Showing posts with label romantic comedy. Show all posts
Showing posts with label romantic comedy. Show all posts

Wednesday, February 8, 2012

Making Your Readers Giggle

Hi everyone! First off, I want to thank you all for the warm welcome, and I also want to thank my fellow Alley Cats for allowing me to team up with them. They truly are such a blessed, gifted group of women, and I consider it a privilege to be counted among them.

If you read my interview, you probably remember that I write southern romantic comedy, and I love my genre! So for my first blog post, I'm going to talk about something I'm still learning myself... how to make people laugh. These are tips I've gathered from ACFW workshops taught by people like the fabulous Jenny B Jones and Janice Thompson, as well as a few things I've figured out myself along the way. Hopefully you'll find they work for you as well!

You may be thinking, "Well, this is good and all, but I don't write comedy. How does this blog affect me?" I'm glad you asked. Even what we consider literary classics make use of comedy--take a look at Shakespeare. You don't have to be a romantic comedy writer to throw a joke or two into your prose. Giving the reader a comedic moment will allow him or her a little breathing room to process the deeper message of your book. And if you do write comedy, all the better!

1) Be specific. This is something I picked up from Jenny B Jones. It's amazing how the more specific you are, the funnier something becomes. Maybe your character burns a batch of brownies. (I know, you're thinking--that's not comedy, that's a tragedy--but stick with me.) Not very funny, right? But what if smoke begins to fill up the kitchen, and she's on the phone with her neighbor who sees the smoke coming out her open window, and then the neighbor calls the fire department, and the first firefighter on the scene is the very attractive man your character met last week, and then she realizes she's wearing fuzzy socks and her Hello Kitty pajamas?


2) Be ironic. Establish an expectation for the reader, and then surprise them. I'm not talking about the kind of surprises that will make your readers hate you, like killing off a beloved character without warning. I'm talking about inverting an expectation for the sake of humor. One way to do this is to put a twist on an old cliche: "Before you gossip, walk a mile in her Spanx--you'd be grouchy too." Another way to do it is to take a stereotype and then twist it for the sake of humor. The possibilities are endless.

3) Be yourself. I think grammar jokes are funny. I run and flail when I see a wasp. I inwardly cringe before touching public doorhandles. In real life, these things make me a nerd. On paper, these things suddenly become funny. Start paying attention to the details in your own life, and you'll realize your quirks make excellent fodder for your characters. Do you sing loudly to yourself in the car? Do you have a unique way of cleaning ceiling fans? What do you do when you see someone in the mall who you don't want to speak with? Write that in your book. Don't worry. We won't tell anyone these embarrassing moments actually happened to you.

4) When in doubt, use a kid, a grandmother, or an animal. For some reason, these things are always funny.

Have you tried your hand at writing comedy? What tips do you have to share that helped you find a humorous note in your writing? Can you think of any examples from your day to day life that might work well as a comedic scene in your book? I'd love to hear your funny stories. :)

*Dog photo taken from http://piccsy.com/2011/12/no-idea-6exq1cdmr/

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Ashley Clark writes romantic comedy with southern grace. Born and raised in the South, her favorite vegetable is macaroni and cheese, and she loves sweet tea. Ashley has an M.A. in English and enjoys teaching literature courses at her local university. She's an active member of ACFW and runs their newcomer's loop. When she's not writing, Ashley's usually busy rescuing stray animals and finding charming new towns. She's thrilled to be represented by the fabulous Karen Solem. You can read more of Ashley's thoughts on writing, crafts, and life on her personal blog: http://ashleyclarkwrites.blogspot.com/. She's also on Facebook and Twitter (writerashley).

Friday, September 2, 2011

Romance: The calm before the storm.

I've always pictured a romance storyline something like this:


The beginning hook. GOTCHA. I wanna read more!

And it gets worse,

And a little more worse.

And still even more worse.

Until HOLY CRAP, the unthinkable happens.

These characters will NEVER be able to get together now!

But... something happens, and things are redeemed.

They characters kiss and make up.

And life happily ever after!

Now, if you turn your head sideways and look at the above steps... you'll notice that it reminds you of what a story line should look like too when measuring the degree of tension!

BUT.

I
Think
It should
Look a little
more
LIKE THIS RIGHT HERE!
And then it
is done.

Okay, if you're not a visual person (or can't see looking sideways) you're probably really confused.

My point is this.

It's the need for a "calm before the storm" if you will. That moment everything SEEMS to be working swimmingly, but as a reader, you are holding your breath, because you KNOW something just terrible is about to happen.

The calm almost makes the tension of the black moment even bigger.

It's like when your toddler takes a really big, quiet breath, right before he/she issues the loudest scream you've ever heard.

Some movie examples:

Runaway Bride. After Richard and Julia kiss and Richard gets duly punched in the face, they realize they really actually love each other. They kiss some more. They decided to replace the wedding with THEIR wedding. All happy and good right? Scenes of them swinging and reading and preparing for the wedding and everything is all lolly-pops and rainbows. But all the while, you KNOW something bad is gonna happen. You assume it's at the wedding, but you don't know when for sure. Even though everything seems like it is fantastic, the tension of "when is the bomb gonna drop" keeps you watching and eating your popcorn, crying, "Don't run, Julia! Richard is a HUNK! Just do it!"

Of course, she runs. He chases her. Thus, the black moment.

The Proposal. Mean heroine (anyone who says you MUST have a likeable heroine at the beginning, watch this movie!) and good guy, fake engagement in order for her to not be deported. They hate each other, but are forced to vacation together in Alaska at his parents house. They still think they hate each other, but inside each of them starts to fall for the other. And then the fake wedding comes, and by then, you can tell they are in love. Fake or not, they are getting married! No deportation, they can finally admit their feelings, and they are married, so WOOHOO. But that's too easy. And as she walks down the aisle, we're all thinking, "what's gonna happen? What's gonna stop this? It CAN'T be this easy!" Then she turns around, and the rest, you have to watch the movie to find out!


Some book examples:

Well, here is the thing. There are a ton of them. So, I thought I'd let YOU share some of your favorite calms before the storms from books you've read. Can you pick any out?

Monday, August 8, 2011

Thirty, Flirty, and Plot-Building

I don't write romantic comedies...but I absolutely LOVE watching them (and reading my crit partner's fabulous novels in this genre). So let's delve into one of my faves, 13 Going On 30. I am dancing in my seat right now just thinking about the eighties-inspired soundtrack. If only novels came with soundtracks. ;)
13 Going On 30 has tons of great nuggets for life (it's even a movie used in the Bible study, Chick Flicks, Dinner and A Movie...I highly recommend it for a fun girl's night), and writing...which of course is what I will focus on.

For those of you who haven't seen this movie, a thirteen year old girl, Jenna, strives to fit into the popular “six chicks” against the advice of her slightly odd best friend, Matty. Matt is a sweet, non-conformist kind of guy, even building Jenna a customized dream house for her birthday. But Jenna is easily sidetracked from her sweet moments with this sensitive guy, and desperately tries to impress the popular crowd who have no interest in eager Jenna, and disappoint her again and again. Jenna finds herself longing to speed up time and become Thirty, Flirty, and Thriving... like the beautiful model in her fave magazine, Poise.
So with a little bit of magic dust from her homemade dream house (hey, it's Hollywood), Jenna wakes up exactly like she wanted,

Thirty, Flirty, and Thriving.

Through the course of her transforming morning, she realizes she got everything she wanted...A high school career as a “Six chick”, homecoming queen on the arm of Chris Crandy, and working as an assistant editor at Poise.
When she asks the cute grown-up Matt, “What if what I wished for really did come true?”
She takes his advice: “Well then, you got everything you ever wanted, you might as well enjoy it.”
But with all the success, she discovers what kind of person she has become...and she (Jennifer Garner) sums it up nicely when she criticizes a competing magazine's editor:

“You are mean and rude and sloppy and frizzy, I don't like you at all!”
(minus the sloppy and frizzy, she is actually quite a spiffy “stuck in the eighties” kind of dresser) 

The rest of the story is Jenna “re-filling” the shoes of her egotistical, ruthless, deceitful future-self. This movie provides great examples of character growth, the suspense-building plot, and a significant black moment.

Character growth:
The character overcomes challenges externally and internally giving the audience a reason to route for her. Jenna takes on her fast-pace adult life through the eyes of a thirteen year old. She falls for the sweet guy, her best friend Matt, not the most popular hockey player that she's supposedly dating. When she pitches her “redesign” for the magazine, it is a refreshing, soul-searching idea that her boss loves. She chisels away the shallow idea of what she wanted in her thirteen year old body, and makes choices that give her audience a reason to hope the best for her in the end.


Suspense-Building Plot:
The guy she is in love with is engaged...will he break it off since he obviously has feelings for her?
The boss loves her idea...will it help change her ruthless reputation and bring success to her magazine?
Her best friend finds some incriminating evidence...will she ruin everything for Jenna?

The Black Moment:
All these questions are answered exactly how we, the sympathetic audience, DO NOT want them to be answered. Everything in Jenna's life crumbles, and she finds herself completely hopeless and alone. We want her to have happiness now, we've seen her work for it, and re-shape her character for it.

From a humorous, light-hearted, slightly unrealistic (okay, greatly unrealistic) comedy, we have a fun visual for the important anatomy of a well-written novel.


Is there some character tweaking, or plot building that you can do to enhance the climax in your book?