Upping the Stakes -- How Values Can Add Conflict

Hi, all! So, I'm currently revising a proposal, and one of the editor's main critiques was that the stakes in my story aren't high enough. Hook? Check. Characterization? Check. Setting? Check. But stakes... hmmm...

Knowing this was some valuable insight, I took to the streets... well, the electronic ones, that is... and started asking several of my trusted friends for input on how I could put more zing into the stakes of my story, and consequently, add more conflict.

Photo by Ambro from www.freedigitalphotos.net

Liz Johnson (who really, is adorable in every way-- check out her books if you haven't already) gave me some advice that I decided to share on the blog today because it was so helpful to me. She said one of the best ways to raise the stakes is to pit the characters' values against one another. If they are working against each other even while falling in love, they'll have to make a sacrifice one way or another, and that leads to believable conflict.

For example, let's say your heroine has inherited her great-grandmother's home, and it's a prize to her heart. Meanwhile, the hero is a conservationist and has made a discovery that an endangered bird is nesting along the one and only country road leading to said house, and the road must be shut down to protect the hatchlings, rendering the house unlivable. It may seem like the two are at odds, but maybe by the end of the story, the heroine holds one of the little hatchlings, falls in love with it and the hero, and the two decide to use the house as conservation headquarters.

Or, let's make it personal. Let's say the hero has a desire to be a missionary overseas. The heroine, meanwhile, works at a local school for underprivileged kids. Grant money is up for grabs, and the two must vie against one another for the sake of their respected charities... but in the end, God blends their unique callings together, and they start an organization for immigrant children whose parents are struggling to make a living in America.

The key idea is that the values should be deeply entrenched in your characters' backstories, and that these values should conflict beyond something a simple conversation could solve. Forcing your characters into such an uncomfortable situation can actually push them together as they realize they must open themselves to an entirely new job/relationship/home than what was previously in their comfort zone.

Can you think of books or movies that do this well? Which are your favorites and why?

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Ashley Clark writes romance with southern grace. She's dreamed of being a writer ever since the thumbprint-cookie-days of library story hour. Ashley has an M.A. in English and enjoys teaching literature courses at her local university. She's an active member of ACFW and runs their newcomer's loop. When she's not writing, Ashley's usually busy rescuing stray animals and finding charming new towns. You can find Ashley on her personal blog, Facebook, Pinterest, and Twitter. She is represented by Karen Solem.

How Do you Like Your Stakes?

From The Writers Alley Archives:

So how do you? If we’re talking steaks, I’m a medium well kind-of-gal, but when we’re talking about ‘writing’ stakes. The best way to serve those up is well-done.


What is a stake, you ask?

Well, besides the wooden piece that holds down your tent, or heretics are strapped to, or slays certain toothy-undead, it’s also one of the key elements to create a page-turner novel. It’s the reason readers care.

Stakes increase our empathy, draw us in, capture our hearts, and lead us to the last page. It’s like climbing a hill that keeps getting steeper and steeper until the hiker is clinging to the side of a cliff, barely able to keep from falling down against the jagged rocks below.

You can pick up any great book and see how the stakes for the main character keep increasing until the reader is unsure whether the character will achieve his/her goal at all.

Donald Maas says “high stakes yield high success”

What’s the essence of increasing the stakes? Guiding the readers into as deep a relationship with your characters as you have. Close first person. But that means we have to know our characters intimately – otherwise we cannot describe what we do not know.

So once you know your character what questions should you ask to increase your stakes?

1. What does your character NEED? WANT? Whether it’s to destroy the ring of power, find a husband, an anectdote, or solve a crime – you must know what your character needs most – or wants most.

2. What makes my character freeze with fear? Obviously in the Twilight saga, vampires do not cause Bella to ‘freeze with fear’, but Edward leaving does. So, of course, it has to happen.

3. How can I make my characters needs or wants matter even more to him? (this automatically increases the stakes) For example, in Indiana Jones and the Last Crusade – it is one thing for Indiana to want the Cup of Christ. He’s in the secret cave ready to go and get it. The tension is automatically ramped up when the bad guy shoots Indy’s father and then he HAS to go get the Cup of Christ. First he wants the cup, but the stakes are raised because he needs the cup. Changing the want into a need automatically increases the tension.

4. How can you make your characters suffer? Or place them in danger? (I’m not talking just making them uncomfortable, I mean twist the knife. As sad as it sounds, readers enjoy reading about people suffering to the max…and then overcoming the impossible.)

5. Are there external and internal threats? Your characters have both external and internal goals, therefore they must have conflict in both of those areas too. In Jane Austen’s Pride and Prejudice, the external threats to Darcy and Elizabeth are Lady Catherine de Burgh, Lizzie’s mother (and sisters’) behavior. Internal threats are Lizzie’s and Darcy’s own personal pride and/or insecurities. Their own assumptions about the other person.

6. Can you write down the stakes in your wip? Do you know what they are?

7. How can you make those stakes higher? How can you make the trouble worse?

8. And even higher? Write it down.

Remember – you must be MEAN to your hero or heroine. Being nice does NOT increase tension. You want to try and push them to the breaking point.

In my wip, my heroine never wants to work in the rural Blue Ridge Mountains again, but as her first job, she’s sent to start a new speech-pathology program at UVA’s satellite campus in the teeny (very rural) town of Wise, VA.

She WANTS to work at UVA, Charlottesville like her dad. (external)

She WANTS to prove to herself she is not like her alcoholic mother, and certainly not dependent on anyone else for her well-being. (internal)

1. She’s in rural Blue Ridge Mountains

2. She makes a wager with her supervisor to turn cattle farmer Reece Mitchell into a high-class, smooth talking gentleman in 6 weeks or her supervisor will present her research at the national convention (which gives her a good boost toward a job in a much better place than Wise, VA) - He's not an easy fixer-upper either. Cute, but far from high-class.

3. She feels an immediate attraction for the cattle farmer – who has no intention of leaving his farm and family to move anywhere else.

4. She has a condescending college Dean who wants to get rid of the satellite program, but the program is the way the heroine (Adelina) will prove herself.

5. By the end, she is almost loses her life because she gets drunk (something her mom would do) and crashed her car into a dam waterway which is filling with water.

6. The final stake is her choice: to stay in Wise with the guys she loves and forego her dream, or give up on this amazing man and go to Charlottesville.

I’m bound to think of more ways to make things worse as I go along, but you get the basic idea.

So what about you? Can you list some of the stakes in your wip? How can you make them worse? And even more worse?

Share – and let us brainstorm a bit with you.