First Readers: Helping You Find Your Story

Hello. My name is Cara. I'm a recovering reader and writer. I live and breathe words. But sometimes as a writer I need help ensuring the story I see so vividly in my mind translates into words that resonate with readers. But I wrote the story. I saw it in living color as it played in real time. 

How do I bridge the gap?

I use first readers. Not every reader does this. Sometimes no one sees the book other than their editors until the book is available for everyone. I've had some books like that, but not many. 

I much prefer to work with first readers who help me identify if a story is working. This happens on multiple levels. And sometimes I work with different first readers to ensure that multiple facets of the story are looked at it before I turn it in. My goal is to always send my editor the very best book that I can and first readers are a key piece of the process. So what do I look for?

• Look for readers who love your books. I want a first reader who has already read a few of my books and has a sense of my style for telling a story. I'd call that style my personal writing voice, but I'm not necessarily looking for readers who understand the nuances of writing. I want first readers who are readers first and foremost and that love my books.

• Have a variety of first readers. I tell each reader what I'm hoping to learn from their read of the book. I often have to tell them not to bother with grammar and typos. They are free to mark those, but my editors and I will find most of those. Instead, what I'm interested in at the first reader level of the story is connection. Are they connecting with the story and characters? If they aren't, I want to understand why. What do I need to fix to make the story resonate and be un-put-downable? (Yep, I just created a word!)

• Know the strengths of your first readers. I have one who sees inconsistency in eye color, places, etc., like no other. I rely on her! I have others who understand story and can let me know if the pacing is off. Still others just let me know what works or doesn't work for them. Each plays a valuable role. Understand what each reader brings to the story and know that's what you can hope to get in their read.

• Remember to say thank you. The acknowledgments section of the book I turn in this month will be obnoxiously long. That's okay. Many people have helped me get the idea to the point that it could become a book. And many more have helped me as I've written it. I also like to send little goodies as a thank you. Sometimes it's a pack of red pens :-) But make it something that lets them know you appreciate them. And don't forget a copy of the finished book.

Have you ever used first readers or been a first reader? What did you learn from the process?

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Cara Putman

An award-winning author of twenty books, Cara is a lecturer on business and employment law to graduate students at Purdue University’s Krannert School of Management. Putman also practices law and is a second-generation homeschooling mom. She lives with her husband and four children in Indiana.

Six Vital Questions to ask your First Readers

You have a polished draft, and now it’s time to get feedback before submitting to agents or publishing houses.

Those friends and family members who’ve been bugging and bugging you? (When-can-we-read-your-book? Are you finished already?) – finally you have something to offer them, in the hope of garnering solid feedback you can use.

So you hand the manuscript over, ignoring the tumbling free-fall in your gut and the sense that you’ve just placed your newborn child tenderly in the middle of an expressway.

Photo by imagerymajestic, freedigitalphotos.net

Then you wait for the feedback.

When it comes, it sounds like this.

“Oh, I loved it. I loved it so much.”

“You are such a talented writer.”

“This was a great story. Really great. Wow – just wonderful.”

Flattering? Yes.

Affirming? Absolutely.

Helpful?

Not so much.

The problem here is that most people you ask for feedback (experienced critiquers aside)… well, they know you, and they love you.

They will be kind.

Maybe they did honestly enjoy the book. They may have sensed that some parts were a little “off”, or not quite there, but either they haven’t thought through their response deeply enough to analyze exactly what was lacking, or they simply feel it would be rude to point out any deficiencies.

Generalized praise may make you feel good, but what’s the point if it’s not even a truly accurate indication of what that person thought? Remember, the purpose of engaging a first reader is to make your book better, not to make you feel better. (Click to tweet.)

You must give your first readers permission to give honest feedback.

Image by David Castillo Dominici,
freedigitalphotos.net

What’s more, you need to do this in a practical way. Don’t just say, “Oh, and please feel free to tell me what you REALLY think!” because the majority of people will be too polite to take you up on that. It’s like asking your best friend what she really thought of your 10-year-old daughter’s debut karaoke performance.

Yeah, it stank, but absolutely NO-ONE who loves you is going to tell you that.

The instinct to preserve the feelings of a friend runs very deep.

On the other side of the equation you have zealous Aunt Harriet, who is a whiz at spotting punctuation errors and spelling slips, and will tell you with relish that you used the wrong form of the word “you’re” on pages 39, 117, and 248.

All of which is well-intentioned, but equally unhelpful. There’s simply no use doing line edits with a fine-tooth comb if your plot is fundamentally flawed and a third of the book has to be rewritten from scratch.

To elicit the truly helpful responses, therefore, you must dig them out. Ask specific questions. This achieves three things:

      1.     It helps the reader focus on the big picture.

      2.     It helps him/ her be analytical about what worked and didn’t work, and why.

      3.     It gives him/her practical permission to give specific feedback.

What questions should you ask? Keep it short and simple.

Here’s some I’ve used.

1. Did the characters’ actions ring true? (Did you understand the motivations behind what they did?)

2. Which parts felt slow or lost your interest?

3. Were there any parts that didn’t make sense to you?

4. What are the strongest and weakest aspects of the book?

5. What (if anything) took you by surprise?

6. Did you find the ending satisfying?

Face-to-face questioning is confronting, and people will shirk from total honesty. A better approach would be to print out a one-page sheet with spaces after each question, and give it to the reader with your manuscript. Your readers will take this responsibility quite seriously. It’s validating for your first reader to know that you truly desire their thought-out opinion, not just a pat on the back and a bit of ego-stroking. 

By asking specific questions, you bypass the emotional pressure of thrusting your newborn manuscript into a friend’s arms and asking with breathless hope, “Do you love it as much as I do?”

Do your book a favor, and get some REAL feedback.

Have you ever done this? What questions would YOU ask?

Tweetables:

Is your first reader telling the truth when she says she loves your book? Find out here. (Click to Tweet)

Six vital questions to ask your first readers: (Click to Tweet)

Do your book a favour, and get some REAL feedback. Here’s how: (Click to Tweet)

Karen Schravemade lives in Australia, where she mothers by day and transforms into a fearless blogger by night. Her popular creative home-making blog, A house full of sunshine, reaches over 20,000 readers a month. She's a Genesis finalist for women's fiction and is represented by Rachel Kent of Books & Such. Find her on Twitter, Google+, and Pinterest.

Six Vital Questions to ask your First Readers

You have a polished draft, and now it’s time to get feedback before submitting to agents or publishing houses.

Those friends and family members who’ve been bugging and bugging you? (When-can-we-read-your-book? Are you finished already?) – finally you have something to offer them, in the hope of garnering solid feedback you can use.

So you hand the manuscript over, ignoring the tumbling free-fall in your gut and the sense that you’ve just placed your newborn child tenderly in the middle of an expressway.

Photo by imagerymajestic, freedigitalphotos.net

Then you wait for the feedback.

When it comes, it sounds like this.

“Oh, I loved it. I loved it so much.”

“You are such a talented writer.”

“This was a great story. Really great. Wow – just wonderful.”

Flattering? Yes.

Affirming? Absolutely.

Helpful?

Not so much.

The problem here is that most people you ask for feedback (experienced critiquers aside)… well, they know you, and they love you.

They will be kind.

Maybe they did honestly enjoy the book. They may have sensed that some parts were a little “off”, or not quite there, but either they haven’t thought through their response deeply enough to analyze exactly what was lacking, or they simply feel it would be rude to point out any deficiencies.

Generalized praise may make you feel good, but what’s the point if it’s not even a truly accurate indication of what that person thought? Remember, the purpose of engaging a first reader is to make your book better, not to make you feel better. (Click to tweet.)

You must give your first readers permission to give honest feedback.

Image by David Castillo Dominici,
freedigitalphotos.net

What’s more, you need to do this in a practical way. Don’t just say, “Oh, and please feel free to tell me what you REALLY think!” because the majority of people will be too polite to take you up on that. It’s like asking your best friend what she really thought of your 10-year-old daughter’s debut karaoke performance.

Yeah, it stank, but absolutely NO-ONE who loves you is going to tell you that.

The instinct to preserve the feelings of a friend runs very deep.

On the other side of the equation you have zealous Aunt Harriet, who is a whiz at spotting punctuation errors and spelling slips, and will tell you with relish that you used the wrong form of the word “you’re” on pages 39, 117, and 248.

All of which is well-intentioned, but equally unhelpful. There’s simply no use doing line edits with a fine-tooth comb if your plot is fundamentally flawed and a third of the book has to be rewritten from scratch.

To elicit the truly helpful responses, therefore, you must dig them out. Ask specific questions. This achieves three things:

      1.     It helps the reader focus on the big picture.

      2.     It helps him/ her be analytical about what worked and didn’t work, and why.

      3.     It gives him/her practical permission to give specific feedback.

What questions should you ask? Keep it short and simple.

Here’s some I’ve used.

1. Did the characters’ actions ring true? (Did you understand the motivations behind what they did?)

2. Which parts felt slow or lost your interest?

3. Were there any parts that didn’t make sense to you?

4. What are the strongest and weakest aspects of the book?

5. What (if anything) took you by surprise?

6. Did you find the ending satisfying?

Face-to-face questioning is confronting, and people will shirk from total honesty. A better approach would be to print out a one-page sheet with spaces after each question, and give it to the reader with your manuscript. Your readers will take this responsibility quite seriously. It’s validating for your first reader to know that you truly desire their thought-out opinion, not just a pat on the back and a bit of ego-stroking. 

By asking specific questions, you bypass the emotional pressure of thrusting your newborn manuscript into a friend’s arms and asking with breathless hope, “Do you love it as much as I do?”

Do your book a favor, and get some REAL feedback.

Have you ever done this? What questions would YOU ask?

Tweetables:

Is your first reader telling the truth when she says she loves your book? Find out here. (Click to Tweet)

Six vital questions to ask your first readers: (Click to Tweet)

Do your book a favour, and get some REAL feedback. Here’s how: (Click to Tweet)

Karen Schravemade lives in Australia. When she's not chasing after three small children, she spends her spare minutes daydreaming about the intricate lives of characters who don't actually exist. Find her on her website and Twitter.