Have you ever judged a writing contest?
There are a variety out there for writers at all stages of the game: from published to newbie. Entering contests and receiving feedback with grace and using it to improve your writing further is of inestimable value. But today I'm talking about the behind the curtain view.
I have judged American Christian Fiction Writers' (ACFW) Carol awards for the past three years. This year I have participated as a judge and also as an assistant to the Carol Awards Coordinator (Go Alley Cat Casey!). Both have been valuable experiences. Each year I've learned something new both about the industry and about my own writing.
Here are five reasons to jump on the opportunity to judge a contest:
1) Judging can be an inside track to the pulse of the industry.
Evaluating in your category can be an excellent way to answer questions such as:
Do particular eras dominate historical fiction right now?
Some heavy hitters for 2014 are World War I and World War II because of current events and anniversaries of crucial dates during these wars.
What changes have been made in the past year?
As we know last year saw MANY changes, including the conglomerations of publishing companies and the closing of B&H fiction line. What changes will come with 2014?
Over the past few years, it's no secret we're seeing a new side of Amish fiction. Still valued for its simplicity, the genre has tackled new time periods (the beginning of the Mennonite church, the Vietnam war), life issues (infertility, infidelity, etc) and even ventured into space. If you are a writer of Amish fiction, you will want to know about these new directions. What better way than digging into recent releases?
Although these books are last year's releases, it still provides a valuable picture of the state of the market. You don't want to follow fads of the market, but rather watch and see what changes are enduring, so judging recent (though not brand new) releases is a great way to do so.
2) Evaluating other books can help you grow in your own fiction.
There are some fantastic reads out there. \Learn from the examples of great authors in your field. Watch the way they write descriptions. Attempt to increase the realism of your own dialogue with others example.
The best books are the best teachers.
Some contests such as the Carol awards have a single number rating for the purpose of evaluation. Others such as the Frasier use a categorized rubric. When I received back my evaluation sheet from the Frasier, I found it was an excellent self-evaluation tool for some of my other writing. What a great way to find your own strengths and weaknesses in a more objective fashion.
Looking at why you rated a book or story the way you did is valuable. Were the characters not compelling? Did their motivations lack credibility? Did the plot progression make logical sense? Was there well-written description or overwriting?
Become a detective. How would you rate your story?
3) Expanding your reading horizons opens up your mind to new ideas.
I like to choose to evaluate books in at least one category that is very different from my own writing genre. I have read historical and suspense, yet I have never completed a manuscript in either of these categories (have started several in each however I'm embarassed to admit).
Reading suspense books has taught me to write tighter and ratchet up the tension. The authors who keep us up at night have plenty to teach us about giving our own readers sleepless nights no matter what our genre might be.
Travis Thrasher sometimes ends his chapters mid-sentence. This is one of the reasons I fell in love with his young adult Solitary Tales series (not a typical category for me). Once I saw how well he did it, I HAD to try this technique in my own writing just for fun.\
Writing description is not my strong suit, but by reading historical I learn that every detail matters. From describing a Revolutionary-era meal to adding the perfect period attire, Laura Frantz is a master in helping the reader to picture every tiny detail. Her books come alive as a result and its no surprise that she has been nominated for several industry awards.
I've discovered books I didn't even know existed through judging.Sometimes small publishers put out stellar work that is not always on the radar of online media. In other cases, I began to understand why the book did not receive press.
4) You are helping the industry and its key organizations.
Organizations such as ACFW thrive on volunteer activity. I have been a member for several years now and have found it worth at least double the membership fee. Helping with contests as a judge is a great way to pay it forward.
In the few years I've been writing, many authors have come alongside me to encourage, support, and give feedback that is both valuable and valid. Without this help I would no longer be writing. Through the loops run by ACFW I also received new opportunities to review and to write articles.
By judging a contest you can help authors receive recognition. And sometimes you can provide the right word of kind criticism that leads to a better manuscript for another writer. My writing has been changed by contest judges, oftentimes the very feedback I at first thought was too harsh was exactly what I needed to hear to grow. I'm grateful for these words of criticism.
There can be NO growth without accepting and internalizing valid criticism (and almost ALL of it is valid).
5) It is thrilling to watch awards ceremonies or see a list of finalists and know your feedback was taken into consideration.
It is wonderful to hear someone's name called and a squeal of delight as they make their way to the front of the room to give an acceptance speech.
Its even better when you had a part in the process. You feel as though you have somehow helped in the discovery of a new talent.
Have you judged a contest this year or in the past? Which one? Did you find it to be a valuable experience? What did you learn?\
Next time I'll springboard on this to share how to be a stronger judge of other's fiction (whether it be your critique partner or as a judge).
Julia enjoys writing women's fiction whenever she can find a chair free of smushed peanut butter sandwiches and lego blocks. She is a wife and homeschooling mama of two littles. She also enjoys reviewing and writing for Library Journal and the blog Wonderfully Woven.
Showing posts with label judging. Show all posts
Showing posts with label judging. Show all posts
Tuesday, May 20, 2014
Wednesday, April 4, 2012
A Day in the Life of a Contest Judge
Contest season is heating up. Maybe you've submitted an entry to the Genesis or another writing contest, and now you're chewing your fingernails down to nothing while you wait for results. Or maybe you're checking email every two seconds just in case the judges' feedback came through. (I'm not saying any of this from personal experience. *wink*)
Then when you finally get your entries back, you may find yourself wanting to chuck them in the trash can. Or shoot darts at a picture of the judge's face.
Before you get carried away, though, let me present some perspective. In the last couple years, I've been on the other side as a judge. And things on this side are much tougher than I would have expected.
For someone like me who has been on the receiving end, I'm extremely conscientious of the feedback I provide. But I'm also juggling my own writing (or in some cases during contest season, putting it completely on the back burner so I can judge).
Plus I'm also a stay-at-home mom of young children. Need I say more?
Here's a little snippet of what might happen when I open an entry to judge...
*Reading first sentence* Wow, nice hook!
"Mommy, I want a snack."
"What's that, honey? Oh, a snack?" *going to pantry to get some animal crackers* "Here you go."
Okay, let's read that first sentence again. *typing comment in entry* Great opening!
"Mommy, Mickey Mouse is done. Can I watch Little Einstein's next?"
"I'm sorry, honey. What'd you say? Oh, sure. Take the remote and watch whatever you want." (Don't judge...I'm desperate at this point.)
*finish typing comment in entry and read second sentence*
"Mommy, the TV isn't working."
Argh...
At this rate, it takes me three hours to read an entry and provide meaningful feedback. At least, I hope it's meaningful because I've had so many interruptions. For all I know, I may have said the entrant needs more description when they had too much of it.
As hard as it is to imagine sometimes, judges are people too.
And while we truly want to help develop other writers' skills, we have interruptions and agents or editors who still expect us to meet our deadlines.
When you get your contest entry back, read through the judges' comments with a clear mind. You may (hopefully!) find some great nuggets to take your writing to the next level.
But if something doesn't jive or comes across as mean, remember who's on the other side of the comments. They may have just gotten a snack for the tenth time during your entry, and they're taking their frustrations out on unsuspecting you.
Perspective is so important, no matter what stage we may find ourselves. We would all benefit from remembering there's a person behind the words--no matter which side we're on--and filtering everything with wisdom and understanding.
So let's talk...What side of contests do you sit currently--entrant or judge? If a judge, how do you balance your other responsibilities with contest entries? If an entrant, how does this perspective change the way you receive contest feedback?
*Feedback photo by Stuart Miles / FreeDigitalPhotos.net
**Time photo by Salvatore Vuono / FreeDigitalPhotos.net
******************************************************************
Sarah Forgrave is a stay-at-home writer-mom who feels blessed to pursue her calling and passion. She writes contemporary romance for the inspirational market and is a contributor to the webzine Ungrind.
To learn more about Sarah, visit her personal blog at:
http://www.sarahforgrave.com/blog
Then when you finally get your entries back, you may find yourself wanting to chuck them in the trash can. Or shoot darts at a picture of the judge's face.
Before you get carried away, though, let me present some perspective. In the last couple years, I've been on the other side as a judge. And things on this side are much tougher than I would have expected.
For someone like me who has been on the receiving end, I'm extremely conscientious of the feedback I provide. But I'm also juggling my own writing (or in some cases during contest season, putting it completely on the back burner so I can judge).
Plus I'm also a stay-at-home mom of young children. Need I say more?
Here's a little snippet of what might happen when I open an entry to judge...
*Reading first sentence* Wow, nice hook!
"Mommy, I want a snack."
"What's that, honey? Oh, a snack?" *going to pantry to get some animal crackers* "Here you go."
Okay, let's read that first sentence again. *typing comment in entry* Great opening!
"Mommy, Mickey Mouse is done. Can I watch Little Einstein's next?"
"I'm sorry, honey. What'd you say? Oh, sure. Take the remote and watch whatever you want." (Don't judge...I'm desperate at this point.)

"Mommy, the TV isn't working."
Argh...
At this rate, it takes me three hours to read an entry and provide meaningful feedback. At least, I hope it's meaningful because I've had so many interruptions. For all I know, I may have said the entrant needs more description when they had too much of it.
As hard as it is to imagine sometimes, judges are people too.
And while we truly want to help develop other writers' skills, we have interruptions and agents or editors who still expect us to meet our deadlines.
When you get your contest entry back, read through the judges' comments with a clear mind. You may (hopefully!) find some great nuggets to take your writing to the next level.
But if something doesn't jive or comes across as mean, remember who's on the other side of the comments. They may have just gotten a snack for the tenth time during your entry, and they're taking their frustrations out on unsuspecting you.
Perspective is so important, no matter what stage we may find ourselves. We would all benefit from remembering there's a person behind the words--no matter which side we're on--and filtering everything with wisdom and understanding.
So let's talk...What side of contests do you sit currently--entrant or judge? If a judge, how do you balance your other responsibilities with contest entries? If an entrant, how does this perspective change the way you receive contest feedback?
*Feedback photo by Stuart Miles / FreeDigitalPhotos.net
**Time photo by Salvatore Vuono / FreeDigitalPhotos.net

Sarah Forgrave is a stay-at-home writer-mom who feels blessed to pursue her calling and passion. She writes contemporary romance for the inspirational market and is a contributor to the webzine Ungrind.
To learn more about Sarah, visit her personal blog at:
http://www.sarahforgrave.com/blog
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Friday, February 24, 2012
Writing Contest Contradictions - Prepare Yourself Ahead of Time
In lieu of the Genesis contest, I wanted to share a little on the kind of feedback you might get with your returned entries.
I'm currently a BIG advocate of contests so I strongly
encourage you to enter them if you have the chance (can't you tell by the graphic to the right?). But I also encourage you to stay true to yourself and I want to let you know that there might be contradictions you will have to weed through.
Just want to say ahead of time, this is only based off my experience and feedback from others. You might not experience this from contests at all, and even if you do, this isn't about telling you to disregard feedback. It's about trying to help prepare yourself for varying feedback so you can use it to your advantage.
So...here are some contradictions you might come across.
Backstory
Let me give you an example. I got feedback from eight judges on the first chapter of a recent story I wrote. The comments about backstory were all helpful but half said, "I don't need to know this yet!" (I'm paraphrasing here) and the other half said something to the effect of "This is great! Give me more!" See? Subjective. So sometimes you've got to go with your gut, and if feedback is pretty equal, stick with what you feel is right.
Humor
My first attempt at romantic comedy was...well, fun. But let me tell you, it was judged, and out of four judges, not one thought the same parts were funny. Personally, I thought they were hilarious (okay, at least mildly amusing), but humor is still subjective. If more than one person likes it, it's probably pretty funny. If only one person doesn't like it, it doesn't mean it's not funny, just that maybe that particular judge had a different sense of humor.
Deep POV
Oh, I don't even know where to begin on this. I might get myself in trouble here, but even this topic can be a bit subjective. My advice? Study up on Deep POV, write it to the best of your ability, and try to get your reader in your character's head as much as possible. And as far as taking advice on Deep POV? If you trust that person, or they're a judge you know has particular experience with this, go for it!
Pacing and Hooks
Again, you're probably going to get varying feedback on this topic. Some judges will say, "Great opening! You kept me hooked" and other judges might say, "You didn't hook me right away, maybe start further into the story and keep up the pace!" Yes, your goal is to start the story in the right place. And going with the majority here might be a good idea. But if you're getting varying feedback, again, stick with what you feel is right.
Basically the point of this post is to let you know that not EVERY single thing a judge says is the right way to do it. Rule of thumb, if more than one judge agrees on something that needs improvement, you might want to consider reworking it. If it's half and half, that's more your call and what you feel is right. If only one judge comments on it...decide what you feel is best. Sometimes what they're telling you, you can readily agree with. It makes sense. And sometimes what they're telling you is just opinion and it doesn't mean what you're doing is wrong or needs to be changed immediately.
I know many of you out there have entered contests in the past. Have you encountered specific contradictions in feedback? And for those of you entering for the first time or who haven't entered before, what kind of feedback would you expect might be hard to deal with?
*************************************************************************************
I'm currently a BIG advocate of contests so I strongly

Just want to say ahead of time, this is only based off my experience and feedback from others. You might not experience this from contests at all, and even if you do, this isn't about telling you to disregard feedback. It's about trying to help prepare yourself for varying feedback so you can use it to your advantage.
So...here are some contradictions you might come across.
Backstory
Let me give you an example. I got feedback from eight judges on the first chapter of a recent story I wrote. The comments about backstory were all helpful but half said, "I don't need to know this yet!" (I'm paraphrasing here) and the other half said something to the effect of "This is great! Give me more!" See? Subjective. So sometimes you've got to go with your gut, and if feedback is pretty equal, stick with what you feel is right.
Humor
My first attempt at romantic comedy was...well, fun. But let me tell you, it was judged, and out of four judges, not one thought the same parts were funny. Personally, I thought they were hilarious (okay, at least mildly amusing), but humor is still subjective. If more than one person likes it, it's probably pretty funny. If only one person doesn't like it, it doesn't mean it's not funny, just that maybe that particular judge had a different sense of humor.
Deep POV
Oh, I don't even know where to begin on this. I might get myself in trouble here, but even this topic can be a bit subjective. My advice? Study up on Deep POV, write it to the best of your ability, and try to get your reader in your character's head as much as possible. And as far as taking advice on Deep POV? If you trust that person, or they're a judge you know has particular experience with this, go for it!
Pacing and Hooks
Again, you're probably going to get varying feedback on this topic. Some judges will say, "Great opening! You kept me hooked" and other judges might say, "You didn't hook me right away, maybe start further into the story and keep up the pace!" Yes, your goal is to start the story in the right place. And going with the majority here might be a good idea. But if you're getting varying feedback, again, stick with what you feel is right.
Basically the point of this post is to let you know that not EVERY single thing a judge says is the right way to do it. Rule of thumb, if more than one judge agrees on something that needs improvement, you might want to consider reworking it. If it's half and half, that's more your call and what you feel is right. If only one judge comments on it...decide what you feel is best. Sometimes what they're telling you, you can readily agree with. It makes sense. And sometimes what they're telling you is just opinion and it doesn't mean what you're doing is wrong or needs to be changed immediately.
I know many of you out there have entered contests in the past. Have you encountered specific contradictions in feedback? And for those of you entering for the first time or who haven't entered before, what kind of feedback would you expect might be hard to deal with?
*************************************************************************************

Cindy is a Colorado native, living near the mountains with her husband and three beautiful daughters. She writes contemporary Christian romance, seeking to enrich lives with her stories of faith, love, and a touch of humor.
To learn more about Cindy, visit her at her personal blog, www.cindyrwilson.blogspot.com
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