Showing posts with label acfw. Show all posts
Showing posts with label acfw. Show all posts

Wednesday, July 18, 2018

Conference Prep, Editing, and One Sheets

Anyone prepping for conference?

Appointments with editors and agents are great opportunities to let your stories shine. One thing that calms my nerves in those appointments, is having top notch materials to share. An eye-catching one sheet and a stellar synopsis are the best ways to give "audition" to your story! Sometimes though, it can be overwhelming to gather everything you need, as well as getting yourself ready for conference in general.

 I want to suggest to you conference goers: Outsource! We would love to help you with your needs for conference season this year. Fellow AlleyCat Laurie Tomlinson and I have been to multiple conferences, and love helping with authors get ready for a stellar experience. Check out our services in the ads below.

What conference are you planning on going to this year?


Click here for more info


Click here to for more info

Tuesday, April 24, 2018

Tipful Tuesday: Attend A Conference


In 2010, I was about to receive my first major rejection—my entry in the Genesis contest was
SEVERELY lacking in every element that comes with a successful opening to a novel. That book shall never see the light of day. Oh me, oh my. That was also the first year I attended ACFW (a logical next step after very insightful contest critiques). I was in the throes of morning sickness, with a commitment of attending only for one day. Fear (and funds) strapped me to minimal participation.

But, whoa.

What happened? So much happened since that first step into a hotel coffee shop swearing I would just hide my pregnant self behind a book and wait for it to be over. Friends happened. Mentors happened. Networking happened. A year later, I semi-finaled in the Genesis. Two years later, I met my agent. And in 2016, I walked into conference with a book contract signed, and another contract waiting for me the next month.

 In my opinion (and in the opinion of those authors I reached out to before 2010), attending a writer’s conference is the BEST next step for an aspiring writer. ACFW is where I started, and where I continue to go—there is so much to be learned, so many people to befriend, so much community to ground yourself in so your stories can bloom with confidence and encouragement. Any seasoned writer will tell you that conference isn’t about a contract. But if you are sitting there, with words and stories, and you haven’t stepped into a writer’s conference, I’d say this #tipfultuesday take that step in the right direction. My recommendation? Check out www.acfw.com

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Angie Dicken credits her love of story to reading British literature during life as a military kid in Cambridgeshire, England. Now living in the U.S., she's an ACFW member, a blog contributor to the Writer's Alley, a baseball mom, and a self-proclaimed foodie. Two of her historical romance novels comprise her Fall 2017 debut: The Outlaws Second Chance, Love Inspired Historical, and My Heart Belongs in Castle Gate, Utah, Barbour. 


Connect with Angie at www.angiedicken.com



Friday, April 7, 2017

My Own Lazarus Story


If you've been around the Alley a while, you've heard me share about my journey to publication time and again. I would like to share a perspective of my journey that has some parallels to a well-known story.

Last Sunday at church, I had the privilege of giving a testimony about my writing after the pastor's sermon on the story of Lazarus. I'll give a quick summary of John 11 and highlight some keywords:

Even though Lazarus had been dead for four days, Jesus knew that he would show God's power and glory in this circumstance. After he was so moved by Martha and Mary's mourning over their brother, he asked the people to move away the tomb's stone--even though they were worried about the smell of death- the stink. Lazarus comes out of the tomb, fully ALIVE, and those who loved him unraveled his grave clothes and welcomed him back to life. 

 Funny, I'd offered to give a testimony based on my writing journey before I even knew what the sermon would be on that chosen date.

And, just as always, God met me and showed me how tightly knit Lazarus's story is to my own writing journey. I'd love to share my testimony with you all...especially since some of you play a big role in it.

The Sisters:

Pensacola 2015

Eight years ago, I had a story that I wanted to publish. Fortunately, I entered the Genesis contest--and fortunately, I didn't final. I actually realized from the feedback that I had a lot to learn. So, I became part of the ACFW crit group and met the lovely Ashley Clark. That was the beginning of a beautiful friendship--one that would be crucial to my journey along all my highs, lows, and in betweens.
ACFW Conference 2016

After my first conference (encouraged greatly by none other than Ashley Clark), I walked away
thinking, I am on my way. After all, I had met with an agent, talked with a publisher--oh yeah, baby. I am getting published any day now. Um, yeah...we all know that's very unlikely. So, as I look back, and wonder what the purpose of that conference was...and I realize, I not only met Ashley face to face, but I met Pepper Basham...the gal who would invite me to be an Alley Cat a month later--a step into a life-changing journey.



The Stink:

The next years were difficult. I mean, having five novels subjected to rejection and criticism is never easy. It STINKS. Just like the four long days of Lazarus's death...I had several years of STINK when it came to my publishing pursuit.

But I had these amazing friends during that time--the Alley Cats and a handful of others. They encouraged me and prayed for me. We are writers at all different stages, but some how, the Alley Cats and I grew past our love of writing and found a sweet sisterhood.

And I knew this to be true when my unwavering focus on publishing--wavered, and a non-writing life crisis thrust me into the darkest season of my life.

Even though my prayer requests had nothing to do with writing, and my outbursts had nothing to do with the writing wait, these women became my lifeline. They spoke truth to me when everything around me was as dark and cold as a tomb. And they prayed. And prayed. And lifted me up when I was so far in the stink and despair I couldn't see God anymore.

The Stone:

And that's when God did something amazing. He rolled away the stone and met me in my writing. I wasn't writing for publication anymore, I was writing because God drew me close to Him as I poured my heart, and my writing became my place of worship.

I found worth in my writing that didn't hinge on publication. It was the catalyst for amazing friendships, and an intimate place for fellowship with the Creator.


The Grave Clothes:

Pensacola 2015
If I were Lazarus, and I was stepping out of the tomb, my Alley Cats would be the sisters who'd unraveled my grave clothes. They were the ones who prayed me through the stink, who spoke truth to me in love when I couldn't see past myself. 

Even now, when I have two novels coming out this fall, I realize that this past decade wasn't just a writing journey. Sure, writing is my passion--a sweet gift God gave me to meet Him in a creative way. But this journey?
The goal of publication was a nice motivator, but the actually living and breathing along the journey was what mattered most. It's the part that satisfied more than an earthly goal, but a powerful testimony of God's faithfulness to Christ-centered friendship, and a loving invitation to create alongside the Creator for nothing more than my own heart.


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Angie Dicken is a mom of four children and lives in the Midwest with her Texas Aggie sweetheart. An ACFW member since 2010, she writes historical, historical romance, and dabbles in contemporary romance. Her debut, The Outlaw's Second Chance from Harlequin Love Inspired Historical releases in September of 2017, and her novel, My Heart Belongs in Castle Gate, Utah from Barbour, releases in November 2017. Angie is represented by Tamela Hancock Murray of The Steve Laube Agency. 
Sign up for my news at www.angiedicken.com
Social media:
Twitter: @angiedicken
Pinterest: pinterest.com/agdicken




Tuesday, September 13, 2016

The Most Essential Key To Editing Your Manuscript




Many great books and lecturers teach steps on how to edit our manuscripts. Like a diet plan, each one can work for the writer who is willing to follow the steps.

Today's post: The Most Essential Key To Editing Your Manuscript introduces an idea that is crucial for any editing method you use. 

I think we've all asked ourselves, "Why hasn't my manuscript been accepted? I've checked every word. What more do they want?"   Right? Today's suggestion may be the one idea that will help reveal issues, improve the quality, and potentially bring success.

I came home from the 2016 ACFW writing conference in Nashville excited to put into practice what I'd learned. I had a mashing of puzzle pieces gathered from Ted Dekker, Erin Healy, Jim Rubert, Allen Arnold and other instructors I sat under floating in my brain. My goal: I wanted to write and edit my manuscript with a depth that would suck a reader into story and not let go until the end. 

Notice the words, write and edit.

I'm going to present this information backwards because many of us have a finished manuscript. Let's start with the editing component.

Erin Healy, editor and author, stated in her class, "Always edit your manuscript using a different medium than you first wrote."

What she meant was:
If you key your words into a computer do not read from the same style screen when editing.
If you handwrite your words on paper, do not read the same paper when editing.
If you dictate your words do not listen to the text when editing.
Photo Courtesy

Our minds are easily tricked. We see, hear, feel what was intended, not what is actually there. For example:

You're walking along a dark road at night when leaves and branches suddenly crackle behind. A snapping rhythm mimics footsteps. You turn. Why? Because you know someone or something is there. You see nothing but are not convinced. There is someone there. Your hearing told you so. Your mind believed it. Your heart responded. Panic sets in, and the belief system set in stone.



When edit our manuscript using the same tool we used to write the words, we often become blind to errors. By the last page, we're convinced what is on the page is the best and is ready to send to crit partners, beta readers, contests, agents, or editors. To our surprise, red ink with suggestions for new content, grammar corrections, and character description errors are sent back. Ugh! Disaster!! 

The sad part is, after making these changes more hidden issues hide in the ink on the page. We can't see them. Why is that? 

We need to follow Erin Healy's advice: edit using a different medium. Preferably, and this is key, one that matches our learning style.

Some of us are audio learners, some visual, some kinesthetic, and some learn best by combining two or more of these. I knew I was a visual learner. One I see something, it sticks.  Or so I thought. Turns out, a second learning style happened at the same time to make information really stay in my brain. Without it, failure.

When Erin presented the idea of using different ways to see/hear/engage in story, she and classmates brainstormed ideas like: 

*Send the manuscript to your kindle-the change in formatting helps to reveal errors.
*Send to the kindle and turn on the reader.
*Scrivener users have a speech reader program that will read the manuscript.
*Word apparently has a reader (but I haven't found it yet. If you know how to turn this feature on, please tell us in the comment section)
*View on a desktop computer
*Have someone else read the manuscript to you.


My favorite new idea was Scrivener's speech reader. It took a while to find (Go to edit, choose speech, select start) After hearing only a few sentences, better words popped in my head, pieces of missing story world unveiled themselves deepening the story. The characters seemed to come alive and spoke through the reader's voice breathing life into the words.

So... this happened because some monotone male voice read my story? No. I really needed to experience the story in a different format than I wrote it.

This is only the tip of the iceberg. Seeing/hearing/sensing my story in a different format is only helpful if and only if I have a deep sense of my MC's journey. 

Author, Ted Dekker said, "Storytelling is different than writing. Storytelling is a series of events involving worthy characters who change as a result of those events. Readers long for an escape from life and they search in our novels for another way."

As I listened to the monotone male voice read my story, I walked about my house, envisioning the action, MC's distress, her momentary successes and failures, her choices and changes in plan, her journey and the forward movement to the last page. And when the words hit a speed bump, I stopped my monotone friend from reading and rewrote words, sentences, and paragraphs, slicing and dicing, adding and modifying, drawing out a swirling depth that engaged me to the heart. Wow! What a terrific feeling.

Allen Arnold, Jim Rubert, Ted Dekker all said writers need to cry, laugh, shout, basically spill emoji while engaged in writing/editing a story. This is an experience writers not only give to readers, they give to themselves as well.

Allen Arnold said, "Many writers burn out because they weren't sustained for the journey." He also recently share this meme:





In the depths of your writer's soul is a story waiting to be told. Vivid words that transform each main character from the first page to the last. Don't trust an edit from the first means used to write your manuscript. Step into the reader's shoes and join them through the pages of the main character's journey by using a unique tool to edit.

Happy creating!

I can't wait to read your comment(s)!

Help others--tweet or FB share this post

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Rock climbing, white-water rafting, zip lining, and hiking top Mary's list of great ways to enjoy a day. Such adventures can be found in her stories as well.

Mary writes young adult mystery/suspense, is honing marketing and writing skills, and loves to pen missionary and tell Bible event stories on her ministry blog, God Loves Kids. She has finaled in several writing contests.

Visit Mary at her websiteblog, and her ministry blog to families: God Loves Kids. Or chat on Facebook or Twitter



All subscribers to Mary's newsletter will receive her new short story an intriguing suspense/mystery. Come, read a good story. To get your free gift, sign up for the newsletter at Mary's website or:  Join the adventure!

 



Friday, September 9, 2016

Friday Fun and Author Spotlight: Katie Ganshert

Angie here! Another fabulous week at the Alley has come and gone. I am so thankful to have such great support from our Alley Pals, and to always learn from my dear Alley Cats as they share pieces of their journey on this road to publication.

Week in Recap:
Our week started with an oh-so-fun topic-KISSING-as Pepper Basham shared about her time on a kissing panel (yeah, you really need to check out the post, Kissing Panel Notes: #smoochy#smoochy)

Laurie's post's Write That Story Anyway is a great reminder to hold our stories dear, even if they aren't on shelves yet. All you writers out there with a heart story that just might not fit the market mold...yet...(me!) should check out her post.

Now for our Author Spotlight:

I am so excited to welcome a fellow Midwesterner, Katie Ganshert to the Alley today! She has been such an encouragement to me at ACFW over the years. And this year, she won a Carol for her book, The Art of Losing Yourself! It was such an exciting moment, and her heartfelt acceptance speech resonated with me greatly. 

Katie, tell us about your award-winning book, The Art of Losing Yourself. What inspired you to write it?

It’s a story about half-sisters, Carmen Hart and Gracie Fisher. From the outside looking in, Carmen has it all—the perfect marriage, the perfect image, the perfect job. But from the inside looking out, her world is falling apart. Her dear aunt has dementia, and that same aunt’s pride and joy—a beloved motel called The Treasure Chest—is in serious disrepair. Not to mention Carmen’s silent battle through infertility, and the toll it’s taking on her and her husband, Ben. This is Carmen’s world when 17-year old runaway, Gracie Fisher, enters the scene. Gracie is caught squatting at The Treasure Chest, and Carmen is left with no option but to take the troubled Gracie in.

It’s a story inspired by the passage in Ezekiel 37, when God shows the prophet a valley filled with dry bones and asks, “Son of man, can these bones live again?” God’s asking the same question here, only the dry bones are more metaphorical—a woman’s faith, a woman’s marriage.

It was impossibly hard to write at times, but I’m so glad God called me on the journey.

Such a powerful passage, and an amazing testimony to God's call to write. What are you reading right now?

I can never only read one book at a time. Right now, I’m finishing up Eleanor and Park on audio. I just started Joanne Bischoff’s The Lady and the Lionheart. I’m also reading Knowledge of the Holy by A.W. Tozer, and The New Jim Crow by Michelle Alexander.

Love that you read more than one book at a time. I am the same way. 

Ok, now for some fun questions, Alley-style...

What is the most random thing in your bag?

Three small Star Wars-inspired Angry Birds. I have a 7-year old son.

Your movie snack of choice?

Popcorn, of course! At least, when I’m at the theaters. If I’m at home watching a movie, I almost always get Culvers frozen custard.

What's your favorite recent discovery?

Jane.com! Oh. My. Word. It’s an app you can download on your phone and it’s dangerous as all get out. Basically, it’s the best (and worst) thing ever for people who like cute clothes and bargain deals but HATE shopping. Every day you will find new boutique clothing items (plus accessories), all super budget friendly. The problem is, the items go fast, so if you see something you love, then you have to be a quick decision maker. It’s maybe not the best thing for impulsive shoppers.

If you could go back in time to the beginning of your writing journey, what advice would you give yourself?

Enjoy the early part of the journey. You may think all your dreams will come true when you sign the contract, but really, it’s just a new type of challenging, with all the familiar insecurities and unknowns (granted, they may shape-shift a bit), but with more stress! As clichĂ© as it sounds, it truly is about the journey, not the destination.

This is such wise advice for aspiring writers and newly-contracted authors too! :)

Thanks, Katie, for being a guest today! We are so excited about your Carol win!

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Award-winning author, Katie Ganshert, graduated from the University of Wisconsin in Madison with a degree in education, and worked as a fifth grade teacher for several years before staying home to write full-time. She was born and raised in the Midwest, where she lives with her family. When she’s not busy penning novels or spending time with her people, she enjoys drinking coffee with friends, reading great literature, and eating copious amounts of dark chocolate. You can learn more about Katie and her books by visiting her website or author Facebook page.

Thursday, August 18, 2016

Letters, Words, Hearts


Nomade by Jaume Plensa


When a writer walks through a sculpture garden, her heart frenzies at the meanings behind the art. From one artist to another, we get it. Don't we? Read this description of Nomade:

"The sculpture exemplifies Plensa's ongoing interest in ideas presented in written text, as wel las the human body and how it perceives the world around it. He has described individual letters or symbols as components that have little or no meaning on their own, but blossom into words thoughts, and language when combined with others. Plensa's screens of letters offer a metaphor for human culture, in which a person alone has limited potential, but when formed into groups or societies, becomes stronger."--from the John and Mary Pappajohn Sculpture Park Visitor Guide


At first glance, this piece of art is a simplistic sculpture with letters that I've recognized from the time I could speak. I even snapped a shot of my new kindergartner in front of it, thinking, a perfect backdrop for her school beginning.

But, it's not just that.

Not when you stand beneath the towering nomad at night, with the lighting just so--hinting that there is something more. And there is so much more after reading the artist's intent, isn't there?

Writer, have you ever considered that while your letters and words might not be unique, but the connectivity of them in a unique order, with unique meaning, translate into a story of great potential? One that describes the human heart in a special display of humanity?

In the art above, I have found a beautiful example of the existence God has invited me into, not just as a human (hehe), but as a writer.

Writers are part of this special metaphor of culture. We are individuals that cleave to a whole society of artists and become stronger in our relationship. Not only on a personal level, but in our art. A book is never only one person's doing, is it? I am learning that after receiving my first revision letter (all you experienced authors snicker, I know). But, after years of critiques and chipping away of my pride, I receive the voices of editors without anger. Fright, well, yes. Uncertainty? A smidge. But, after learning to value of others' voices spoken over my work, I cannot help but accept and revise. I know that this book will only make it to a shelf by the hands of many. It's potential is limited in my hands alone, it must be given over to others.

Writers, we are not islands, even if we choose to be as we write in our caves. We are connected to this fantastic whole which make our potential burst forth into the flowering of creativity refined especially for the human heart.


In a matter of days, I will join in with the whole. I'll be among the people who share my vision to weave Christ's love in the crafting of letters and words and stories. And the writer people to which I belong, as individual as each of us may be, will find that we are so connected by passion and art, that our potential rises to heights beyond ourselves.

The ACFW conference is a mirror image of this art above. As many individuals unite for a cluster of days to form this beautiful whole.

I daresay that whole actually takes on a different body.

Not a nomad.

Possibly a Savior. One on a cross.

We are all parts of the body of Christ, individuals working together to strengthen this goal--

God's love displayed by letters and words.

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Angie Dicken is a full-time mom and lives in the Midwest with her Texas Aggie sweetheart. An ACFW member since 2010, she has written seven historical novels and is represented by Tamela Hancock Murray of The Steve Laube Agency. Angie also spends her time designing one-sheets and drinking good coffee with great friends. Check her personal blog at www.angiedicken.com and connect at:
Facebook: www.facebook.com/dicken.angie
Twitter: @angiedicken
Pinterest: pinterest.com/agdicken



Monday, June 13, 2016

More than Words: SPECIAL on One Sheets




You've spent months, perhaps years, pouring your heart into your story. The picture has been painted in your mind, but others can only "see it" by reading a finished product. You know every detail of the main character's face, the way the setting's landscape rolls and dips, and the emotions that glaze the story with a certain feel unique to your writing alone.

But it has to be read, first. And you believe in it so much that you are going to share it at a writer's conference, and you are going to sit face to face with an industry professional, perhaps your only shot, and spill the goodness of your story in a 15 minute session. 

Wouldn't it be great if you could offer a gateway to your story world with a burst of flavor and a sprinkle of anticipation before the professional even reads the first page? How about hooking them before you even speak a word past your own introduction?  Your story could blossom in the mind of that one person who will eventually take it into their care and put the story on the shelves of every God-ordained reader out there. And it might just start with that perfect one sheet.

A one sheet isn't just a "cheat sheet" for your editor/agent appointment. It's the visual representation of your book. Just as writing craft gurus insist that all the senses are described within your storytelling, your appointment with an editor/agent isn't just about the speaking, hearing, and reading...it's about the seeing, too. Be sure you have a one sheet that secures a long-lasting impression of that story that they just can't get out of their head.

Need a one sheet design that's professional and custom to your special story? I am here to help and work hard to produce the perfect visual that fits your story. I have a special going on right now! $25 off til July 15th! Click on the link to learn more and contact me soon!

Want to learn more about how to create one sheets?  Here's a link to my one sheet design tips:  Design and Conquer


Any specific design questions? I'd love to chat graphics today!!



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Angie Dicken is a full-time mom and lives in the Midwest with her Texas Aggie sweetheart. An ACFW member since 2010, she has written six historical novels and is represented by Tamela Hancock Murray of The Steve Laube Agency. Angie also spends her time designing one-sheets and drinking good coffee with great friends. Check her personal blog at angiedicken.blogspot.com and connect at:
Twitter: @angiedicken

Sunday, September 20, 2015

Writing Your Puzzle Piece: Post-ACFW Thoughts


I have to say, over the past six years there has been a constant battle within me around the middle of September. It's that time of year when about 500 ACFW members at all different stages—from best sellers to debut authors to award winners to aspiring writers—gather together to learn, reconnect, and network. And it is absolutely the HIGHLIGHT of my year. It is the sparkle on my timeline. The shiny gem of a dream glittering wildly.

But with the light, comes the creeping darkness...threatening to swallow up the shine, if I let it. It's ushered in by my insecurity, my gloom-n-doom attitude that engulfs my heart when my dream dulls in the wake of others' successes.

Anyone who has attended ACFW will tell you that it is overwhelmingly encouraging. There is little, if any, outward competition among the many writers vying for the precious appointments of editors and agents. It is a special atmosphere which allows you to continue in your dream without worrying about someone sticking their boot in the aisle to trip you up.

So, having gone to this writer's conference over and over again, I beg myself to not allow the darkness to cloud my time. I pray for the confident, optimistic voice to win the battle over the insecure, uncertain, jealousy-tinged rasp fighting in my head. And the thing that drives me crazy, is that no outsider or circumstance really provokes it..it's just the innate flaw of my broken humanity wanting all the glory.

Am I being a little too transparent? Maybe. Maybe you will never look at me the same. But something happened this conference, which transformed my self-speak and blanketed my heart with an overwhelming peace.

I LISTENED.

Not to the voices inside my head. But to the wisdom-speakers that I had the pleasure of fellowshipping with this weekend.

I used to get so caught up in my internal battle, my competitive drive, and my desperate desire for publication to really consider anything said to me. Stubborn, much?? Fortunately, though, the stubborness lessens each year because I surround myself with wonderful friends. And my transparent trait, flaw or not, allows for some amazing encouragement from others.

However, this year something finally clicked the paradigm of my writing identity into a completely different place. Two important ideas from several professionals resonated with me over the course of the weekend. It probably wasn't the first time I have heard them...but again, this year I LISTENED:

  1. Don't write for the market. Write the story on your heart. The stories that first gripped my heart to write were not part of the same jigsaw puzzle as the current market. They were stories boxed up in the foreign and exotic section of the puzzle aisle. At one point, I tried writing for the market...I was encouraged to do so by many. And I have that half-written manuscript to prove it. Just didn't have the desire to keep writing it. While there are brilliant authors out there who God has so pressed upon their hearts to write manuscripts FOR the present market...I have yet to find my heart pour out that perfect fit. And what I heard from many people this weekend, finally sunk into my thick skull: Don't  worry about writing for the market. Write the story on your heart. Because readers are smart enough to know when a story is not written from the heart. You know, those books you begin to read, and after the first chapter you want to chuck it across the room?

     I am finally at a place where I don't want to get published for the sake of being published. It has to be the right time and the right story. Aaaah! I can't believe I just typed that! I used to be SOOO eager to just get my name in print...I'd do just about anything. But now, I want my name in print on something that I LOVE, and that others will LOVE, too. And that might just take a little extra time.
    My current story gives me butterflies every time I think of it. I sit and day dream about the scenes I have written, playing them out in my mind over and over like my favorite movie. I am in awe of the truth of God woven in the story, not because I wrote it, but because it was written as worship to Him. I cannot turn my back on the story of my heart just yet.
  1. My idea of the journey is nothing compared to God's plan for me. You know, this has been playing out in my life for quite some time, non-writing related. It's a hard lesson to grasp when my world seems to fall apart all around me, and I'm just not quite sure if God even cares. It often feels like I have to take things into my own hands and hope that whatever I do will get God's attention enough that He'll bless my pursuit. And sometimes, I am sure, in His grace, He does bless those efforts. BUT, it's more exciting, and a WHOLE lot more productive, to see the fruits from simply saying “Yes” to God and forfeiting my own effort.
    For example, the first day of conference cast a heavy shadow of doubt upon me. I truly did not know why I was there. I knew my story was a difficult puzzle piece for the market, and I felt like my writing dream was falling apart at the seams of a very tattered, out-dated puzzle box. I wrestled with my envy of watching others hold puzzle pieces of perfect-fits, versus the truth that there was purpose to this pursuit--even for me. After my agent's encouragement to use this weekend as a venture for clarity, and the keynote speaker's amazing story of God showing up in unexpected ways, I realized one very important truth: My idea of the journey is nothing compared to God's plan for me.
    Just because it looks a certain way for one person, does not mean that God isn't creative enough to draw my journey in a completely different, but still perfectly-purposed way.
    And you know what? When I settled into my OWN skin, seeking clarity and trusting the hand of God to provide it, He lavished droplets—like perfect little diamond droplets—of hope upon my path. My path not only found open doors along the way, but my heart fell prostrate to God more than I had let it, recently. And in that, I saw a glimpse of His care...and His nearness even to me.

My pursuit is different than that writer over there, that author down the hall, that crit partner across the table. We each hold a puzzle piece...but not every writer has a piece to the current edition of the puzzle. I might not have the piece of the market-jigsaw-puzzle laid out in front of me just now. And if I do, I haven't found its place, yet. But I am renewed in this journey of carving the edges of my piece, and I hope as the puzzle fills in along the way, God will guide me to the perfect fit down the road.

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Angie Dicken is a full-time mom and lives in the Midwest with her Texas Aggie sweetheart. An ACFW member since 2010, she has written six historical novels and is represented by Tamela Hancock Murray of The Steve Laube Agency. Angie also spends her time designing one-sheets and drinking good coffee with great friends. Check her personal blog at angiedicken.blogspot.com and connect at:
Facebook: www.facebook.com/dicken.angie
Twitter: @angiedicken
Pinterest: www.pinterest.com/agdicken/

Monday, August 10, 2015

I'll Be Your Mississippi: Guest Post, Patricia Beal

Hi All! This is Angie. I am pleased to introduce my new writer friend, Patricia Beal. We found each other on Twitter...my newest social media! Wahoo for trying new things, and finding new authors! Enjoy Patricia's guest post.
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Hundreds of writers are preparing for the 2015 American Christian Fiction Writers Conference next month. This will be my second ACFW and the highlight of my writing year.
But already things are not going as planned. 
I want to share a story with you that I hope you’ll tuck away and use in case of emergency. I want you to know that it doesn’t matter how badly your plan falls apart, God’s plan will still stand.
Did you guys watch “Annapolis”? It’s an underdog-makes-good movie about a young man from the wrong side of the tracks, Jake Huard, who gets into the U.S. Naval Academy but soon begins to wonder if he can measure up. 
His classmates sense his weakness and before long he’s down to one roommate, a sweet kid from Arkansas who’s addicted to Twinkies and can’t complete the obstacle course. His nickname is Twins.
Twins: You want to know why I stay in this room? 
Jake Huard: Yeah. 
Twins: Cause Jake, you're my Mississippi. 
Jake Huard: I'm your what? 
Twins: People who live in Arkansas, you know what their favorite state is? 
Jake Huard: No. 
Twins: Mississippi. Cause Mississippi's the only thing that keeps Arkansas from being the worst state in the whole country. 
Jake Huard: I'm Mississippi? 
Twins: Well you sure as hell ain't California. Listen, Cole and Whitaker are so busy tryin' to run you out they forgot about me. As a matter of fact, they've forgotten about every other plebe in this whole company. That's why I stay in this room Jake. Cause if Mississippi quits, then all of a sudden Arkansas is the worst state in the whole country. 
Disclaimer: I don’t have anything against Arkansas or Mississippi. If you’re from one of these states, please feel free to share something lovely about it.
But you get the gist.
Come along and let me encourage you. I’m your Mississippi, and here’s why.
Last year while I attended my second Spotlight On session on the very first day of my first ACFW, my grandmother, all the way in Brazil, took her final breath.
Back home people get buried fast, so a trip there wasn’t an option. The following day, I watched the funeral and cremation ceremony from my room.
I can safely say my plan for the conference I’d prayed about for more than 1 year went out the window.
But God orchestrated meetings that comforted me and that moved me closer to His will, and His plan stood. 
On Saturday I met Les Stobbe, and two weeks later he became my agent.
So if your plan for ACFW 2015 falls apart, don’t be discouraged. God’s plan will stand.
My ACFW 2015 plan already fell apart. It fell apart last month when I realized my new manuscript wouldn’t be polished in time. I’ll have to pitch my first manuscript in Dallas.
Some editors have already seen that first manuscript and either don’t need it or don’t like it. My options are limited, the enemy says. 
But are they? How about living by faith, not by sight?
The truth is that there are editors who haven’t seen it, and it takes only one “yes.” A lot has changed since the last rejection: opening, word count, comp titles, bio, endorsement, contest nod, and platform numbers.
I feel like God is already taking over ACFW 2015 and that’s really, really exciting.
It reminds me of a devotion I read last month. I ripped it out of the book and stuck it to my kitchen wall, where all the important stuff goes. 
Pastor Barry Farnsworth wrote that fathers teach kids how to shoot a bow by kneeling next to them and placing their left hand on the kid’s left hand and placing the right hand on the kid’s right hand. 
From a distance it looks like the child is shooting the bow, but in reality, the father is doing all the work.
By DIVIDSHUB on Flickr
Jacob, while blessing Joseph in Genesis 49:22-26, uses this very image: “But his bow abode in strength, and the arms of his hands were made strong by the hands of the mighty God of Jacob.”
God’s hands on the bow prospered Joseph, Noah, Abraham, Moses and every servant of the Lord since time began. Why would it be any different for us? And how cool and comforting is that?
I want to show up in Dallas representing well the gift that God gave me, but without the stress—just humble, teachable, ready to be a blessing to others, and expectant. What’s God got up His sleeve this time? How’s He going to work the bow?
In addition to knowing that God’s plan will prevail, there’s one more thing you should do to de-stress and be strong out there. Ask yourself the question we all loathe: What if I never get published?
How big of a deal is it to you and why? We’ve all at some point desired publication to feel special. I know I have. You probably have, too.
If you’re still feeling that way, please read The Search for Significance by Robert McGee. It freed me from dry wells and got me walking toward publication for the right reason: to be in the will of my accepting audience of One.
Once you have your motivations in check, dream big, pray big, and pursue publication with wild abandon. 
If your strategy falls apart mid-conference, don’t sweat it. Pray and worship. God’s plan will stand. 
And remember I’m your Mississippi, and Mississippi isn’t quitting. I’ll be out there with the manuscript that was once rejected on the West Coast, East Coast, and London on the same week.
How about you? Are you attending any conferences this year? Have you found success in the middle of chaos? 
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Patricia Beal is a Christian author, Army wife, and ballerina. She writes contemporary fiction and is represented by Leslie Stobbe of the Leslie H. Stobbe Literary Agency. She’s a 2015 Genesis semi-finalist.
Patricia is from Brazil and immigrated to America in 1992. She graduated magna cum laude from the University of Cincinnati in 1998 with a B.A. in English Literature.
After an internship at the Pentagon, she worked as a public affairs officer for the U.S. Army for 7 years. The stories she filed from Guantanamo Bay during the early days of the detention operation there gained national attention. Two years later she received a Keith L. Ware award in print journalism for a feature on a day in the life of “Bad Luck Squad” in Iraq.
She and her husband live in El Paso, Texas, with their two children.
Patricia is very active online and would love to connect with readers.