How the West Was Won

What component draws a reader to westerns? Today's post is dedicated to writers of the "western" genre.  But don't run away if that isn't your cup of tea!  Westerns have ingredients that need to be found in other genres as well.

This last weekend I went to a rodeo in Cody, Wyoming.  It was the first real rodeo I've attended.  During the show, I noticed many interesting ideas that could be infused into any story line.  Here is what I saw:



1. The care taken by cowboys and cowgirls to protect the safety of others. (group members demonstrating how they care for others in their group)
2. The care taken by cowboys and cowgirls to protect the safety of the animals. (individuals demonstrating how they care for animals)
3. The persistence by cowboys and cowgirls to get back on their horse after falling. (refusing to let a tragedy or problem keep you down.

4. The teaching spirit to raise a new generation of cowboys and cowgirls. (older teaching younger the ways of live
5. The support of a western town for the cowboys and cowgirls in the arena. (community cheering for their own, supporting their own, helping their own)

If I thought for a few seconds longer, I could easily add to this list.  After I returned to my hotel I went on the Internet to research westerns and noticed a blog from Christian western author, Jerry Peterson.  He wrote a series about Roy Rogers recently Jerry Peterson From his posts, I thought about other western's and their cowboy/girl actors from yesteryear: the Lone Ranger, Bonanza, Dale Evans, and etc.  What drew audiences to watch one more John Wayne western? It had to be more than horses, dust, campfires, and harmonicas.

To ask audience members what they liked about westerns, I may not get a direct answer. Maybe they didn't really know what captivated their attention other than to say they liked the thrill of seeing the good guy win in the end. After considering what I'd seen, read, and knew, I came up with a theory regarding the necessary components of a character in a western.



Dedicated:  To be a cowboy or cowgirl, one must dedicate their time to training and caring for their animal. Cowboys and Cowgirls practiced off to the side during the show until their time to perform.

Brother/Sisterhood:  They must bond with each other, and get to know quirks, nuances, and signals when help is needed. Cowboys stayed near the rider on his bronco in the pen until the rider signaled he was ready.  They wouldn't open the gate until the rider showed he was secure and ready.

Persistent:  They must be persistent to try again and again.  At the rodeo, one cowboy's arm became tangled while riding a horse in the arena. When the horse bucked him off, he flopped up and down, hooked to the saddle and couldn't fall safely away.  A swarm of cowboys came in to help set him free.  It sure looked like he'd be heading to the hospital, but later in the show, he competed in the calf roping.

Audiences enjoy the dynamic rescues and the down-home life style of westerns. The Lone Ranger demonstrates taking necessary risks to fight for the good, Bonanza shows taking necessary risks to fight for the family ranch, other western stories reflect an unquenching drive to survive in an untamed land, and townfolks who band together to get rid of the bad guy.  These and other components found in westerns are components readers want  for themselves and can be included in any genre.

Once upon a time, explorers and pilgrims headed west to populate a new land. Years later explorers, settlers, and gold diggers populated another west.  What is your west in terms of your writing?  Have you allowed yourself to explore fresh new ways to tell your story?  Do you characters draw people to your story with their dedication, brother/sisterhood, and persistence?