a third of the book has to be rewritten from scratch.
To elicit the truly helpful responses, therefore, you must
dig them out. Ask specific questions.
This achieves three things:
1.
It helps the reader focus on the big picture.
2.
It helps him/ her be analytical about what worked and
didn’t work, and why.
3.
It gives him/her practical permission to give specific
feedback.
What questions should you ask? Keep it short and simple.
Here’s some I’ve used.
1. Did the
characters’ actions ring true? (Did you understand the motivations behind what
they did?)
2. Which parts felt
slow or lost your interest?
3. Were there any
parts that didn’t make sense to you?
4. What are the
strongest and weakest aspects of the book?
5. What (if anything)
took you by surprise?
6. Did you find the
ending satisfying?
Face-to-face questioning is confronting, and people will
shirk from total honesty. A better approach would be to print out a one-page
sheet with spaces after each question, and give it to the reader with your
manuscript. Your readers will take this responsibility quite seriously. It’s validating for your
first reader to know that you truly desire their thought-out opinion, not just
a pat on the back and a bit of ego-stroking.
By asking specific questions, you bypass the emotional
pressure of thrusting your newborn manuscript into a friend’s arms and asking
with breathless hope, “Do you love it as much as I do?”
Do your book a favor, and get some REAL feedback.
Have you ever done
this? What questions would YOU ask?
Tweetables:
Is your first reader telling the truth when she says she
loves your book? Find out here.
(Click to Tweet)
Karen Schravemade lives in Australia. When she's not chasing after three small children, she spends her spare minutes daydreaming about the intricate lives of characters who don't actually exist. Find her on her website and Twitter.