Mentoring + Partnership = An Exciting Publishing Model by Lindsay Harrell

Pepper here!! I am so excited to welcome author Lindsay Harrell today to talk about a brand new opportunity for authors of every level of publication! Without taking up more time, here's Lindsay!

Mentoring + Partnership = An Exciting Publishing Model

Guest post by Lindsay Harrell

One of the most difficult things in today’s world of publishing is finding a place in the market. There are a lot of readers out there, but with so many books on the physical and digital shelves, discoverability can be an issue.


Not only that, but it’s so easy to feel like writing is a solitary endeavor. It can be lonely holed up in your office at home, plugging away at your computer, day after day.



I know personally that I wouldn’t be where I am in my publishing journey if those who had gone ahead of me hadn’t taken the time and energy to slow down, reach back, and guide me through some of the more difficult hurdles of the course.



Susan May Warren is one of those authors. Through her organization, My Book Therapy, she has been in the business of teaching authors to get published, stay published, and build brilliant careers. And, it’s worked—every year she has seen more of her students published, winning awards, and going on to flourish.



I have been blessed to be one such author!

One of a mentor’s key characteristics is a heart for others, and Susie has that in spades. We got together this summer and started talking about ways to help other authors who are ready to be published but having a difficult time finding their place in the crowded market, and Susie shared a vision with me.



The awesome thing about visions? Sometimes, they become reality. In this case, the vision Susie and I discussed has grown into Sunrise Publishing—a publishing venture that combines mentorship and partnership between established authors and newer authors.



Sunrise is the dawn of a new kind of publishing (one that has actually been around for a long time, thanks to James Patterson and so many other authors who have partnered with aspiring authors to help them build their readership!). It’s designed to help launch new or rebooting authors into the readership of an existing author, build the existing fictional world of the lead author, and offer readers a remedy to the story hole they are seeking to fill.



Here’s how it works: Every year Sunrise will choose a lead author in one particular genre. (Susie will be the lead author in year one, so we can work out the kinks!) Once we decide on the kind of stories the lead author is looking for, we put out a request for submissions. (You can see our submission process here.)



Once the lead author picks the draft authors, they will start working on stories. Over the course of the year, the lead author will mentor the draft authors (with the help of Sunrise) to create six novels.



These novels will be traditionally published (print, ebook, and audio) over the course of the following year on all platforms. (We will be using Kindle Unlimited as part of our publishing plan as well.)



Our main criteria is voice. We are not looking for someone with a platform, but instead, draft authors who are interested in learning, understand the basics of writing, and are willing to work hard. Most of all, we are looking for serious authors who want to launch their careers.

If you feel you know an author, ARE an author, or represent an author who fits this criteria, check out our opportunities this year at https://sunrisepublishing.com. Submissions for our first series are due November 10th. (If you have any questions, I’d love to hear from you at lindsay@sunrisepublishing.com.)



I know that whoever gets to work with Susie next year will be so incredibly blessed!



At Sunrise, our hope is to offer authors two things that they might currently be missing: a clear place in the market—with lots of new readers—and the clear knowledge that they are not alone on this publishing journey.



Here’s to the dawning of a new day!



Who has been a mentor in your writing career? Does Sunrise Publishing sound like an intriguing opportunity you might be interested in?



 Lindsay Harrel is a CBA best-selling novelist and lifelong book nerd who lives in Arizona with her young family and two golden retrievers in serious need of training. With more than 13 years of editing and writing experience, Lindsay now juggles stay-at-home mommyhood with writing novels for HarperCollins Christian Publishing and working as Editorial Director at Sunrise Publishing. She has a passion for not only helping authors improve their stories and find their voice, but also getting messages of hope out into the world. Connect with her at www.LindsayHarrel.com.

Snip Skimming in the Bud: How to be Eloquent and Snappy

Skimming. A writer’s nightmare. Here we are pouring intense thought and meticulous planning into each layer and fold of our story... but the reader is getting antsy. And thus, missing the sheer genius of those carefully prepared words.

I hate to admit that I do this sometimes. Skim. A sacrilege! And I know that some poor misguided reader has likely glaze over those precious details I've slaved over to get to the meat.

Because I write suspense I tend to be driven by action, pacing, and cliff hangers. But interestingly enough, I am equally wooed by the details, the little nuances of romance that tease and excite until we are chomping at the bit for more.

 

The point here is balance.

We’ve all been schooled with rulers to “show don’t tell,” because well, a plainly told story would bore us all to tears. We want to touch, taste, smell, see, and hear everything the characters are feeling because therein lies the magic of story. It’s power to transport us outside of ourselves into another dimension.

But sometimes, more isn’t really better for the reader. The excess becomes clutter, it bogs our pace, dwindles our excitement, and your beautiful message-your long labor of love-becomes the casualty of overwriting.

To sound official I am going to coin this affliction Hyperwriteosis. Please consult your editor if symptoms worsen.

Prescription to keep you snappy (Use in moderation):

-Insert action tags to break up heavy introspection.

If we can see what is happening outside of the mind, how the person responds physically, we are more inserted into the moment and the scene has movement. Your page will have a pulse. 

         -Sprinkle in your senses.

            Susan May Warren does a great job teaching about utilizing the five senses in every scene. If they are all present, they almost disappear and the scene is alive all around you. But don’t plop them all in at once because it becomes an information dump. And you don’t want your scene to read like a checklist. 

            Yep, she’s smells the dank air of the alley. The brisk wind shivers through her coat. It’s umm… dark, and the casts of shadows warn that she’s not alone. She can taste her own fear as nervous bile creeps up and spills onto the back of her tongue. And well, despite the cold, her fingers are slick with sweat. These are all great things to know, and each detail is a new smear of paint on your canvas, but I doubt your character notices them all at once so why paint like a three year old?

-Write with purpose.

            Everything you plant on that page needs to be a seed. Some thoughts are seedlings—little sprouts of insight into your characters personality, their uniqueness, their setting, what makes them tick. Other thoughts have roots that run deep under the foundation of your story. They peel away motivations and fears. They raise the stakes and bring the house down when we get hit with the black moment. Bam!

            My point is, don’t waste your words of things that aren’t important to your story. The reader is smarter than you think and will not always be patient with your tangents. They will skip over your nonsense, or simply become annoyed by the delay, and forgo the rest of your fabulous book.

-Create compelling characters.

            Yes, this is fiction so we get to play. We could technically sculpt some super fine hero with rock-hard abs and a smile dangerous enough to be illegal in all 50 states. But we also want these people to seem real. Beautifully flawed. We want to fight through their struggles alongside them. Believe in them. Creating characters with honest vulnerability can be a challenge. Sometimes it’s easier to write the uber-confident-smokin’-hot-bad-boy/nice-guy that any woman would trade her left ovary to ride off with into the sunset with. But we don’t fall in love with cardboard cutouts. We fall in love with wonderfully broken pieces of humanity that somehow fit with our own. Make these people and their problems real and relate-able. Your reader will swoon and will most definitely stay tuned.

-Write a chasing pace.

            It doesn’t have to have an actual chase scene with explosions and tumbling cars to have a fast pace. It can be an achingly slow and tender kiss scene that reads like a pedal to the metal ride on the Autobahn. Keep your sentences short. Stay away from large blocks of script or dialogue. And for me personally, puh-lease avoid reader uncertainty. Be clear about what is happening. Okay, so what, they are kissing. Not all kisses are created equal. If I am bored during a kiss scene you are missing the boat! Utilize those senses; draw me in so I can see it play out like a scene from a movie. If I don’t know where anyone’s hands are, what they are thinking, feeling, or even if they are still kissing after an unspecified time elapses, am I to assume it was a crusty peck kiss? Oh, that will win her over! You can be specific without being graphic. Your reader will thank you! They will sigh and remember exactly what it is like to be kissed senseless. Ow ow!

When do you feel you usually start skimming? And do you have anything other remedies to add to my prescription?

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Amy Leigh Simpson writes romantic mysteries with honesty and humor, sweetness and spice, and gritty reality covered by grace. When she’s not stealing moments at naptime to squeeze out a few more adventures in storyland, she’s chasing around two tow-headed miscreants (Ahem)—boys, playing dress up with one sweet princess baby, and being the very blessed wife to the coolest, most swoon-worthy man alive. Amy is a Midwestern-girl, a singer, blogger, runner, coffee-addict, and foodie. Her Sports Medicine degree is wasted patching up daily boo boo’s, but whatever is left usually finds its way onto the page with fluttering hearts, blood and guts, and scars that lead to happily ever after.

Check out her NEW romantic mystery novel FROM WINTER'S ASHES! Available NOW!

The VALUE in VARIETY

When I started writing "seriously" back in 2007, I had this tunnel vision of what I expected to write.

I wanted to write full-length contemporary romance for one of the top-ten Christian publishers.

Nothing less. Nothing more.

Not picky, right?

It's amazing at how much the publishing landscape has changed in the last 8 years since I took that original leap at following my dream of being a published author.

There are SO many more choices and options than there were then, and more and more authors are seeing value in embracing the changing landscape and being on the frontline vs dragging behind, resistant to change.

And I'm not talking just about indie-publishing, even though that is a definite change.

Authors TODAY are looking at a lot more than just writing what they've already written.

Publishers are encouraging novella prequels or sequels to help promote their books and build readership. Authors are seeing value in indie-publishing their backlist or publishing those books-in-the-closet that would never see the light of day otherwise as they aren't considered marketable by traditional publishers. Some authors are choosing to be hybrids (raising my hand!) and others are ditching traditional publishing and going indie with both feet and not looking back. (and quite a few of them are making bank off that decision!) From short-stories to non-fiction to children or YA fiction, there are SO many more options available today.

A few example:

Jody Hedlund's novella Out of the Storm was a prequel published before her newest Lighthouse series was released. It's currently FREE on Kindle and includes a preview to the first book in the series, Love Unexpected.

Katie Ganshert has dipped her toe into indie publishing with her first YA novel, The Gifting!

Susan May Warren recently published 3 of her previously published novellas from her early days in a novella collection called Somewhere, My Love.

And a new trend over the last year that is quickly picking up traction are group novella collections! A great example is a team of indie-authors who published Splash! a collection of contemporary Christian romance novellas by 9 different authors - releasing June 23rd and available for pre-order now! They usually sell the collections for a small price of 99 cents, but the volume of sales on top of the exposure for marketing make this an interesting new idea! I myself am going to be a part of a Christmas collection come this holiday season!

There are so many other examples, but this was just a small sampling.

The point is -- your publishing experience doesn't have to be limited to one thing anymore. In fact, it is looking more and more like it SHOULDN'T be anymore too.

What about you? Have you thought about outside-the-box publishing options? 

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Krista is a follower of Jesus, a wife, a mother, and author of Sandwich, With a Side of Romance, A Side of Faith, and A Side of Hope. She blogs about finding JOY in the journey of LIFE at http://www.kristaphillips.com. She is represented by Sarah Freese of Wordserve Literary.

New Releases are Blooming in May

Trees are budding. Flowers are blooming.

And new releases are bringing some sweet reads our way for May.

                                           Robin Lee Hatcher's Whenever You Come Around











Richard Mabry's Fatal Trauma











                                                                  In Firefly Valley by Amanda Cabot

The Proposal of Siesta Key by Shelley Shepard Gray











                                Lorna Seilstad's As Love Blooms

Chance of Loving You - a 3-in-1 surprise by Terri Blackstock, Susan May Warren, and Candace Calvert










                To Win Her Favor, by Tamera Alexander

 

And as weird as it looks to write it....Pepper Basham's debut novel, The Thorn Bearer

ICRS Through the Eyes of a Newbie

ICRS…. Hmm? What is that, exactly? Retail, my friends. More specifically the International Christian Retail Show.

It makes sense for those of you who are published writers, or perhaps an author up for a Christy Award to make attending ICRS a priority.

Being a newbie, and a relative nobody in the book biz, you might be wondering why I went. My lovely unpublished manuscripts were not on display, I most certainly wasn't up for any kind of prestigious award, and I often got these double takes at my ID badge, as if people were wondering… “Should I know who you are?”

Nope, not yet folks, but stay tuned. :)

All that said, my experience was amazing and I thought I’d share 7 reasons why I think going to these shows is an excellent use of your time and finances.

1.  Get the 411. Whether we are published or not, we (us writers) are in the book business. There is so much to explore. And what better place to do just that, than in the Booksellers Marketplace!

2. Swag! As in FREE books! How can you go wrong there!

3. Celebrity sightings. Not only do you get to geek out (love you Katie Ganshert) when you meet a #1 New York Times Bestselling Author, you can get an autographed copy of their book. Did I mention, for free? Let's face it, each of us are inspired by other great writers. It's always an honor to get to tell them how much their stories have blessed us.

4. Elbow rubbing. Since there are so many authors floating around you are bound to bump in to some you know or just admire. And since the atmosphere is so laid back, even more so I thought than conferences when it can feel pretty awkward or intimidating to walk up and interrupt an author, it is surprisingly easy to actually TALK with people at ICRS.

True story: I was lucky enough to walk the floor with Susan May Warren, one of my absolute favorite authors and a dear friend. Talk about a backstage pass! We ended up chatting with this well known screen writer and his buddy in the MOVIE biz! These are great connections to make. And yet, not the kind of people you bump into at a writers conference. (But don't skip the conference either! Oh, shoot, now I'll need to do another post. 10 Reasons Why You Should Attend a Writers Conference. Coming soon!)

5. Face time. What better way to remind those wonderful editors that you are still breathing, and yes, still checking your inbox regularly than to see them in person. Introduce yourself. Put a face with a name. Better yet to put a personality behind that name and become someone they can recall, or even see themselves working with. (Manners and appropriate conduct are a given.)

6. Fellowship. One of my favorite things about ACFW is that I get to meet up with all my amazing writer friends and spend some time with people who actually understand my crazy writer brain. ICRS is like adding another playdate. We even had a prayer room this year, led by the fabulous Rachel Hauck, myself, and an awesome local worship leader and close friend, Alyssa Schweich.

Did I mention that agents tend to frequent these types of shows? It’s always nice to get to have a coffee with your agent and catch up in person. It was one of my favorite things about ICRS this year. And I even got a highly coveted kilt shot to treasure forever. :)

7. Dressed and pressed in your Christy's best. It’s like the Oscars of Christian Fiction. Yes, I suppose when I walked in and saw all the tables were reserved for specific publishing houses (all of which I have no affiliation) I may have, for a few panicked moments, felt like a the new kid cruising the lunch room for a spot for a stray. But what an amazing experience to get to see a heavy hitter in the industry, Lee Hough, given the Lifetime Achievement Award. Get to hear my agent give a beautiful and charming keynote address about the power of story. Get to see my friends and their outstanding books receive recognition. I loved every minute of it!

There is an old saying, something like… Surround yourself with Greatness to achieve Greatness.

Go to ICRS. Put the cart before the horse and map out the steps ahead on your journey to publication, and bestseller lists, and awards. Go. See. Dream. You won’t regret it!

********************************************************************************

Amy Leigh Simpson writes Romantic Suspense that is heavy on the romance, unapologetically honest, laced with sass and humor, and full of the unfathomable Grace of God. She is the completely sleep deprived mama to two little mischief makers and would challenge anyone to a cutest family contest. Represented by Chip MacGregor of MacGregor Literary Inc.

Creating Memorable Secondary Characters

Who says main characters get all the attention?

Think of Dorie in Finding Nemo.

As a secondary character, she steals the show with her humor.

Rhino, the loveable hamster in Bolt, adds panache as he cheers for Bolt and becomes endearing to us in his own right.

How about Abu from Aladdin, the kids in Incredibles?

Who can forget the old lady with a shotgun in Ratatouille?

Or housekeeper, Minnie, from The Help?

Now, how can you create a secondary character that's loveable, despicable, memorable, hilarious, endearing, or infuriating?

Give your secondary characters a fascinating backstory.

Alley Cat Pepper suggested journaling from the perspective of my antagonist over a year ago. Since then, I've done so with a variety of other characters. Getting into their heads has definitely helped me write stronger secondary characters.

Make him/her sequel worthy.

You know you've created an in-depth secondary character when readers beg for a sequel from that character's perspective. One example would be Surrender the Dawn by Mary Lu Tyndall. I so desperately wanted to read Luke's story because he was an excellent secondary character with a lot of depth.

Give them a quirky trait, particularly as they are relating to your hero or heroine.

Any character who shows up more than once should have at least a few identifying traits.

Maybe the car repairman has a nervous tic and always shakes when he's signing the receipts.

Perhaps the doctor who has diagnosed your heroine's cancer always smiles when giving bad news. Its a nervous habit.

blackactors.net

If they are a more major secondary character, go even more in-depth with their personality.

Think of your secondary character who has the most major role in the story. Consider taking a few minutes to take an MBTI assessment on your most important secondary character. Interview your secondary character as if your his or her therapist.

The Book Buddy is a resource that has helped me increase the depth of my minor characters.

Think about motivations of this secondary character. Why do they do what they do? What are their needs? Do they have a "lie" they believe that affects the main character?

For instance, although we are each responsible for our own journeys perhaps mom believed a lie that she then "taught" to the main character during childhood. Main character has to unlearn this lie throughout her journey.

You don't have to include all these details in the story (in fact you probably shouldn't) but it can help you to understand their journey and to write more compelling scenes.

Don't forget the most compelling secondary characters don't need to be human.

Think of Dorie. Abu. The dog in The Accidental Tourist.

Pets can be believable and loveable companions to your character and have their own quirky traits.

Remember opposites attract isn't just true in romantic scenarios.

Sidekicks are often compelling and interesting because they have opposite personality traits to the main character. Think of movies with a "funny" sidekick. Danny DeVito has often played this role in the movies. These characters make us laugh. Even in the most serious books (I enjoy writing what my hubby likes to call women with issues fiction...though who among us doesn't have issues) we need a break for laughter.

A good secondary character is an emotion trigger.

Our main character typically isn't neutral toward a well-drawn secondary character. She helps draw out emotion from the main character.

For a great example of this, check out this post by Susan May Warren.

Do you have a favorite secondary character from the movies or books? Why is he or she your favorite? Or who is the most compelling secondary character in your story and why?

Julia enjoys writing women's fiction whenever she can find a chair free of smushed peanut butter sandwiches and lego blocks. She is a wife and homeschooling mama of two littles. She also enjoys reading and reviewing books for Library Journal, The Title Trakk, and Christian Library Journal.

Three Big Takeaways from the My Book Therapy Storycrafters Retreat: Guest Post by Lindsay Harrel

I love Lindsay Harrel! So when I had the brainstorm to ask her to guest post, I knew exactly what to have her chat to us about...what else, but the My Book Therapy retreat she just attended! Now, before you join me and turn bright green with envy, this post is LIKE attending one of Susie's retreats it is so thorough. So kick back, avoid those black Friday shoppers and get to know Lindsay bit better... :-))

A few months ago, I received my first agent rejection letter. The agent said that while she liked my writing, my story and plot were not unique enough.

After a trip to Dairy Queen and about two days spent doing anything but writing (ha!), I sat down to examine what the agent had said. And you know what? She was right.

So I set out to correct my deficiency in plot and structure. I’ve been a member of My Book Therapy—an organization founded by award-winning author Susan May Warren that focuses on teaching the craft of writing—for nearly a year, but had yet to attend any of the group’s writing retreats.

I decided to change that. Last month, I attended the MBT Storycrafters Retreat in Minnesota.

Changed. My. Life. (And writing!)

The retreat was small, only about 10–15 people, and that meant I received individual attention from Susie. That woman is amazing and just so called to be a teacher. She truly cares about each person there and brainstorms like you wouldn’t believe.

At the retreat, Susie goes through the very basics of building a plot from the ground up. There is so much information crammed into your head over 48 hours, but it is all so valuable. You actually come away with a fleshed out story idea and your first scene written.

I thought I’d share with you some key points I took away from the weekend:

Character sheets aren’t enough.

Before I joined MBT, I used character sheets to get to know my characters. You know, the ones with details about what kind of car your character (we’ll call her Tina) drives, her dog’s name, and her favorite color. While those details can be important and very telling of Tina’s character and who she is, they by no means are enough.

Instead, think about what event in your character’s past (called the Dark Moment) shaped her. Make it one specific event. That event then leads to the Lie She Believes. For example, in my current work in progress, my main character Stacy’s mom broke a promise, one that leads to the death of Stacy’s dream. The lie she believes is that no one can be trusted—that you have to do everything yourself.

The lie leads to the Greatest Fear, which comes true in the Black Moment, or the big event toward the end of the novel when all heck breaks loose and the lie seems true.

See how all of these things tell us much more about a character than the car she drives? In order to figure some of these out, Susie suggested delving deeper by interviewing your character.

Storyworld can make or break a scene.

Storyworld is that all-encompassing something about a scene that puts us there and practically makes the setting like another character. I have always included little details into my scene to accomplish this, but I don’t think I was doing enough of it. Susie suggested brainstorming the following basics just before writing a scene. Spend about 10–20 minutes doing this and it will make you much more in tune with your setting and what’s going on in your scene (even pantsers can do this!):

Ask the five W's.

·         Who: What's the POV character's emotional state in 1-2 words?

·         What: What is going on around the character? What is the character actually doing in the scene? (This last question really helped me because my scenes were previously filled with lots of smiling, nodding, fists clenching, etc. Susie said to give your characters something to actually do, like peel potatoes, get ready for a party, etc.)

·         Where: Physical location, but also what is significant about this place to the character?

·         When: Time of day, time of year, etc.

·         Why: Why is the character here?

Add in the five senses.

·         Close your eyes and pretend like you're there. What do you hear?

·         What do you smell? Be as specific as you can, even giving analogies here.

·         What do you see? Pull out little significant details.

·         Taste can be a feeling (like tasting guilt or regret) or an actual taste.

·         You should only use significant touches.

I wrote a new scene at Storycrafters and sent it to my critique partner. She told me it was the best scene of mine she’s ever read because the storyworld was so vibrant and alive.

So yeah, guess it makes a difference.

First lines should put us in the character’s head.

The first line—and I’m talking about the first line of each scene, not just of the entire book—is responsible for drawing our readers in. Because of that, we want them to be powerful. Strong.

We also want them to get us in the POV character’s head.

A great trick Susie taught at the retreat was this: When you’re brainstorming your scene, close your eyes and embody your character. You’ve already thought about where she is, what she’s doing, and what else is going on around her. Now, what is she thinking? What thought is running through her mind?

That is your first line.

An example from the scene I developed at Storycrafters (technically two lines, but you get the picture):

“How had it come to this, singing in a backwoods joint that felt more like a prison courtyard than the concert hall of Kacie’s dreams? Yeah, the Lizard Lounge was definitely a far cry from the Grand Ol’ Opry.”

Your Turn: Have you ever been to a writing retreat? What takeaways did you bring home? If not, what writing tidbits have you been learning lately? Please share!

Since the age of six, when she wrote the riveting tale “How to Eat Mud Pie,” Lindsay Harrel has passionately engaged the written word as a reader, writer, and editor. She holds a B.A. in Journalism and Mass Communication and an M.A. in English. In her current day job as a curriculum editor for a local university, Lindsay helps others improve their work and hones her skills for her night job—writing inspirational contemporary fiction. Lindsay lives in Phoenix, Arizona, with her husband of six years and two golden retriever puppies in serious need of training.

Blog: http://lindsayharrel.blogspot.com/   

Facebook: http://www.facebook.com/LindsayHarrel  

Twitter: @Lindsay Harrel: https://twitter.com/LindsayHarrel

What's Up the Street - Post Conference Treat

For the month of October, The Writers Alley is going to be featuring video clips from the ACFW conference during the weekend posts. We have some fun clips from people like Susan May Warren, Edie Melson, Lindsay Harrell...not to mention some of the Alley Cats.
So....for our first vlog, here's Susie May! (the background noise is a little loud, but we WERE at the MBT party :-)




GREAT reminder from Susan May Warren.

Okay - so next week we have all kinds of great information from Pepper's agent story to more post- conference information to propelling readers deep into the story to a guest post with Tamara Leigh.

Make sure to stop by and visit with us and have a fabulous weekend.

Btw - what would your post-conference advice be?

Prepping for Conference - A quick to-do list

Writers Conferences are happening all over the place and I'm sure that you'll have plenty of opportunities to read about how to craft the perfect one-sheet or design the most eye-catching business cards, but I wanted to take the opportunity to offer some other ways to prepare as well.

Here's a short list (or as short as my long-winded self can get :-)

1. Pray – The one I need the most, but end up doing last. (Sorry, Lord) As Christians our first response to any situation should be to pray. Pray about who you should meet, which courses you should take. If He guides your writing, He’ll guide you in the industry too.

2. Research – if you have opportunity, check out the websites of the editor and agents you plan to meet at the conference. Even if you don’t have a formal appointment set up with a certain agent, you’ll have opportunities to meet them in other ways – such as in the elevator, at a meal, perhaps in a lecture. Know what they’re looking for and how your manuscript might fit into their line.

3. Etiquette – When you have that opportunity to meet editors and agents, remember your manners. They are people too. Accosting a poor editor with your terrific idea while she’s in the bathroom may make an impression, but not the kind you’re going for. If it is outside of your scheduled meeting time, introduce your question something like this “May I ask you a question?” or “Do you have time for me to give you an idea of my story?” Don’t hog the conversation at meals, but offer an out. Editors know you’re at the conference for that reason, but don’t be pushy. Be confident – but not overbearing. Listen to what the editor or agent has to say too. Listen more than you talk.

Oh, and BE ON TIME for your appointments. That’s a professional touch too.

"Please" and "thank you" never grow old.

4. Meet people – If you have spare time, try to meet people. It’s a great way to network, of course, but it’s always just fun. Finding other people who ‘speak your language’ can really be a boost of confidence – and decrease that general loneliness feeling authors have a tendency to feel. I CANNOT stress this one enough. You will make some of the most wonderful friendships and touchpoints by stretching beyond your comfort zone and engaging people in conversations. If nothing else, start with the simple question, "So, what do you write?"

As you well know, we writers LOVE to talk about our stories.

5. Be prepared, as much as you can – If you have novels in the works, create one sheets or one-pagers. Or make a projects sheet. Do NOT take your entire manuscript. If the editors want to see the whole thing, they’ll ask you to send it to them.

Research (like from #1) is a way to prepare. Try to review a map of the vendor before you get there, so you’ll know ‘kind of’ where the presentations will be held – it’s a stress reliever.

6. Dress – Unless the conference is in a temperate setting…I don’t know, like Hawaii, it would be wise to pack with varying weather in mind. For example, at the Blue Ridge mornings were cool, but afternoons were warm, so I'd wear a light jacket over short sleeves in the morning. Easy fix :-)

Also, when you have your scheduled meetings with editors and agents, you’ll want to dress like the professional you are. I don’t mean a three-piece suit. Slacks and a nice shirt will work, but enough to show you are serious about your writing.

7. Make wise use of your time – If you do #4 and prepare ahead of time, you will already make wise use of your time. Knowing the schedule ahead of time and getting a general idea of where you need to be…and then where you WANT to be, will help you make wiser and more effective use of your time.

8. Have FUN! This is an opportunity to celebrate your writing with tons of other people to "get it". I can't WAIT to spend time with my fellow AlleyCats, the gals from Seekerville, you wonderful followers of The Writers Alley, and the other amazing people I've met through writing. View your day through the balance of God's hand, with each appointment (whether planned or not) being an opportunity He's placed before you.


9. Be 'teachable'.It's probably not in your best interest to say you can’t change the book because “God gave you this book and it can’t be changed.” It hints that the editor or publisher will be out of God’s will if they change your story at all. We should approach writing with the same attitude as our faith - God is continually teaching us, whether through His Word, our experiences, or the people we meet.

10. Pray. Hmmm, didn't I say this already? Well, it's worth repeating. When our heart and mind are in the 'write' place all the circumstances around us come into the proper perspective. God's provided this opportunity for you to go to conference. In the start and the finish, keep Him in view.

What conference tips would you add?
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Dark Moments - Inspired by Susie May Warren and Rachel Hauck

Gee, that title isn't very flattering to Susie and Rachel, is it? LOL
No, they are not the ones inspiring Dark Moments (unless it's in their characters :-) - but they are the ones teaching about Dark Moments.

In fact - it's the DARK MOMENT of your character's life.

Today, I've tried my hand at a 'vlog' to talk to you about Dark Moments.  Bear with me, I'm still trying to figure out how it works and seeing my face that big on a screen is frightening :-) GREAT face shot there, isn't it? AHHHHH! Just wait until you hear the accent :-)

Sherrinda's post entitled Creating the Lie is right here.

Here's another vlog with 2 examples of Dark Moments.

So, what do you think? Leave a comment about the Dark Moment for your character in your WIP.

Also - tell me what you think of vlogging! Besides the initial shock of it, what did you think?

Deepen Your Characters - Tips from Susan May Warren

Well, as you already know from last week, I attended the Blue Ridge Mountains Writers Conference in Black Mountain, NC.

It was a wonderful experience in so many ways – but particularly the teaching. Since I was only there for two full days, my class list wasn’t very long, but the information was timeless. Over the next few posts I want to share with you some nuggets of inspiration I received while there.

Today, it’s a glimpse as Susan May Warren’s Becoming Your Own Book Therapist course.

Now, I’m a speech-language pathologist by-day, so I get the whole “therapy” idea. It’s what I do.

1.       See a problem

2.       Dissect the root of the problem

3.       Take steps to fix the problem through a series of questions/activities

4.       Celebrate your brilliance (I added that part, of course ;-)

So when I was introduced to a few of Susie’s techniques, it was a “light bulb” moment. Aha! There’s the problem. Let’s fix it!

Today we’re going to focus on Character Development.

If a judge/editor/agents says:

All of your characters sounds the same

What’s the problem? – Your characters are not developed enough. Not deep enough. He/she needs layers – like a coat. Each layer removed provides something ‘closer to the skin’ of your character. (okay, those last few statements were from Pepper, not Susie J

How do you deepen the character development?

Ask your character questions. Have an interview. Sound weird?

I’ll use one of my characters from the story I’m going to write next (so it’s BRAND NEW TO ME too) to show you how it can work.

I’m using questions from Susan May Warren’s FABULOUS book, The Book Buddy, and notes from her class.

1.       Who are you - the bio

Ava Paige Emerson

27 years old

High School History Teacher

2.       Tell me about the darkest moment of your past, something that shaped you.

My big brother dying in Afghanistan five years ago. I caused me to hold on to my parents – but then, a year ago they died in an automobile accident while they were away in England trying to salvage their marriage. One of them cheated on the other – I’m pretty sure it was my father. He travels for business and men are usually known for their faithfulness, right? If someone’s going to cheat, it’s most likely going to be them.

3.       What kind of person are you today because of that moment?

Hmm, well I guess I’m independent, and more cautious about possible romance. Okay, to be completely honest, I don’t date. I haven’t since they died. I can’t bring myself to try and trust somebody who is probably going to leave me in some form or other anyway.

4.       What Lie do you believe that drives you and shapes your spiritual beliefs? (okay, if this one isn’t obvious from Ava’s answers so far….)

Nothing is constant – especially a man, so I can’t trust one. I have to stay independent and rely on my own strength to be happy. A guy is just going to betray me and being numb is a lot easier to bear than hurting through loss.

5.       What is your greatest fear?

That I’m right, I guess. That being alone is the only option for me.

 The point is…you keep asking until you get to the heart of your character. You search for her greatest fear, the lie she believes, her deepest wound, and her greatest dream. Those are the heartbeat elements strumming through the pages of your novel pumping life into your one-dimensional character. It's my first time using these questions for my new book - but it's helped me to start fleshing out my heroine, and I love the twists it begins to develop in my novel.

If you want to learn more, purchase Susie’s tool, The Book Buddy – a GREAT buy.

You can also check out my very first VLOG where I mention The Book Buddy and tell a little more about it.

Do you have any tools you use to help deepen your characterization? Any books you'd recommend?

What is your current heroine's greatest dream?