Showing posts with label sentence strucure. Show all posts
Showing posts with label sentence strucure. Show all posts

Friday, May 20, 2011

Scoring a Well-Rounded Manuscript: Writing Techniques

This final post of the Scoring a Well-Rounded Manuscript series deals with the back row of pins a bowler is trying to knock down. Or, in writing terms, more important techniques that can be employed in your story. Like in the game of bowling, these elements of a story might be small elements or not as readily thought of, but they're just as important to creating a well-rounded manuscript. (If you want to read the other posts in this series, you can check out Voice, Characters and Plot, or Setting, Backstory, and Hooks.)

Pacing

Dictionary.com says simply that pacing is a rate of movement. It's the tempo of a story, combining chapters, scenes, paragraphs and so on to relate the story at a certain speed. And hopefully that speed is satisfactory, slowing down when necessary and speeding up when necessary - a pace that keeps a reader reading.

Tips on pacing:

* Put in plot changes, large revelations, etc. at strategic times, spreading them throughout your novel. Or, in smaller doses, give a scene with some action, followed by a scene with some reflection or smaller revelations, and so on.

* Utilize hooks and read-on prompts in scenes and chapters to keep the reader reading.

* Use techniques like narrative to slow down the pacing, or dialogue and action to speed it up.

Sentence Structure

This element is on a smaller scale, pertaining usually to paragraphs and individual scenes throughout the entire manuscript, but keeping sentence structure in mind is a great way to get a more well-rounded manuscript.

Tips on sentences structure:

* Vary sentences in paragraphs, alternating and changing up subjects and nouns, etc. so the story doesn't sound monotone.

* Utilize individual sentences. Making an impact with a single sentence separate from a paragraph changes pacing, like talked about above, and keeps the sentence structure looking and sounding varied.

* Try posing questions for thoughts and don't be afraid of fragments every once in awhile.

Strong Verbs

Giving a manuscript as much as you can will get you further with agents, editors, and readers. Sometimes this includes small things like verbs.

Tips on strong verbs:

One thing we all know is to avoid the passive. Particularly the word "was". Sometimes it's necessary and that's fine, but if it's not, replace it with something else. You can do a search for passive verbs and try to find new ones that will make sentences stronger and make more of an impact on readers.

Avoid cliches if you can. These aren't necessarily the same in everyone's writing, but there are particular phrases that are either very common in a lot of work you read or very common in your own writing. Try narrowing those down - i.e. his eyebrows rose, she grinned, she was so scared her knees shook - and replacing them if you can. Use an arch of an eyebrow or a quirk of a lip, anything that puts a new spin on an old take.

Read other books. Sometimes simply reading other books and examining the verbs another authors uses and how they work with their story will help spurn some extra creativity.

Tone/Theme

Another great element of a well-rounded story is that it serves a purpose in some way. This can come in the form of a particular overall tone or a theme.

Tips on tones and themes:

Ask yourself if you're trying to teach a lesson or have a moral for the story in some way (which doesn't have to be over or preachy). Sometimes the theme of a story is forgiveness or unconditional love. Decide if this is a direction you want to go in before or as you write the story so it can be a subtle thread throughout the book. Sometimes these are even based off of Bible verses.

Giving your story a particular tone, a way you want it to make a reader feel, is another thread that can unwind throughout a book. Adding in particular scenes or certain vocabulary (for a darker or lighter tone) are great ways to make the reader feel something.

Knowing your reader or the publisher you want to submit to will help you understand the writing style, even tones and themes that will appeal to that particular market.

These final elements are great ways to help round out a story, or get that strike. You can help your manuscript be fuller and more appealing to readers. Are these techniques ones you focus on when writing/editing or are there others you feel are especially important to making your work shine?

Thursday, May 19, 2011

Get Smart, Get Short or Go Home: Creating Succinct Sentences



“Jesus wept.” John 11:45


There you have it. The Bible, with a raw and beautiful declaration. John got it. Sometimes there’s great power in a succinct sentence. It possesses a rare ability to drive home a point.


Before this Jesus wept verse we are given context, we are rooted. Jesus is saddened and moved by Mary’s reaction to Lazarus in the tomb. John didn’t describe his reaction as so:


The tears Jesus shed slid down like rain, dampening the mud caked on his sandals. He flung his hands to his face and cried a river (cry me a river, isn’t that a Justin Timberlake song?).


John didn’t give us any of that (thank you, John) because he knew the two words “Jesus wept” would not only suffice, but reach deep.


As long as we don’t overdo it and string short sentences together like popcorn Christmas tree decorations, we’ll find that a well-placed clipped sentence will make our readers snap to attention. We might even get a nod or a “Yes” from them while they read.


One of the best pieces of editing advice I’ve received has to do with this point: Get smart, get short or go home. In other words, if you have two words in a sentence that mean relatively the same thing, i.e. “Her voice was layered with hints of deception and dishonesty” cut one word. This sentence would read sharper as “Her voice was layered with hints of deception.” Bam. Done. All she wrote. Second word not needed. You might even wish to simply stick with “Her voice was layered with deception.” Kill those words off like moving ducks at a fairground game.


What about you, do you find ways to get smart and get short so you can stay out and play?
*photo from Flickr