Friday, October 9, 2015

Pressing SEND: Second Thoughts, Separation Anxiety, and Setting your Baby Free.

For the first time in my writing life I have pressed the SEND of no take backs and no returns. My book has received its final edit and is off to the press. This post hit me anew. Showing me not only how far I've come, but also how much I can still relate. Apparently it never ends! :) Is it just me????
 
* * *
Sharing the story you have lovingly labored over for months, sometimes years, can give you an odd mix of anticipation and anxiety.

For me, since I still have toddlers and my stories can tend to become something like “my babies,” pressing send is the closest thing I know to sending my baby off to college. (And yes, I realize that makes me quite loony… I’m okay with it.) J



After you’ve finished your first draft, then proceeded to edit, and re-write, and nip, and tuck, and tweak, and polish ’til your eyes are crossed, you may wonder if you will ever get up the nerve to remove the training wheels and see if your baby has what it takes to cruise through to publication. Before any of that can happen we have to take that final deep breath, cut the cord, and submit.

But very often we can be gripped with uncertainty, doubts. Fear. Is it ready? Did you miss something? Are your first three chapters simply irresistible? Will the agent or editor keep reading long enough to get to the good stuff? Let’s face it, combing over 80K+ words is no small task and all you get is one shot to make the right impression.

 

So how do you know when you’re ready?

- When your edits dwindle down to word substitutions.

- When you can read through and those typos no longer leap out at you.

- When you are certain you’ve started your book in the right place. (i.e. Right in the action.)

- When your crit partner has talked you off the ledge for the 100th time. (Love you, Pepper!)

- When you have dedicated a round of edits to trimming out EVERY—and I do mean every—extra, unnecessary word to make your story as tight as possible.

- When you’ve cut so much backstory from the first fifty pages you’re basically bleeding while you are stitching up your manuscript.

- When you’ve had several people read over it and find the storyline sound. (And preferably enjoyable!)

- When you’ve actually applied the feedback you’ve gotten from others.

- When it’s not simply “good enough” but the best you can get it.

- AND when you’ve prayed long and hard.

I just pressed send on my third manuscript. And I’m still not sure it get’s any easier but with a good support system and a lot of prayer, being an empty-nester can bring some relief and rest before it all begins again with your next story.

What about you? What were your greatest worries when you pressed send? What tips do you have for other aspiring writers facing separation anxiety? Whether your story coasts beautifully to the top or crashes and burns at the bottom of that hill, putting yourself out there is half the battle. Be bold! Give your stories a chance to find their place.


Happy submitting!

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Amy Leigh Simpson writes Romantic Suspense that is heavy on the romance, unapologetically honest, laced with sass and humor, and full of the unfathomable Grace of God. She is the completely sleep deprived mama to two little mischief makers and would challenge anyone to a cutest family contest. Represented by Chip MacGregor of MacGregor Literary Inc.

Thursday, October 8, 2015

Hope Within A Volatile Industry- A Guest Post by Allen Arnold


Today, I'm honored to welcome to the Alley an industry superhero who's also a dear friend and mentor, Allen Arnold. He is now offering freelance services to help writers shape the stories God has placed on their hearts. To read more about that, check out his bio. I hope this post encourages you today, whatever wilderness you're facing. - Ashley Clark 

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The publishing industry is not for the faint of heart. Not for those working in it – or the writers desiring to be part of it.

Bookstores are closing. Christian Fiction – as a category – has been in a dramatic decline in recent years. Numerous Christian Fiction imprints have shut their doors, while the publishing houses that remain in business continue to reduce staff and marketing budgets.

If signing with a publisher seemed daunting in the past, the odds are exponentially smaller today.

That’s what is happening in the world around you.

Yet, you are called to write. The story burns deep within – consuming your thoughts and imagination. It isn’t something you can simply ignore.  The story demands to be told.

It’s hard enough just finding time to create between caring for your children, paying the bills, and keeping the chaos of your home at a manageable level. It feels like a losing battle.

But when the industry appears to be have lost its way too, it can seem too much.

It’s understandable that you’re weary and disheartened. You’ve put so much time into this story. Sacrificed so much to pursue your calling. But success hasn’t come.

If the world really needed your story, why hasn’t anyone else (starting with an agent and publisher) caught the vision? Or maybe you have an agent and have been published...but the results have been modest at best.

Maybe the current closed door is your answer. Maybe it’s time to accept reality and let go of your dream. Get busy doing something more productive.

That’s why I’m writing this post. God wants me to be a voice that reminds you of this fact. He loves your stories. He understands the cost is high, but it is worth it. Especially when you shift your definition of success to the time you spend getting to know Him as you create with the Creator.

The invitation is both passionate and intimate.


“Stay with me, __________  (put your name here). Take heart. We can do this together. Please don’t quit. Remember, you are not alone. I have given you this talent and longing – and I will see it through. Just stay with me as you create.”

Do those words sound too good to be true?

I didn’t make them up. That’s the invitation we’re given in Psalm 27:14. I just personalized it to the specific call He’s given you. Let the words sink in deep.

“Stay with God!
Take heart. Don’t quit.
I’ll say it again: Stay with God.”
                       (The Message Translation)

Here’s the deal. None of us will ever control the publishing industry. It is filled with good people who love story and who are doing the best they can – but their world has forever changed and continues to change daily.

Publishing houses – once acclaimed for being influencers of popular culture by finding new voices to introduce to readers – now look to popular culture to tell them whom to publish. That’s why the first question asked in acquisition meetings is almost always: “How many followers does this writer have on social media? What is the size of their tribe?”

The ideas and content and storytelling used to come first. Those were the filters upon which publishing decisions were made. Now it is weighted far too heavily on social media. The problem is – a person can have a significant following online and sell very few books because the very followers willing to read the occasional tweet for free have little interest in paying $25 for a 100,000 word book.  And many talented writers find themselves without a contract largely because they have immersed themselves in the art and craft of story more than courting “likes” on social media.

I cast no blame on the publishing industry. I invested much of my career in that realm, and they are my colleagues. In any industry, less risk is taken in tough times. And unpublished writers with a huge following seem like a smarter bet than an unpublished writer with few followers. The problem is – this tact takes the publishing team’s eye off fresh ideas and their own instinct for good stories. The industry, in short, has shifted from being proactive to reactive.

This post isn’t about whether to pursue traditional or indie publishing. Either could work, and both options have costs and benefits. Ask God which path he is encouraging you to pursue. He’d enjoy having that conversation with you.

Photo by arztsamui from freedigitalphotos.net
I simply want to remind you that God loves writing with you. That is the primary reason he gave you the gift of story – so the two of you could create together. Spend time on the playground of ideas together. So you could get to know Him as Creator.

So remember, if God has given you this story, then He will see it through. What happens with it may be far different than you can imagine today. But if you stay with him, he will see your Story (the one you are living) and the story you are writing through.

I’m not a prophet, but I will go out on a limb and say the world of publishing will continue its volatile swings. New technology will emerge, and fresh ideas will continue to shift the balance of power. Those who know the reader best will do the best over time.

But no matter what happens within the industry, the world needs more stories crafted from those who are spending time in creative fellowship with God. It needs stories written for the restless from writers who have learned how to rest in the midst of the storm.

God is not worried one bit over the seismic shifts in the publishing industry. He isn’t confused about His purpose or timing for your story.

He’s inviting us to put on His armor and continue the stories we’ve been given. The ones we were born to tell.

And He’s told us how to do it.

Stay with Him, protect your heart, and don’t ever quit.


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Allen Arnold's mission is to help artists pursue God and their gifting from an awakened heart in intimacy and freedom. He cut his teeth in the advertising world (think the HBO series Mad Men on steroids) and then spent more than twenty years in Christian publishing. As the founding Fiction Publisher for one of the world's largest Christian publishing houses, Allen oversaw the development of more than five hundred novels. In his current role at Ransomed Heart, he oversees content from the mountains of Colorado for the transformative ministry. Before becoming a Board Member for ACFW, he was awarded their Lifetime Achievement Award in 2012 for his substantial contributions to the world of Christian Fiction.

He knows first-hand how common it is for creators to become disheartened, overwhelmed or burnt-out–as well as what it takes to help the dreams of writers become reality.  He enjoys helping writers shape their stories and discover how to create with God. If you're interested in learning more, e-mail him at Allen@RansomedHeart.com.








Wednesday, October 7, 2015

3 Tips for Successful Radio Interivews

I've had periods of high intensity promotion surrounding a book's release where I’ve participated in a couple radio interviews a week. Radio is a format I really enjoy. Think about it, no one can see if I’ve got make-up on and I don’t have to go anywhere. They can’t see how messy and jumbled my desk is. Radio also keeps my complicated life a wee bit simpler.

Unfortunately, I know it’s a format that stresses many people. Whether or not you’re an author, you may find yourself in need of an interview. Here are some tips to help you succeed in this format.

1) Think in sound bites. Radio interviews can be anywhere from five minutes to an hour. Whatever the length of time, if you keep your answers short (think a minute or less), the host and audience will enjoy the discussion more if it’s not one run-on sentence. It also allows for more of a conversation versus question/monologue. Another thing short answers allows is for the interviewer to guide the conversation to topics that interest his audience.

2) Stand up and move. Even though no one can see you, they can hear you. If you move around, your voice is usually more engaged, and it’s easier to avoid a monotone. Movement also helps keep the blood pumping which helps your engagement. I’ve been known to make a bed, fold clothes, clean a bathroom — just make sure you choose something quiet! You want listeners to hear you, not the vacuum.

3) Be prepared to talk about something other than your book. A good interview will cover other territory…offer something to listeners other than “please buy my book.” If they like you from the interview, it adds to the positive feeling they will have for you when they see your book. But spend some time thinking about what you have to offer. For me it’s often the idea of balance because I’m a mom doing lots of different things. Other times the focus has been homeschooling, World War II, writing.
And if you’re interested in listening to the radio show where Sarah Sundin, Tricia Goyer and I talked about writing, World War II, and life, be sure to check it out here.

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Tuesday, October 6, 2015

Is Small the New Big?: Is Boutique Publishing the Model for You

A few months back, Publisher's Weekly and other news outlets discussed the demise of Abingdon Press' fiction line. This is only one in a series of closings that have seemed to rock the Christian fiction world. Combined with the merging of houses, and the fact that a number of houses aren't currently seeking to acquire, it can seem like a discouraging time for authors and publishing hopefuls.

Over the past few years, browsing CFs new releases for LIBRARY JOURNAL, I've noticed in spite of the tumult several new boutique publishers seem to be attempting to carve a niche in the market.

Many successful CBA authors such as Brandilyn Collins and James Scott Bell have turned to the independent market. Yet another market seems to be building steam, leaving writers to ponder whether small is the pathway to publication.

Boutique, or hybrid, seeks to combine the strengths of both traditional publishing and self-publishing.

Small and slow payout rates, far ahead publication dates and diminishing market size are some reasons authors are looking at the small pub model. Some authors are reluctant to take the plunge with indie publishing. First, there is the status that a traditional house still holds in the minds of many. Secondly, a few feel inadequate to handle the marketing involved in self-publishing. Covers and the visual aspect of novels also intimidate writers.

Boutique publishing might be able to offer a third option to those looking for a strong market for their books. Authors like giving feedback, though might not want to handle the editorial process on their own. Small houses keep writers involved throughout the publication journey. For instance, Brown Girl press offers monthly meetings to help its authors grow in their craft. A larger house might not be able to enable such opportunities on a regular basis.

Ebooks are a hurdle that some writers don't enjoy. Self-publishing can feel like a headache. Many small presses offer an alternative. And some offer in-print books as well as digital.

Redbud Press founded by authors Regina Jennings, Lacy Williams, and Erin Taylor Young is poised to market to those interested in inspy romance. Their Timless imprint seeks to publish the backlists of authors published in the traditional market. These are titles that often sit in drawers but with epublishing they can find new life. Their Hometown Romance line ministers to contemporary fans of small-town life. They use a digital-first model. Karen Ball, Rene Gutteridge, Diane Noble, Gayle Roper, Camy Tang, Cheryl Wyatt, and Kathleen Y'Barbo are just some of the authors who have found a new home with Redbud.

Brown Girls Publishing fits a unique niche in the market that isn't fulfilled elsewhere. With African American CF lines closing, some see faith-filled fiction as a place that isn't as diverse as it could be. For more see Mike Duran's "Does Christian Fiction Have a Race Problem?" for some thoughts from agents and others in the industry. Brown Girls Faith was founded by ReShonda Tate Billingsley and Victoria Christopher Murray, both published authors. Brown Girls has three main lines: Faith, Teens, and the Jacquelin Thomas line. They are seeking to publish not only African American voices but all ethnicities and so might offer a market for those who have been unable to find a home in CBA.

Mountainview Press is another model. Founded by C. J. Darlington, author of BOUND BY GUILT, the line will be publishing the Jerry B. Jenkin's Operation First Novel winners. Historical author Peter Leavell and Don Brown, author of the Naval Justice series are some authors writing for Mountainview. These presses give help with the marketing process, sending books to publications such as Library Journal, Publishers Weekly, and RT Book Reviews.

There are so many more boutique presses available but these are three that have launched in the past several years to give you an example of what the small publishing model might offer you. Many authors have started out with smaller presses and later found themselves gaining traction with the larger houses. Its just one of many paths that could be the right one for you. You never know unless you check it out.

Saturday, October 3, 2015

StoryCraft Winners

Congrats to Savanna Kaiser who won the StoryCrafting with Pepper!

Pepper decided to offer one more StoryCrafting Opportunity and the winner is... Jeanne T.

Please send a message to Pepper if you receive this, ladies, but she will also plan to email you in a few days.

Congrats!!

                                                                                         The AlleyCats

Friday, October 2, 2015

Why a Virtual Assistant is Valuable

Virtual assistance is something that is not a new concept. It’s been around for some time, especially in the age of everything being tied in some way to electronics or gadgets, it has become easier and easier to farm out more of your work to those more experienced or qualified to do a task, or who just plain have the time you don’t.

But what exactly is a virtual assistant to an author and why is it valuable to consider hiring one? Doesn’t it just take more time to get them set up and tell them what to do, than to just do the work yourself?

If you hire the right VA, this should hardly ever be the case.

A virtual assistant’s main goal is to maximize what little time you have, so you can spend that time doing what you do best: creating story.

*In two weeks I’ll talk about how to be your own best virtual assistant if you’re in a season of inability to afford hiring one.*

For a broad overview:

A VA can help you:

·         Manage your calendar
·         Manage your social media output and interaction.
·         Help with research
·         Track sales numbers
·         Book mailings
·         Book and blog tour coordination
·         Communicate with bloggers for PR opportunities
·         Work with your influencers and team that heavily promote your book(s) (Also known as a dream or street team)
·         Brainstorm social media strategies with you
·         Purchase promotional materials and/or prizes in giveaways

This is really just the tip of what a VA might be able to do for you and each VA is going to have a better or stronger skill set than another, allowing you to give them free reign in projects you don’t want to touch with a ten foot pole.

But let’s look into these projects a bit further shall we? A broad paintbrush view doesn’t really tell you all that a VA could potentially do for you in one area or another.

Managing your calendar:

·         The first email will never take you a lot of time to answer. However, all of the follow up that result from that first email is a complete time suck. Let your VA set up these appointments and blog interview dates.

·         Keep your VA abreast of your time restrictions and deadlines so if something conflicts, they can cancel or reschedule for you.

·         Never miss another deadline again! Have your VA keep track of when posts due dates and submit your material promptly and on time.

So that’s your calendar.

If someone were to ask you what’s the #1 thing on your to-do list that you’d like to get rid of, what would you say? I think 85% of us would say social media. This is probably the #1 reason most authors hire a VA.

Social media management:

·         Give your VA access to all of your social media platforms.

·         Provide them with a list of blogs they can follow and tweet for you, keeping relevant content in your Twitter stream and also promoting other bloggers to build their platform. (A win-win)

·         Give your VA a baseline of content to share on Facebook. Questions, comments, pictures, etc. Brainstorm this with your VA as well. You’ll have to remain involved on social media to a point so the posts continue to sound like your voice, but most of the grunt work can be done by your VA.

·         Make sure your VA understands your brand and presence you want to convey on social media, but don’t baulk from talking through ideas and strategies with your VA either.

These are just two major areas that your VA can help you in. And trust me, if you think long about anything you do as a writer, I’m sure you’d find many other areas you could use a second set of arms.

Hiring a VA gives you the white space that you need to do what you do best: write. And the time you gain back is often worth the money you’ve spend.

But I realize that not everyone is able to hire a VA. So next time, I’ll be sharing about ways you can put white space back into your life by being your best VA.


What about you? Have you ever hired or considered hiring a VA?



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Casey Herringshaw is a homeschool graduate and has been writing since high school. She lives in colorful Colorado where she gets to live her dream stalking--er--visiting with her favorite CO authors. 

Thursday, October 1, 2015

A New Trend: INDIE BOX SETS

http://amzn.to/1RhQsd4
You all know me.

I'm Krista. Miss Trendy and hip, right?

(For those of you laughing hysterically -- I will get you back!)

I'm actually a little behind the times on this trend--like most other trends, but I digress.

In the Indie world, box sets of ebooks are a huge "thing" right now. Have you see them? They are these fun sets of oodles of books for one super low price of usually like 99 cents.

And my FIRST indie box set, a collection of NEW Christmas novellas titled Love's Gift, is available TODAY for preorder!! My book is the last one, A (kinda) Country Christmas!

I'd (sorta) LOVE for you to go check it out! It's only 99 cents and will also be available for FREE on Kindle Unlimited on its release date, October 19th, so if you're a subscriber of that, mark you calendar!

Since indie box sets are a newish thing, I thought I'd take a second to explain a little how it works.


TYPE OF SET

There are a ton of options when it comes to the set. You can do a LIMITED TIME set or a forever set. You can do a set with your own books, or one with fellow authors. You can box together new books or previously published books. You can do novels, novellas, or eshorts.

For the purpose of this post, we're talking about sets with fellow authors, because that's where the biggest benefit comes from (in my humble opinion.)

THE GOAL

The MAIN purpose of the box set is PROMOTION.

Yes, it'd be fabulous to make some money on the set. And many indie sets ARE making a decent chunk of change off them, even with splitting it many different ways. (In Love's Gift, there are 8 authors. For each 99 cent sale. The profit off that sale is about .35 cents. Split 8 ways.... that's a lot of books to sell!)

BUT!! We'll have EIGHT authors promoting with vengeance the same book. Eight authors with different platforms and reaches. That is 7 times the number of people, theoretically, that we could have reached on our own. (Obviously some have bigger platforms than other so that will vary.)

The exposure and platform building potential for this is quite big! A LOT of indie authors are reaping in the benefits of boxed sets, and many traditional authors are also joining the bandwagon as well!

THE MONEY STUFF

So how does it all work? Each set of authors will set it up a little differently. But basically, one author usually serves as the "publisher" of the book for the agreed upon timeframe. We use Amazon's KDP program to publish the book. I'm serving as the publisher for Love's Gift, so will be our accountant and will disburse funds as I receive them from Amazon. Expenses are split and/or paid out of profits. All authors are listed as authors in Amazon.

EDITING

Again, lots of leeway here. Our set decided to make each author in charge of having their own work edited, then before the set was finalized, each book was proofread by another member of the team to add another layer of quality assurance to our product!

We did the same with covers. Each author was responsible for their individual cover (because will also will be able to publish our works individually as well!) and then we worked on the overall cover design together! Many sets elect to hire an outside designer. Since there were quite a few cover-savvy people in our group, we did it ourselves to help keep costs down.

Want some other examples of some AMAZING indie author sets available?

Here are just a few!!!




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Krista is a follower of Jesus, a wife, a mother, and author of  
A (kinda) Country Christmas -- Part of the Love's Gift Collection

She blogs about finding JOY in the journey of LIFE at http://www.kristaphillips.com. She is represented by Sarah Freese of Wordserve Literary.