Showing posts with label Essence of Plot. Show all posts
Showing posts with label Essence of Plot. Show all posts

Monday, April 28, 2014

A Tangled Plot Structure

I am on the road today and have had a slight change in today's post. I will be posting about villains next time.

If you've not seen Disney's newest movie, Tangled, then go out and rent it. In fact, buy it. It's one of my FAVORITE Disney movies! And the hero is one of the top Disney hero's EVER!!!
One thing that makes this movie such a good story, is that the plot structure follows a very nice arc. For your reading pleasure, I've plotted out Tangled - so get ready for another LOOOOONG Pepper-post.

Let's start off with motivations, and then we'll get to the plot.

Rapunzel External Goal: See the Lights

Eugene’s External Goal: Wealth (get the crown)

Rapunzel Internal Goal: Where does she belong?

Eugene’s Internal Goal: Someone who will care about him for who he is; meaning

 Set up the plot – who, what, where

An old woman who desires eternal youth steals an infant princess whose magical hair can provide it.
Over 17 years later, Flynn Rider, a handsome thief, steals a crown belonging to the ‘lost’ princess.

2. Hero’s motivation – what does your protagonist want?
Rapunzel wants to see the ‘lights’ that always come out on her birthday, but she’s never left the tower in which she’d been raised by her ‘mother’.

Eugene (Flynn Rider) wants to be wealthy, so he’s stolen the lost princess’s crown with two other thugs.
3. Begin the hero’s quest – “I’ve Got a Dream”

Rapunzel wants to see the 'floating' lights that come out on her birthday every year so she asks her 'mother' to take her. It's her first step toward reaching beyond her tower into the world. (this could also be #4)

4. Change the hero’s direction

Eugene (Flynn Rider) tries to escape the king’s men and in the processes hides within this mysterious tower, only to find that he’s wrapped from shoulders to knees in a chain of golden hair. To make matters worse, his prized –crown is missing.
Rapuzel makes a deal with Flynn: Escort her to see the lanterns and she’ll give him back the crown.
(this could also be viewed as when Flynn & Rapunzel stop working against each other, and begin to work together to save each others' lives)

5. Challenge the hero with problems

Eugene and Rapunzel are chased by two thugs, the king’s men, a hilarious horse named Max. Gothel and the two thugs who are after Flynn join forces.
6. Change the hero’s status
I LOVE this part – because there is an obvious change to show the status change in this movie. While on the run from the king’s men, Rapunzel saves Flynn’s life – in turn, he rescues her, but then they are both trapped in a cave that is filling with water.  Flynn shares the secret that his name is really Eugene Fitzherbert and Rapunzel shares the secret that she has magical hair. They escape, she heals his wounded hand with her magical hair, and a ‘connection’ is made between the two of them. Status? He starts calling her Rapunzel and she starts calling him Eugene. There’s a new motivation beginning. Romance & connections start to happen...and of course, a Disney duet.


7. Give the hero tougher problems
Eugene/Flynn  realizes he’s got to end the manhunt from his former thugs, so he leaves Rapunzel to return the crown to them. Unfortunately, they’ve learned of Rapunzel’s amazing power – and are working for Gothel- they capture Eugene, tie him to a boat, and make it ‘appear’ that he’s running away from Rapunzel with the crown. Heartbroken, Rapunzel returns to her mother and her life of insecurity and imprisonment, only to realize that SHE is the lost princess and Gothel has been the enemy all along.
Eugene’s boat floats directly into the castle, where he is arrested and set to hang at dawn.

 9. Let the hero suffer maximum angst
With the help of some hilarious ‘thugs’ and a horse-with-an-attitude, Eugene escapes from the noose and sets off to find Rapunzel. When he climbs to the tower, he sees Rapunzel tied up and gagged – and then he is stabbed by Gothel. Gothel plans to leave him there to die, but Rapunzel promises to give up her freedom, if Gothel will let her heal Eugene. Just as Rapunzel gets ready to heal Eugene, he reaches up and cuts her hair – freeing Rapunzel from her promise and eternal servitude, but losing his chance to live. When the magic hair is cut, Gothel’s years catch up with her. She rapidly ages. Mortified she falls from the tower window to her death….and Eugene dies in Rapunzel’s arms.

10. Change the hero’s direction
Just before Eugene dies, he confesses to Rapunzel that “You were my new dream.” And she tells him the same thing. Their motivation had changed.



11. Give the hero new hope

When Rapunzel’s tear drops on Eugene’s cheek, a glowing light swirls around them. Could this be a miracle?

12. Achieve a win/lose conclusion
Her tear heals him. Flynn wakes up, and with his usual swagger, says “You know, I’ve always had a thing for brunettes.”

13. Tie up the loose ends
Rapunzel’s reunited with her real parents – who had been searching for her all 18 years. All the thugs have their stories, Max (the horse) has a happy ending, and, of course, Eugene and Rapunzel live happily ever after too.

Questions for you:
If you’ve seen the movie, what are the characteristics that make the hero and heroine endearing? Eugene is a selfish thief afterall – why is he so darn likeable?

From the first scene with Gothel, what characteristics does Disney portray that ‘hint’ she’s not as good as she seems?

Are there any other movies you’d like to see ‘plotted’? Would you modify my plot structure for Tangled at all – remember, some points can be seen from different perspectives by different people J

Wednesday, September 29, 2010

Essence of Plotting

A movie commentator once said about a particular motion picture:  "This movie had the best actors, fantastic lines, but no plot."   

What was missing? 

Plot is the essence of any story.  Essential to a substantive plot is quality characters set in a place where conflict lurks. They should reach out and yank readers into the pages of their journey from the first word to the last. 

A good plot begs readers to cheer, offer advice, weep, or complain out loud about the decision making process of the characters. 
"Why didn't you ________ . 
Couldn't you see __________ coming? 
Now look at the mess you're in!"

The result?  Readers stay up way past their bedtime turning one page ofter another.

Perhaps this will help:

This summer, my husband set piles of weathered treated wood, tools, cement mix, wheelbarrow, screws, and etc. in our backyard.  While he had everything he needed to build the deck sorted, it wasn't the final product.  Quality products and their needed tools are like great characters and their lines, the former is not a deck, and the later is not a story.

While assembling the deck, my husband had problems with pieces not coming together properly  and other hair raising issues.  Once he worked out the problems, the deck came together.  So also our characters must face difficulties presented in a logical, sequential order which build to a major climax and  calms to some resolution.

To add essence to your plot, check to make sure your story continually moves forward.  

Things to watch for:

1. Has any sub plot taken over the story?
2. Do exciting distractions prevent your character from returning to the main journey?
3. Does the climax build like a rolling thunder storm in the distance looming
       close until it crashes down?
4. Should anything be modified to enhance the plot:
                a.  first person instead of third person, etc.
                b.  story told from a different character's point of view
                c.  starting the story later or earlier.


Review your plot. 
 How could you enhance the essence of your plot to cause
an editor to want your current  manuscript?