Dialogue is one of the most important functions of any good
story.
“Tell the story between the quotes.” These wise words from
Rachel Hauck always make me stop and pause and consider what all is being said
through the words of our characters. Dialogue should be magnified by body
language, interaction with setting, and even sometimes by what is not being said.
How do we go about
creating great dialogue?
1: Remove everything you and I would say in everyday life. Unless
it speaks for what the character is not saying, dialogue such as “are you doing”
shouldn’t occur in a novel. You want dialogue that drives the plot forward.
There are exceptions to every rule, but as a general idea anything you or I
would say in normal everyday conversation shouldn’t be included in good
dialogue.
2: Go for the zingers. Those pops of dialogue you wish you had
come to your mind at the perfect moment…but instead showed up three hours
later. This is the great reality for every author. We have the opportunity to
let our character say it! With that being said, be careful to avoid dialogue
that is stilted and overdone. So how do you create those moments where your
character has the best comeback? It has to fit with their characterization. If
you have a sassy and sarcastic character give them all the zingers you possibly
can. But if your character is more demure and quiet, their words need to have
the most impact for when they speak. (Perhaps this is the character that is
your voice of reason for your other characters.)
3: Make sure your dialogue fits your character. It's
important that what you write fits your characters. To learn how to best do
this, I would suggest the ever socially unacceptable option of eavesdropping. Airport
eavesdropping is great for this, as you really can’t help but overhear, so you
might as well take notes (wink). Listen for how people talk. The tone of their
voice, the inflection, the words that
they use. How would you put that into a
story?
Dialogue is an opportunity for our readers to view your
character from a different angle. To see their knee-jerk response and reaction.
Dialogue should be accompanied by a few key elements: the
tone of their voice, the inflection they put behind their words, and their body
language.
4: Body language is a huge asset to every author—and not
just in dialogue. How is the character standing-- what direction are they
facing? Who are they looking at? Are their arms crossed? Is their
breathing
labored? Are their hands extended in supplication or plea? All of these things paint
a picture for how the reader will visualize the character.
5: Much can be said by what you're not saying anything at
all. By leaving a question or statement unanswered or unfinished, you speak for
that character’s thoughts and emotions more than words ever could. Don't
underestimate the power of a nonverbal.
6: Subtext. This is one of my all-time favorite uses for
dialogue. Subtext is not what is being said, but what is being understood
through the dialogue that is being spoken. This is a tricky concept to nail and
even harder to write. Think of subtext as something you are trying to
communicate, but will not be overtly mentioning to the other character. Subtext
is a natural way to create tension, as what is unsaid is also left open to
interpretation by other characters. Which can lead to false understanding and
even discord between characters.
A great way to hone
your dialogue is to find some of your favorite books and read only the quotes.
By studying your favorite authors’ dialogue, you are able to see what
techniques they are using, the length of their sentences, their word choices, etc.
Who are some of your favorite authors that do dialogue well?
Share in the comments who they are and why you love them. Or share some
techniques you have found that you really love for your own books. I would love
to hear your take on what aspect of dialogue you love to read or write.
ended a chapter with this the other day, "“Now then.” She reached for a book on the piano. “Tell me about this.” bwahahahah
ReplyDeleteone thing about dialogue is it's not linear, like Q&A. normal, natural conversation is bumpy and jumps around. i know we don't want to do too much of that to our readers, but it can draw out whatever they're talking about, or show more of who the charcter is - why is he/she not answering? what is happening that ignores the question or comment - i love writing dialogue!!! must be the actress in me! ;-)
Hi Robin! Yes! I think you are absolutely correct. In all dialogue there are opportunities to utilize what we do in everyday life. Though if we only wrote Dialogue exactly as how we talked it would be the worst dialogue ever written. LOL!
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