It's All About the Kiss

Let's start today with a prayer. "Dear Lord, please don't let my grandma find this post and read it. Amen."

Now let's move on to the topic at hand. For the last week and a half here on The Alley, we've been talking about our favorite romances and what we love about them. Well, when I think about what I love in a good romance, four things come to mind.

Humor, snappy dialogue, compelling plot, and good kissing.

Oh come on, don't give me a hard time for that last one. You can't tell me you read a romance for the intergalactic time capsules and alien abductions.

When we follow the journey of two people falling in love, we want to see a little lip-locking, doggoneit. We want to see a kiss that sizzles through the pages, that evokes passion. (Can I get an "amen", Julie Lessman?)

So I thought it'd be fun to look at two of my favorite romances and analyze the kisses. Ahem, I meant analyze the writing of the kisses, not the kisses themselves.

First up, Plain Jayne by Hillary Manton Lodge.

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I slung my laptop bag over my shoulder. "I should go."

"Jayne--"

Levi reached for my arm. The feel of his hand stopped me in my tracks. "Everything will be all right," he said, and with the utmost care he caught one of my tears with his finger.

And then, as far as I can tell, I kissed him.

On the lips.

It was just a little kiss, more like a brush. At least it started that way. It started as the tiniest nothing, but Levi wrapped his arm around my shoulder and the kiss deepened. I responded; he tasted like cookies and cream and smelled like cedar. My hands dug into his hair.

This is nice, I thought. I had stopped crying, focusing my attention on Levi and that moment until a single thought entered my consciousness.

Shane.

I stepped back, ending the kiss and disentangling myself from Levi's inviting hold.

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Three things I love about this kiss:

(1) It's unplanned. We can feel Jayne's surprise as she kisses Levi and then her rationalization as the kiss continues.

(2) Use of the senses. Jayne and Levi have just gone out for ice cream, thus the cookies and cream reference. Don't you LOVE that? And he smells like cedar. Good stuff!

(3) Conflict that ends the kiss. I love how Hillary takes us through Jayne's thought process, how much she loves the kiss and then *bam*, she remembers her boyfriend Shane. Um, yeah, talk about some emotional conflict.

Whew, let's take a short breather after that one. You're gonna need it before you read the next. Okay, ready?

The next one comes from Stealing Adda by Tamara Leigh.

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His face is once more singular, and a crooked smile is in place that makes him look surprisingly boyish. "Perhaps not 'strictly business,'" he murmurs.

Does he mean what I think he means? Holding my breath and his gaze, I feel his hand leave my shoulder and trail my collarbone to the base of my throat. Though my lungs urge me to splurge on a refill, I'm too afraid of losing the moment. Air or no air, it's perfect just the way it is.

Though his gaze has yet to flicker, his head lowers toward me and I feel his breath on my lips. I part them and, in doing so, sip air enough to sustain me through what's sure to be the kiss of a lifetime.

Nick doesn't disappoint, though he surprises. Rather than demanding, his mouth lightly covers mine as though to test it, and he doesn't press me to the floor.

With a murmur, I curve a hand around his neck to draw him nearer. He deepens the kiss, the intensity of which causes me to startle. And my foot to strike the credenza. A moment later, the remaining books topple.

Leave it to Adda...

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Whoa, mamasita! Are you breathing right now? 'Cause I'm sure not. I should clarify for Grandma's sake that the comment about the floor is because they took a tumble prior to this clip. (So don't tsk tsk, Grandma, okay?)

Here's what I love about this kiss. Tamara gives physical details that put us in Adda's skin...his hand trailing from her shoulder, along her collarbone, to the base of her throat. She could have just said, "He moves his hand to my neck." But no, she takes it one step at a time to make us feel the agony and tension right along with Adda. (I wish I could show you all the tension buildup before this clip because Tamara masterfully builds it throughout the entire chapter.)

Then after his hand shift, Tamara punches it up even more by making us feel Adda's tight lungs. And the kiss hasn't even happened yet! By the time they do lock lips, we're dying for it to happen, and it delivers the passion we expected.

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So what does all this kiss talk mean for you as a writer? It means you need to study the books you love, analyze them to find the triggers that put you in the characters' skin, and don't be afraid to make the reader feel the romantic tension. They'll thank you for it!

Do you have a favorite kiss from a novel or a movie? What made it memorable?

*Kiss photo by Idea go / FreeDigitalPhotos.net

Author Hillary Manton Lodge on Writing and Being Funny (Plus a Giveaway!)

If you've come to hear about my adventures in Paris, SURPRISE!!! I have something even better. I'm so, so, so excited to have Hillary Manton Lodge here today! AND she's graciously offered a copy of Simpy Sara as a giveaway for all our commenters, so be sure to leave a comment with your email address!

Hillary is one funny and fabulous writer. Here's a little bit about her: Hillary writes Generation-Next Contemporary fiction. Her books usually center on normal people learning to live, laugh, heal, and try to understand the concept of God in a crazy world. Her first released novel, Plain Jayne, is now available nationwide. Her second, Simply Sara, released Sept. 1, 2010. Both books are "Urban Amish," and totally not your mom's Amish books. Except for the Amish. They're still there.

Now before I get to the official interview, you'll have to bear with me while I give you the backstory of how I discovered Hillary's books and then met her at ACFW!

It all started a year ago when I started plotting a lighthearted romance with Amish flavor, and I thought, "Hmm, I wonder if this has been done before." So I ventured onto Amazon, looked through all the Amish fiction books, and one cover stood out. It had a small Amish buggy on it, but the hero and heroine's pictures looked like non-Amish people. It was Hillary's book, Plain Jayne. I ordered it and ended up reading it in one day. It was funny, poignant, and amazingly written.

Fast forward to the ACFW Conference in September of this year. I saw that Hillary was doing book signings, and I also knew that Simply Sara was released in September. So I made a beeline for the bookstore and bought up half of Hillary's books (I was Christmas shopping early). Then I marched over to Hillary's table with my arms loaded down and proceeded to gush like a 12-year-old at a Justin Bieber concert (minus the ear-piercing squeals).

Poor Hillary, she didn't know what hit her. But she was sweet and gracious and talked to me a little bit about her writing journey. I was so thrilled to have her sign my books, but I was more thrilled to make a new friend. And now I get to introduce her to you. :-)

Hillary, you told me a little bit at ACFW about how you ended up writing "urban Amish". Can you share the story for our readers here?

First off, I didn't think you gushed at ACFW. It was very dignified. And I was delighted to have someone to chat with!

I connected with editors at Harvest House in 2007. After sending in the completed manuscript of my first novel, after a few months I heard from a second editor, who invited me to coffee. Since I lived in Eugene, Oregon at the time, getting to meet with an editor in person was actually an option! After several conversations I learned that while many editors at Harvest loved the book I'd written, they were really wanting to focus on their Amish fiction line. I was approached to do an Amish novel, but my own spin. "Sassy Amish" is what I was told. After several months of research and some rewrites, I wrote three chapters that became the start of Plain Jayne. Harvest loved it and offered me a two-book contract. The whole process took the better part of a year - there's nothing quick about publishing!

So true. That explains why most writers are manic depressives and/or addicted to coffee. So what five words best describe your writing process?

Oh, gracious. Distraction, inspiration, scribbling, Starbucks, and note-cards. Can I cheat on note-cards? I really can't live without them!

I guess I'll let you cheat since you proved my coffee point with your Starbucks answer. I loved, loved, loved Jayne in Plain Jayne. She was hilarious! How did you come up with the idea to create a motorcycle-loving girl who would become obsessed with making quilt squares with the Amish?

My initial concept with Jayne was to come up with a person who was as different from an Amish woman as possible. She's independent and sarcastic with a definite rebellious streak. But I also wanted her to be teachable, to be the kind of person who would be open-hearted enough to learn from her experiences. As she grew and changed throughout the book, the quilt squares became a physical metaphor for how she was recreating her life and piecing it together. The fact that they gave plenty of opportunity for comedy only made it that much more fun to write.

You had amazing sales right out of the gate with Plain Jayne. What do you think was the secret to its success?

I had a lot of retailer support with Jayne. They loved the cover and the concept. I think the idea of a very modern woman experiencing the Amish had a lot of appeal. Other than that? I have no idea!

Sara in Simply Sara had a very different voice from Jayne, but the story was just as fun (I also read it in 24 hours...I don't do that with just any old book, people). How difficult was it to switch voices and perspectives between the two books? Did you use any tricks to make the switch in your head?

I'll be honest - Sara gave me fits, and getting the voice right was the hardest part. I knew how to write her, and how she would sound - she was so well-defined in Jayne. But getting that voice to propel the book was a challenge. If I got stuck with Jayne, I'd have her say something witty, but that wasn't Sara's style. Sara was so much more internal, so much more thoughtful. It's not that she couldn't be funny, it's just that it didn't occur to her very often. I don't know that I had any specific tricks to switch the voices, other than to sit back and try to hear her in my head, hear how she would phrase things. I had one draft reader in particular who was very helpful - she'd pick on me every time something I'd written didn't sound quite like Sara. Knowing I had someone keeping such a close eye on me helped me make sure I kept my voices straight!

Where would you say most of your humor inspiration comes from? From your own life experiences? From your Great Aunt Maude's genes?

Hard to say. Great comedy can certainly be found in my family. They're kind of like the Portokalos family in My Big Fat Greek Wedding, only they're not at all Greek, they're just entertaining.

When I read this question, it made me think of the quote from Chariots of Fire: "I believe God made me for a purpose, but he also made me fast." For some reason, God decided I would have a particularly twisted sense of humor. It drove me nuts when I was younger - we'd go on youth retreats and everyone would take turns saying nice things about each other. Other people would be praised for their generosity of spirit or their smile or what have you. Invariably, I was praised for my sense of humor. I always felt it was a cop-out. Now I see it as a gift. It's nice being able to go through life with the ability to see humor in everyday events. Laughter is healing. Humor, when used correctly, is disarming. Comedy can tear down or build up. I try to use my powers for the forces of good. :-)

Wow, I got a little teary-eyed when I read your answer. Powerful stuff. Okay, so when does the humor really start to shine in your manuscripts? Do you have funny lines out the wazoo in your first drafts and have to tone it down in the second? Or do you start out with a Plain-Jayne first draft (sorry for the bad pun...couldn't resist) and laugh it up in future versions?

I'm going to reveal something here I don't like to share - I tend to be a one-draft writer. That one draft takes forever and a day to write, gets edited up one side and down the other, but it's the version that tends to go to print.

So most of the jokes are original. Very rarely, a couple get edited out (there was one such line in Sara, but I'm saving it for a rainy day). Sometimes, I'll add a line or two while I'm editing a scene in the polishing process. But the humor very much tends to propel the writing process; the funny scenes are my favorite to write.

I will say, I was very surprised when I turned in my draft for Jayne. I was sure my editor would think it was too wack-a-doodle, sure she would ask me to tone it down. To my surprise, the parts I thought she'd object to were the parts she loved best!

Wack-a-doodle...Love that word. It's been known to leak out of my mouth on occasion. What advice do you have for someone who's thinking about exploring their funny side in fiction?

Consume funny media. See how other people do it. I think the book The Princess Bride is a master's thesis on writing humor. TV shows such as Gilmore Girls are another wonderful example. If there's a movie you find particularly funny, listen to the director's commentary. Garry Marshall does great commentaries for The Princess Diaries and The Runaway Bride. I love Nora Ephron's commentary for You've Got Mail. Pay attention to things like pacing and delivery.

Don't take yourself too seriously. Don't ever try to be funny. Humor is very Yoda-esque - do or do not, there is no "try". Be true to your voice.

I could go on for a while - it's a subject I'm very passionate about. Be sure to stop by my blog for more - http://hillaryonwriting.blogspot.com/ :-)

I heard it through the grapevine that you may be branching out of the Amish fiction world in the future. What ideas are percolating in your brain?

Ah yes, the grapevine. I've made the decision to move on from Amish fiction. I feel I've explored the genre as far as I can while still enjoying the process. I could try to write another, but it's not where my heart's at.

There are always many ideas in my head! I've wanted to do a book about Gemma for years. [Sarah here: Gemma's a fun character from Books 1 & 2.] And I've got my first novel as well, which features Livy (whom you might remember as Sara's roommate), Mark the landscape architect, and a host of characters who are dear, dear friends. I'd also love to do a superhero book!

Well, I guarantee you, whichever direction you go, I'll be reading. Can't help it...I like to laugh. Thanks so much for stopping by, Hillary! It was a delight to have you here!

And readers, don't forget to comment for a chance to win Simply Sara! We'll end the drawing on Friday and announce the winner in the weekend edition.