I found myself stuck. In my last book,
A Shore Thing, one of the supporting characters, Suz, continued to pray for her soon-to-be ex-husband, even as he sat in jail for committing a felony. In Fade to Blue (released this month), Suz became the heroine. I already had a strong sense of her character, so I began the process of asking, “What if …?” and applying those questions to this very real person in my mind. Eventually, I found myself with more questions than answers.
What if …
But just when she does …
What if …
And at about that time …
What if…
As I followed single-mom, Suz, it quickly became apparent that one aspect of the story—her divorce in the midst of faith—would become an issue. So I continued to write and plan, to follow Suz on her path of finding out what she wanted to do, and to learn if her desires matched up with her faith.
Inevitably, my heroine found herself at a crossroads.
May I be honest? If faith wasn’t a thread in this story, I could let my character do or say whatever pop culture dictated. The issue of her divorce might not have been an issue at all and some other conflict would have risen to the top of the plot point chain. In Suz’s case, however, her faith is the point on which she pivots, so how could I ignore her struggle?
As Christians who write, we have to be so careful, though. I’d never want to steer someone wrong, or to as the Bible says “cause my brother to stumble.” Yet I have no interest in sermonizing either. Instead, I want my characters, no matter what the issue, to struggle with their decisions the way we all do at times. And that means that as writers we too have to press in to those corners that we inevitably find ourselves in.
The answers don’t always come easy. If you write, maybe you’re like me, and you often find yourself listening to the voices of many more than your muse. There are readers, of course, but also reviewers, editors, sales and marketing—even critique partners—all who have opinions about what our characters should or should not do. Daunting, isn’t it? But in Jeremiah 6:16, the Lord gives this advice to savor: “Stand at the crossroads and look; ask for the ancient paths, ask where the good way is, and walk in it, and you will find rest for your souls.”
To writers, this verse suggests standing at the crossroads with our characters. It suggests contemplation, prayer, and continuing to show up and write even through the tough patches.
With
Fade to Blue, after I prayed and wrestled to the point of a near-ulcer over my heroine’s decisions, my pastor “happened” to deliver a sermon that provided the perspective necessary to taking that first step out of her crossroads—and I was ready with pen in hand. Don’t you love when that happens? No peptic medication necessary!
I love what Donald Maas says in
Writing the Breakout Novel: “Some say success as an author requires a big ego: I say that it requires a big heart.” So true. Not only that, I believe that those big hearts must be softened by our experiences with God’s grace.
Next time you find yourself at a crossroads in your novel, don’t shy away, instead press in. Pray hard. Shut out the voices for a while. Instead, think about what it’s like to hold a seashell, constantly turning it over in your hand. Though they’re often tossed into the sea with nary a glance, seashells are intricately beautiful—even when broken. The more you examine your characters lives, no matter how shattered or sinful they may be—the more beauty can be found. Why? Because it’s in those dark places where God’s grace shines brightest.
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http://www.juliecarobini.com/
I grew up as Julie Navarro, in a family of truly right-brained individuals. Among us you’ll find writers, artists, and musicians, all of us willing to talk about the arts at a moment’s notice.
Over the years, I’ve published several hundred articles and stories in magazines and books, including Aspire, Decision, Expecting, Focus on the Family, Key Magazine and God’s Abundance: 365 Days to a Simpler Life. As I wrote, I found a common theme cropping up: my family, the sea, and God’s timely work in the lives of those around me.
Maybe it was time to incorporate those interests into novels, I thought.
And so I did. Not once, but twice. Both times, God shut both doors and windows. So I continued to write and dream and raise my kids with Dan. Eventually I decided to write romantic seaside novels, and that’s where I found my voice.
When I’m not writing, marketing, or editing for others, I’m driving my kids around town, imagining that my mid-sized SUV is actually a sleek sailing yacht.
