Just stick me in the Mary Poppins’ scene where they have tea on the ceiling with Dick Van Dyke.
I love to laugh.
But laughing, and writing humor are two very different things.
Using a fantastic article from the latest edition of Writer’s Digest and combining it with some things I’ve learned along the way, I want us to look at the fine art of writing humor.
Now, I am no Mary Connealy, Deeanne Gist, or Janice Thompson – nor do I have the wit of fellow Alley Cats, Krista Phillips or Sarah Forgrave, but I know a funny scene when I read one.
Humor is about distorting reality or turning it on its head in some way. Kind of like those carnival fun-mirrors. The image might still be you, but it’s funny looking because your lips look like they’re up by your forehead or it appears that you’re eating your feet. Distorted. Funny.
Incongruity – “Incongruity is the main reason we laugh.” Its’ the whole idea of expecting one thing and the unexpected happens. What’s so funny about the Cliffs of Insanity swordplay scene in the move The Princess Bride? It’s unexpected. Two guys are trying to kill each other, all the while being so very polite, and complimenting each others’ skill in fighting.
It causes your brain to hiccup. Wait, that’s not what I expected.
A shepherd boy becomes a king.
A hot-headed fisherman becomes a mighty servant of God.
A donkey talks?
A man is swallowed by a great fish to get him back on God’s pathA man in a landlocked country is told to build an Ark
The CREATOR of the world is born as a baby
Keep Them on Their Toes – basically it’s when the writer changes directions from the expected course. “Misdirection” – as Leigh Anne Jasheway refers to it.
This is particularly true when phrases we know are changed. That’s why we get such a kick out of kids’ sayings. My daughter once looked out the window and said, “It’s raining hats and frogs.”
Use Familiarity to your Advantage – the ‘running gag’, a situation, character, or phrase that the reader can always expect to bring the comic relief. We all can think of that particular character. The one who enters the scene and we grin, knowing they’ll provide a silly phrase, foible, or witty comment to make things a little funnier. Even in the epic movie, Lord of the Rings, we knew that Gimli (the dwarf for those of you who are not Tolkien-ites or elves) is going to provide us with some humor any time he is on the page or screen. In Pride and Prejudice, it’s Mrs. Bennet (among others).
Employ the Power of Play – if you’re a little silly, have fun pets, or young kids, use them to provide the necessarily inspiration. To write funny, you need to have the internal tools to do it. Which means…. A playful spirit yourself. Leigh Anne says “Make sure your inner 5-year-old has a chance to play at least once a day, and even more often when you’re facing a deadline.”
Use the Power of 10 – Before deciding on a perfect title, character name, or plot point, make a list of 10 possibilities and pick the best one. Don’t stop with just one or two – go all the way to 10. “It takes more writers approximately 10 attempts at a joke to create the funniest punch line.”
Expose Yourself – learn from other funny authors. Expose yourself to their work and discover the way they make you laugh.
How do we add humor?
Well, here are a few ways:
Through witty dialogue – male-female banter, sarcasm, overexaggerations, complete honesty (usually internal monologues J.
Using interesting or funny similies & metaphors. Shannon LAusch refers to this as Wordplay.Situational Humor – where the situation is just plain funny.
Parody – a ‘spoof’ off of something else
Slapstick or physical humor – think Lucille Ball or Sandra Bullock-type comedy here (Three Stooges too, if any of you writers even know who those are ;-)
Here are a few examples:One size does not fit all
“Not women like me,” I muttered as I tried to wriggle the cotton peasant skirt over my double-wide-trailer hips in the cramped dressing room.
Or what about this wonderful clip from Liz Curtis Higgs latest masterpiece, Mine is the Night. (gentle humor)
Jack looked at her beneath the velvety blue sky, riding as close as he dared.
“I’ve been meaning to talk to you about your employment, Mrs. Kerr. I’m afraid I must dismiss you as my dressmaker.”
She pretended to be greatly offended. “Lord Buchanan! Is this how you repay my many hours of service?”
“Even worse, madam, I insist you marry me within the month.”
Elizabeth laughed softly. “I believe I was the one who proposed marriage.”
“So you did, my dear.”
Lorna Seilstad really shows some nice physical humor in her newest release, A Great Catch. Her heroine is a Lucille Ball act-alike.
In this scene, Emily Graham is trying to cut and eat a waffle, while her soon-to-be love interest, Carter, is at the table talking to her grandmother. Btw, Emily has a sprained wrist – so she only has good use of one hand.
Emily bit her lip and used the side of her fork to try to cut off the corner (of her waffle). Ah. Success.
She glanced up and caught Carter grinning at her. Heat flooded her cheeks and she dropped her gaze back to her breakfast. Even without looking, she knew he was still watching. She’d show him she was a woman who could tackle anything – big or small.
Her grandmother thumbed through the ledger. “And Carter studied finance, Emily. Since your brother is busy running your father’s business, I’ve asked Carter to help me manage my assets.”
“But I thought – “ Emily jerked. The bite of waffle on the tip of her fork, drenched in strawberry syrup, went flying across the table.
Instinct alone propelled Carter to catch the chunk of waffle midair. The contents squished in his palm, and he grabbed his napkin from the table.
Fun, eh?
Okay – last example. How could I pass this up without putting in some of Mary Connealy humor?!?
From her book, Sharpshooter in Petticoats:
Mandy said, “I’d like it now, please, Mr. Linscott.”
A far more earthly phrase full of dire threats and insults was pressing to escape from her lips. But the children were close at hand.
“Call me Tom.” Then Tom tilted his head and in the dark seemed to look down at Angela. “And you can call me Pa, little girl.”
“Pa!” Angela kicked her feet, which stuck out almost straight on both sides of the broad backed black Tom rode. Mandy could just barely see her little moccasins.
“Do not call him Pa!” Mandy could not sit idly by while that travesty occurred.
“Pa!” Catherine, on Mandy’s lap, twisted around and grinned up as if the order were a joke.
Jarrod’s legs were encased in that papoose-like pack on Tom’s back, but the little boy’s arms were free, and he waved them wildly and yelled, “Papa!”
“That’s right. I’m your pa. You might as well call me that right from the start.”
If one of our goals as writers is to grab the readers’ attention and hold on – then learning to write humor is a fantastic way to do that. Not all of us are humor writers, though, but even sprinkling it into more dramatic pieces can make your work stronger.Your homework? Go play with some kids or pets. Look for the fun, imagination, and humor in the moments – and incorporate the joy into your writing.
Do you have any examples you want to post of your own writing humor?
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photos courtesy of www.writersdigest.com
http://www.alicia-logic.com/capspages/caps_viewall.asp?titleid=15
