This is my (Laurie's) last day of maternity leave! Last but not least, because I think she's rather swell, I've invited author friend Jessica Patch again to talk about novellas. She's written some pretty fantastic ones, and, well, I want to be just like her. Here's Jess...
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Thanks, Laurie, for having me back at the Alley. I
love hanging out with you lovelies! Today, I’m talking about how to plot a
novella and make it feel like a novel. I try to keep up with reviews, threads,
and conversations readers have when discussing novellas. Hearing a reader say, I wanted this book to be longer, doesn’t
have to be bad. In fact, it can be great if it’s because they loved it so much
they didn’t want to stop reading. Writing a novella can be fun and a challenge.
I wrote my first novella partially to see if I could! I’ve written three more
since then.
How can you pack in character development, unrushed
romance, and a fully developed plot (and keep the pace steady) in about 30K
words? Here’s how I did it:
2. Stick to the main plot. Sorry, but there isn’t room for subplots in a novella. You need all the word count to devote to an unrushed romance, a fully developed character arc for each main character, and a steady plot to reach their HEAs. I grabbed notecards and began brainstorming scenes that would drive the plot forward, cause conflict, create romantic tension, and develop their arc as well as the spiritual thread. I jotted down scene ideas for the main characters until a story took shape and they reached their goals and HEA. I had about 50 scene ideas, but I only used maybe 8-10. Remember to keep them together in every chapter!
3. Outline to stay on point. Pantsers are freaking out right now. Don’t! I’m mostly a pantser, too. But I’m finding that you can’t get away with that forever. Not if you go the traditional publishing route. Stretch. Grow. Find what works for you like I did. You can do this! Okay here’s how I did it. Once I had my key scenes, I used Power Point to create virtual note cards and I outlined the book. I don’t do it in chapters because that’s too much math. I just get the scenes on the virtual note cards then I go back through and layer in a romantic and spiritual thread. Romance in red. Spiritual thread in green. It’s usually one sentence or two. Example: Gabe notices Audrey’s generosity and detail with the flower arrangement she brings to the house and it moves him. When I actually write the scene, “moves him” gets shown not told, but for an outline that’s all I need. Example from the same scene: Audrey sees Sierra bring the ice while she brings a flower spread that takes up too much room and wishes she had thought of that and been more useful. Comparison/insecurity begins. By outlining like this, I can keep my scenes on point and fully develop each thread.
4. Write tight. Less is more. What might be several paragraphs of good narrative in a full-length now becomes one paragraph or a series of sprinkles. You can scale down without losing anything. Dialogue has to move the plot forward (as with any novel), so make it count!
You’ll be amazed how much you can pack into novella, still keep your voice, and give readers a great experience. They might say the book was too short, but it won’t be because they felt it was undeveloped.
Have you written a novella? What tips
would you add?
Click here to join Jessica’s newsletter to receive her next two
novellas (releasing this year) FREE!
Hope Under
Mistletoe and her newest
novella, Just the Way You Are, are
available on Amazon!
Blurb for Just the Way You Are
When Pastor Gabe asks Audrey Gilbraith to use her mad
florist skills to help him design a prayer garden, she’s all in, especially
since it helps take her mind off the fact she’s about to lose her job and her
apartment. But working closely with Gabe without falling for him is
complicated. She’s not pastor’s wife material, and she has the past to prove
it.
Gabriel Brookson wants out of Audrey’s friend-zone, but when he pursues her romantically, he ruffles more than a few feathers in his congregation. How much is he willing to give up for this wonderful, quirky woman, and will Audrey accept him if he risks it all?
Gabriel Brookson wants out of Audrey’s friend-zone, but when he pursues her romantically, he ruffles more than a few feathers in his congregation. How much is he willing to give up for this wonderful, quirky woman, and will Audrey accept him if he risks it all?
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Jessica R. Patch lives in the mid-south where she pens
inspirational contemporary romance and romantic suspense novels.
When she’s not
hunched over her laptop or going on adventurous trips in the name of research
with willing friends, you can find her sneaking off to movies with her husband,
watching way too much Netflix with her daughter, dominating her son at board
games, and collecting recipes to amazing dishes she'll probably never cook.
Her
debut novel with Harlequin Love Inspired Suspense will release in January 2016.
She is represented by Rachel Kent of Books
& Such Literary Management.
6 comments:
Jessica, great tips! I haven't tried my hand at novella writing yet. I may some day. :) I love the idea of color-coding different aspects of the story.
Thanks for removing some of the intimidation-factor of writing a novella! :)
Terrific tips, Jessica. I especially like the color-coding.
I can't wait to try this out! Thanks for visiting again <3 You're so smart!
Hi ladies! So glad the tips helped. Or at least sparked a creative way for you to plot one out.
Laurie, you're the besto! Thanks again for having me. :)
Great tips, Jessica
And I love the info about PPT! I'm a BIG PPT fan so creating virtual notecards totally works for me! Love it!
OneNote does too.
I'm starting my first novella and am so thankful for this post!
I LOVE novella writing. A lot more than i ever thought I would.
My only disagreement is outlining, LOL. I am a pantster and STILL can't outline, even my novellas! Believe me, I tried. No can do!!!
My only advice to add would be: Think of it like a candy bar.
You have a full-sized snickers bar.
Just because you then have a miniature one, it still has all the necessary elements... the chocolate, the peanuts, the caramel, the nugget.... it's just all on a smaller scale.
Same with a novella. YOu still have her H/H, you still have internal/external conflict, you still have to ratchet up the conflict and have a climax and a black moment. It's just all on a smaller, shorter, quicker scale. :-)
(and crap, now I want a snickers!!!!)
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