Showing posts with label Jeff Gehrke. Show all posts
Showing posts with label Jeff Gehrke. Show all posts

Monday, December 19, 2011

Special Guest - Jeff Gerke

It is my pleasure to welcome author and editor, Jeff Gerke, to The Writers Alley today!

For the past two years at ACFW I've made it a point to sit in on Jeff's teaching- and let me just tell you, I've not been disappointed. This year I had the added bonus of having fellow AlleyCats Mary Vee and Angie Dicken to sit with me - AND THEN I had the wonderful opportunity to have an appointment with Jeff.

Great guy! Very encouraging - AND a fabulous teacher.

Where the Map Ends, features some great resources for developing your craft straight from Jeff's ACFW presentations. Character Creation for the Plot-First Novelist and How to Find Your Story are two of them.

His newest release, The First 50 Pages: Engage Agents, Editors, and Readers, and Set Your Novel Up for Success came out at the end of November. You can learn more about it here.

Known for publishing books that step on the fringes of reality through Marcher Lord Press, Jeff's guidance is for both the "expected" writers and those who think out-of-the-box :-)

He's also a fellow Mt. Dew drinker...just sayin' :-)

Without further ado - heeerrrrreeeee's Jeff:
1. Could you tell us a little about your new book The First 50 Pages and how you expect it to help aspiring authors?


I’m very excited about this book. I think it has the potential to help any novelist begin his or her book with excellence. I repeatedly found it odd that I could write a 200-plus-page book on 50 pages of a novel, but that’s what happened. Those first 50 pages are doing so much and bearing so much weight. They play an inordinately important role in whether or not any novel is going to be a success.

I was very pleased with how well Writers Digest promoted the launch of the book. I’m hoping it can help a lot of people better do what it is they’re wanting to do with their fiction.

2. Marcher Lord Press publishes books that are ‘outside the box’ types of books. What do you think some of the challenges are for authors who write in genres that the Christian market is just becoming open to? What are the benefits?

There have always been Christians who would read great Christian SF and fantasy (and other weird genres) if the books were there and if the readers knew about them. The problem had been that the books hadn’t been there. The problem now is that many Christians don’t know that such an animal exists.


So long as the traditional Christian book publishing industry serves the core Christian fiction demographic—white, Evangelical moms and grandmoms—they will continue to do best with books that appeal to that demographic as a group. Mainly bonnet and buggy books, but also the occasional female-oriented mystery, chick-lit, or contemporary women’s novel.


The corollary of this is that books that don’t appeal to that demographic will continue to be spurned by traditional Christian publishers. And so it should be: You don’t stay in business if you keep offering something your market says it doesn’t want.


Before this publishing revolution we’re now in, the biggest challenges for speculative authors and writers of other “unusual” genres was to get published at all. Now, with the old model sinking and the advent of all the indie presses (like Marcher Lord Press), suddenly the previously marginalized novelist is now in demand. The model is new, the money is lower (at first), and the sales numbers are lower (at first). But what they’ve always wanted—access to readers who desire exactly what they write—is now being handed to them.


And without a traditional house taking a 90% cut of the profits, the writer stands to really win. It’s a good day to be a novelist.


3. What top three tips would you give to aspiring authors who are beyond the ‘beginning’ phase?


1) Challenge yourself. You probably sense the areas where you are weak, and you probably shy away from story ideas that would reveal that weakness. Instead, create a challenge project for yourself that will make you master that area or the whole thing will fail. For me, at least, that’s the only way I get better at anything.


2) Keep learning. If you’re someone who can learn from books, then I have three fiction craft books that will help you [shameless plug!]. If you learn better from listening to someone teach, attend the larger writers conferences. ACFW is the best for Christian novelists. Also, I’m soon to launch www.FictionAcademy.com, which will be like getting a complete Jeff seminar online.


3) To your perseverance and craftsmanship, add prayer. Yes, you should work very, very hard to improve your craft. But at the end of the day, you must lay your writing career at the feet of Jesus. Work hard to grab it by the tail. Pray hard to let Him do with it what He wants.

 4. In your class at ACFW you mentioned thinking of unique ideas for stories. With that in mind, what advice would you give to someone who has a unique story premise…but is told they’re a little too unique? Any marketing writing advice?

Yes: Stick to your instincts. Write the book that ought to be out there but that no one else is writing. Then go to the micro-presses—or even self-publish—to find ways to connect that book with the group of readers who will love it.


Those old voices that have kept the “odd” novelist marginalized for so long are now going away, and the world is better for it, imo.


Earlier this year I still heard traditional publishers looking down on small presses and self-publishers. Then at a writers conference last month I heard someone from one of those traditional houses say, “Contrary to popular belief, traditional Christian publishing is not dead.” I was secretly delighted, because it represented an acknowledgement that the old power bloc had lost control. Now the cat’s way out of the bag, and it’s not going back in.

Fun question and right up your sci-fi alley ;-) “If you were a bionic toad that needed to find a radioactive mushroom in order to turn into a giant half-unicorn, half-man warrior to save the world of Ganderthol… how would you go about locating the mushroom?”


I would already know where all the mushrooms were, because I’m a bionic toad with a penchant for organizing and cataloguing. So I’d go right to the correct mushroom. Besides, I’m toad-ally awesome.


[ahem]


Thanks, Pepper!


Jeff

Thanks so much for stopping by the Alley, Jeff. May you have a Toad-ally awesome Christmas

Saturday, October 29, 2011

What Up the Street For Next Week?

Have you found your favorite costume yet?
If you're dressing up (or if you could dress up as anything) what are you going to be?
It's so much fun to put on a mask and change your personality into someone (or something) you can only be in make believe.
Don't we do that a little bit with our characters? Put on their personalties for a little while as we write them?
Are there any characters you're writing who are difficult masks for you to wear? Difficult to get into their skin?

Some books about writing characters:
Characters, Emotions, & Viewpoint by Nancy Kress
Plot Versus Character- A Balanced Approach to Writing Great Fiction by Jeff Gerke
Getting Into Character: Seven Secrets a Novelist Can Learn From Actors by Brandilyn Collins
Believable Characters: Creating With Enneagrams by Laurie Shnebly

What's Happening This Week?

Monday - Angie brings The Writers Quench to you today - what do you do with thirsty sentences?

Tuesday - Julia challenges Pepper's last week post about Plotting from a Panster, with her own spin about Pantsing from a Plotter :-)

Wednesday - Sarah comes to help set you straight on setting goals with Goals-Schmoals: Here's What You Really Need

Thursday - More from Wendy from the fantastic book by Swain called Techniques of a Selling Writer

Friday - Cindy continues her series What's Missing From Your Novel? with Deep POV.

SIDEWALK TALK

It pays to be a frequent guest at The Alley - winner of Diann Mill's novel Attracted to Fire is Joanne Sher.

Here's some helpful (and fun) tips for Character Development:

http://www.keirsey.com/

What's your movie personality? http://www.beliefnet.com/Entertainment/Quizzes/Movie-Personality-Quiz.aspx

Classic Movie Personality Test - http://similarminds.com/movie.html

http://www.quibblo.com/quiz/37_Hc1O/Which-Lord-of-the-Rings-Character-are-You

http://www.quibblo.com/quiz/1ew_zT/Which-Jane-Austen-heroine-are-you

Wednesday, October 26, 2011

On Being Mentored-Our Responsibilities

As a young married person (several years ago), I decided to cook a fabulous dessert for my husband from scratch. I flipped open a cookbook and turned to a recipe which called for ingredients I already had in my kitchen. I chose banana bread. Yum

Ignorant and green as can be in the kitchen I followed every detail, assumming the outcome would be good, (c'mon the recipe was in a BIG cookbook!).

The sweet aroma filled our tiny apartment and made our stomachs growl. Yes! I AM CHEF.  After my creation cooled, I proudly presented my prize winning, delectible dessert.

My husband and I took one bite--wrinkled our noses, choked down the bite,and threw the rest away.  I think the powdered orange Kool-aid ingredient might have been the problem.

Duh, you say? Well, yeah, I know that now. But I didn't then. I assumed the expert who compiled the cookbook gave perfect advice. 

Lesson learned: Regarding advice, I must reseach, think, practice, not assume--the list trails for miles.

Have you ever had a well meaning friend, family member, or crit partner give you advice for your WIP? I have.


I have a world of mentors. Each, bless their hearts, has taken time to correct my novice mistakes and direct me back to the road of publication. I so appreciate them.  Unfortunately, not all advice is good. Let me repeate that--not all advice is good. (think orange Kool-aid in banana bread from a BIG cookbook)

This last month I talked with published writers, unpublished crit partners, family, co-workers, friends, online sites, anyone who would listen to my plethorea of questions regarding my WIP.  I felt like a little puppy excited to please each helper by implementing their advice into my work. Puppies can do crazy things when they want to please.

My mistake: choosing to please rather than do what is right. (sometimes right means to follow advice given even when you don't want to, FYI)

At the 2011 October ACFW Montana chapter meeting, Sharon Dunn, author of Night Prey (Love Inspired Suspense) and 2011 Carol winner, chatted with me about this topic. She said, "It's important to know the perspective each crit person brings to their comments. Perhaps one crit person's passion is description, another plot, yet another grammar. These same crit persons often add additional suggestions that may seem inappropriate. Thats when caution is wise."

Lesson learned: don't disregard a crit when incorrect advice is detected (add grammatically incorrect words, backstory components, and etc.) Instead, search each comment for possible golden nuggets which might enhance the product. One golden nugget could make a difference between publication and dust.


Contrary to my banana bread flop, let me share a FAB advice session:
 

At the 2011 ACFW conference my registration slip indicated my time slots for three mentor appointments would be Friday morning. I chose to start my morning at Jeff Gehrke's class "Plot vs Characters rather than figit in the waiting area.  
Thirty minutes into the class I left for my first mentor appointment. Gayle Roper, kind and gracious as can be, listened to my pitch, asked a few questions then tipped her head  and said, "Well, Mary, did you consider..." She found a hole in my story! I thanked her and went back to class.


Oddly enough, the next point Jeff discussed addressed the issue Gayle mentioned. He spent the next 30 minutes teaching the class how to solve the problem! I modified my pitch in time for my next mentor appointment.


A half hour later I met with Tracie Peterson, intuitive and compassionate as can be. Aha, I thought. I'm ready. The hole Gayle found has been filled. Tracie listened to my pitch, asked a few questions then folded her hands together and said, "Well, Mary, did you consider..." Really? Another issue?  I thanked her and returned to Jeff's class.

I kid you not, Jeff's next point addressed the problem Tracie mentioned. He spent the next 30 minutes teaching the class how to solve the problem. Once again, I modified my pitch in time for my last mentor appointment.

Moments before Jeff's class ended, I went to my third appointment. Camy Tang, delightful encourager and passionate author listened to my modified pitch. Her eyes went wide and she laughed. "Mary, this is a great story."  She liked my one sheet, and couldn't stump me with any question. The conversation ended after five minutes. Well, I wanted to use up my whole fifteen minutes so I asked for suggestions. She taught me a new idea then we chatted.



Advice from mentors educated, experienced, enthusiastic,and enlightened in the writing craft coupled with a technique class sped me back to the road of publication--unlike orange koolaid advice.
Lesson learned: I am responsible to glean wise advice from those God sends my way.
So-how about you--share wise advice you've received--don't be shy, I don't want to learn it on my own:)