An
interviewer recently asked me, “What makes writing romance so appealing to you?” I
had to really think about that. I
suppose I attribute my love for a romantic happy ending to my childhood,
largely spent plopped in front of the television watching sitcoms … or
negotiating with my parents for some extra money to go to the movies yetagain. At a very young age, I loved
the idea of the wrap-up. Whether in thirty minutes for my favorite TV show or
ninety at the local theater, tying things up with a happy bow thrilled my soul.
And
then came The Great Discovery: Romance novels!
For
me, it started with writers like Danielle Steel … Rebecca York … Jennifer
Crusie … Oh, and then the beautiful discovery of the inspirational market. Back
then, there weren’t too many heroines like me in Heartsong and Love Inspired
novels, but the books came regularly. Every month, fresh possibilities for my
imagination: a new story … a new relationship … a new adventure. No matter the
sub-genre – general market fiction, suspense, comedy, or Christian – my
favorite novels, the ones that moved me to the core, were always set firmly
into a foundation of romance. They got me every time.
To
my readers, this likely comes as no surprise. Everything I write – even if it’s
not a branded romance – has a strong thread of heart-pounding ever-after
romance. Consequently, I’ve thought a lot about the necessary elements of
crafting a romance that readers will remember … characters they’ll root for …
an ending that will stir thir souls.
Here
are my basic building blocks:
A hero and heroine
readers will fall for. If they’re not likable, relatable, and free of cliches,
they’ll never make it into the hearts and minds of my readers. Are they flawed?
Of course. Unpredictable? I hope so. But unredeemable? Never.
An early “meet-cute”
that sets up what’s to come. “Meet-cute” is a term that dates all the way
back to the 1940s, usually related to film or television where a future
romantic couple meets for the first time in an entertaining and sometimes
amusing way. I’ve found that those first moments between a hero and heroine set
the tone for everything they’ll experience – together and apart – for the
duration of the book, so it better be good.
Carefully crafted
romantic tension.
I’ve read some books where the chemistry between the hero and heroine starts off at a fever pitch.
Unfortunately, even in cases where it’s been somewhat interesting at the
beginning, I find most of those authors have trouble sustaining and building
that tension throughout the book. I like to think of the spark between my main
characters like a fireplace on a cold winter night. First the kindling and the
match … then a few added logs set into key positions … an eventual crackling,
roaring fire and you’re ready for s’mores!
Obstacles, hurdles, and
traffic stops.
Readers of romance tend to enjoy taking a
bumpy ride-along with the hero and
heroine as they face down the challenges of being together at last. This can be
particularly difficult in the case of writing a series when each book needs to
stand alone, and yet the challenges must be sustained over two or three
separate books. When Jessie and Danny in the Jessie Stanton series, for instance, got together at the end of Book 1: On a Ring & a Prayer, how was I going to
keep the story moving in Book 2: Be My Valentino? By the time I got to Book 3: From Bags to Riches, the challenge wasn’t
simply to keep readers interested in their story, but to carefully craft the
hurdles and obstacles that would keep them turning pages to find out how on
earth this hero and heroine can possibly overcome their mounting set-backs.
Early reader reviews indicate I was successful in that endeavor, which is an
enormous relief because, above all else, satisfying my readers is my #1
priority.
Film
critic Roger Ebert once said of Nicholas Sparks: “Readers don’t read his books because
they’re true, but because they ought to
be true.” That sums it all up for me.
Ah,
the beauty of fiction … and the joy of a perfectly crafted romance!
SANDRA D. BRICKER was an entertainment publicist in Los
Angeles for 15+ years where
she attended school to learn screenwriting and
eventually taught the craft for several semesters. When she put Hollywood in
the rear view mirror and headed across the country to take care of her mom
until she passed away, she traded her scripts for books, and a best-selling,
award-winning author of Live-Out-Loud
fiction for the inspirational market was born. Sandie is best known for her Another Emma Rae Creation and Jessie Stanton series for Abingdon
Press, and she was also recently named ACFW’s Editor of the Year for her
work as managing editor of Bling!, an edgy romance imprint for Lighthouse
Publishing of the Carolinas.She has
recently handed off the imprint to another managing editor so that she can
return to focusing on her writing again. As an ovarian cancer survivor,
Sandie also gears time and effort toward raising awareness and funds for
research, diagnostics and a cure.
HOW
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3 comments:
Thank you for this post, Sandra! I'm a new novelist, and I'm editing my second book. This second book could easily be a series--I have so much of what could follow in my head already. But it seems so intimidating to tackle the things you mention here (making sure it stands alone while sustaining challenges). My head hurts just thinking about it. I will read the Jessie Stanton series to get a feel for how it works. I haven't read enough series to attempt it yet. Thanks!
Sandie,
Your book covers are so adorable!! And I love your snappy writing style.
Thank you for taking the time to share your wisdom on The Alley.
I love writing meet-cutes! So much fun!
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