AND WHY WE WANT THEM TO...
Engaging readers in an emotionally driven scene becomes the key to a memorable story whether the means is humor, sadness, scary, enraged, true love, etc,.
In fact, mistakes can be forgiven even outweighed if the reader has memorable pieces of story to recall.
The scene can be goofy, over-the-top, or corny as long as the reader is elevated to give an emotional response.
My all time favorite emotion scene is the opening of Romancing the Stone.
The character's name is Joan Wilder. She is a world famous author of romance stories. Her editor is bugging her to finish the next best seller.
Romancing the Stone-IMDB |
Her emotions are over the top spilling out her eyes and pumping laughter from her lungs. Joan searches her house for a tissue, willing to use toilet paper, paper towel, anything and only finds reminder notes to buy more tissue. As a last resort she blows her nose in a post-it stuck to her fridge with one word written on it--tissues.
I WANT TO BE THIS KIND OF WRITER!!!
DON'T YOU?
How can this be achieved?
1. Show don't tell.
2. Paint scenes in 3D...yea even 4D
3. Present character's POV with their gut perceptions. Not what is necessarily proper but what he or she really does in each scene. Make men men. Women can be tough and feminine. People die, weep mournfully, laugh uproariously, belch in public, fart, trip, stutter, and even do things right!
4. Show don't tell.
To demonstrate we happen to have a few published Alley Cats who are excited to share an emotion powered exert from their book:
From: Shadowed by
Grace by Cara Putnum--
She crept toward her mother's narrow bed but couldn't force herself to look into her mother's eyes, not when the woman had read her every though with a glance from the moment Rachel had first breathed.
I still can't write his name, as if the very act
of doing so will cause him to evaporate like the mist. I can't because when I
am with him, I am alive. It is as if I hold my breath until the next moment he
is with me. Too long and I feel sick as if I will expire from lack of air.
From: In His Grip by Amy Leigh Simpson-Coming Spring
2016--
After the violent shriek of the tires and deafening roar of
twisting steel all had fallen silent. Her screams had faded to intermittent
hiccups and sniffles. The eerie hush of the falling rain like a blanket of
white noise smothering the wreckage. Minutes or hours might have passed as her
small body, suspended inches from the crushed roof of the car, wriggled against
the cutting pressure of the seat belt. Then a groaning sound. A snippet of hope
that her parents had survived. She whimpered, fresh tears dripping in the
already frozen tear tracks down her forehead. Never had a sweeter sound graced
Joselyn’s ears than when her father’s gruff accent assured her she wasn’t
alone.
From A Side of Hope by Krista Phillips—
Air lodged in her lungs.
Her body refused to breathe. Blood rushed to her head, and the world tipped on
its side.
From: The
Thorn Keeper by Pepper D. Basham
David moved to
miss the scalpel, but the blade pierced into his forearm, producing another
bite of pain. With as much force as he could muster, David slammed a fist into
Clayton’s face, sending the man and his crutch sprawling off balance and onto
the floor.
Pumping up emotional scenes to spring to life is crucial because they drive readers to want more. Read more. Laugh more. Hope that the character will live, kiss, make-the-right-choice-to-the-last-page more.
Of all the scenes, chapters, paragraphs, sentences, words a writer writes--these emotion soliciting response portions are the most important. Because they are memorable.
Are you pumped???
I can't wait to read your comment(s)!
Mary writes young adult mystery/suspense, is honing marketing and writing skills, and loves to pen missionary and tell Bible event stories on her ministry blog, God Loves Kids. She has finaled in several writing contests.
Visit Mary at her website, blog, and her ministry blog to families: God Loves Kids. Or chat on Facebook or Twitter
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6 comments:
I so enjoyed reading the snippets from published Alley Cats' writings. :) I'm still working on building emotional impact in my scenes. I loved your reminders that our characters will act as themselves, not in some prescribed way in different situations. :)
And your tips were spot on, Mary!
Thank you, Jeanne.
I had thought of another example but didn't have any more space to share. I read a story about a Russian agent who had a wife he dearly loved. Their relationship bloomed. Half way through the story we are in his small apartment when he hears news that she was killed. The extent of description without one word of telling took me into the sanctum of this man's sorrow. This, I thought, was how to immerse a reader into a scene. I haven't forgotten it and use it as an example.
So so cool, Mare!!! Thanks for including me in this wonderful post!!!
I had to! Your writing is that good!! :)
I really, really loved this. I know writing passively and telling not showing has been an issue in my writing. I've worked hard on that. The timing of this post is so funny. I am currently creating a study guide for teachers for my book. I turned to my National Board Mentor for help since she is planning on using my book in her classroom. When I told her I knew I still had some issues with that in the book her reply was, "the emotional impact of your scenes overshadowed those mistakes." I still plan on making it better since I have grown as a writer. However, that and your post hit home. Thank you.
Sandra, that IS amazing. You know who is behind these odd timely comments/events? Yep, it's God. God has almost a humorous way of drilling an idea/task into our heads. Like popcorn the same theme pops up here and there and we wonder (I have, anyway), how it can be. Girl, you better listen!! LOL
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