On Being Mentored: Featuring Lynn Austin-7 Time Christy Winner

Not all of us have the opportunity to invest one month to envelope ourselves in research for our story, yet we wish we could. Today seven-time Christy winner, Lynn Austin, tells about her exciting opportunity to research details for one of her book series.


Lynn was the keynote speaker at the Write to Publish Conference the first year I attended. She shared this story. Her messages were inspirational and engaging--I still remember what she said six years later! I've asked her to mentor us today.

Hi Mary,

     Thank you for inviting me to share my research process with your readers. The Chronicles of the Kings series was the first set of books I ever wrote. I was still learning how to research.


     Since this series about Hezekiah was set in Israel, I longed to see the setting for myself. Unfortunately, that wasn’t possible, at first. 


     I began poring over every book I could find on Israel using Jewish sources as well as Christian ones. Since Isaiah was a main character, I read commentaries on the book of Isaiah until I felt as if I knew the prophet thoroughly. I also subscribed to a magazine called Biblical Archaeological Review which gave a host of information on discoveries and ancient practices. The magazine also listed volunteer dig opportunities in Israel—I made up my mind to go on one.


     My kids came down with chicken pox a few days before I was scheduled to leave—and then my husband got them, too! He is my biggest encourager; he told me to GO to Israel! Our oldest son, who was 14 at the time, went with me even though he was still recovering from the chicken pox. Crazy!

     We spent 5 days eachh week on the site, digging from 4:30 am (!) until noon. We spent part of the afternoon with the archaeologists, learning about the culture and the discoveries. We traveled from one end of Israel to the other, listening to lectures at all the sites (and I asked a million questions). It was amazing!


     Of course I knew my research had to include a walk through Hezekiah’s tunnel, still intact beneath modern Jerusalem. I didn't particularly like dark, tight, cave-like spaces, the tunnel was all of those things—plus it still contained ice-cold, thigh-deep water! 


     I walked through the tunnel with only a tour guide and one flashlight. Midway through, the guide turned off the flashlight. “See how dark it is?” I nearly had a panic attack! That's when I decided one of my characters (Eliakim in Book II) would have to experience what I did.


    The best part of the trip for me was to live in Israel for a month and keep a record of the sights, sounds, smells. These sensory details and weather patterns bring a story to life.


    I always purchase books to take home and remind myself of what I learned. Pictures help me a lot. I decorate my work area with photographs and drawings that take me back to the original setting.

     I actually enjoy doing research. But after completely immersing myself in the facts of the story’s time period, it becomes very “tricky” not to start spewing them out in my fiction. I would say that of all the information I collect, only a very small percentage of it ever shows up in the novel. The rest is in my head and my heart, creating an “atmosphere” in which the story is allowed to breathe.


    It took me much longer to research this first series than it does for books I write now. 
    
    I still spend at least one to two months researching and visiting the site (if possible) before I start writing. And I don’t stop researching. It’s an on-going process throughout the year it takes to complete each novel.


Blessings,




Thank you, Lynn! 


Lynn then blended sights, sounds, textures, information, smells, and tastes from Israel into her story as a weaver would fashion a design into tapestry. When such works of art are completed, the well crafted intricacies go undetected unless pointed out by a guide. 


Here--take a look for yourself--


--from Lynn's book Among the Gods (book 5) p.339


Joshua held the oil lamp in his right hand, feeling along the clammy wall with his left as he slowly groped his way through the meandering tunnel. He had only been inside it once before, with his father, but the suffocating darkness, the weight of the rock closing in around him, the terrible heaviness bearing down on top of him, were all so familiar it was as if he had been inside this tunnel many times. The icy water grew deeper as he sloshed through it, the passageway narrower, like his lungs as he struggled to breathe.


He inched his way forward, searching for nearly ten minutes before he found what he was looking for-Abba's inscription. He held the light close to read the words his father had chiseled into the stone, feeling them with his fingers. "Behold the tunnel..."


Those were the only words he managed to read before a spasm of coughing overwhelmed him. As he fought to catch his breath, the lamp jostled in his hand. The wick sputtered and sank beneath the oil. The flame died. Joshua plunged into total darkness.


"Abba!" he cried out in panic. But his father was dead, and his Heavenly Father was too far away to hear his cries. He knew that his own anger and forgiveness had separated him from God. They were the true source of his darkness, just as Miriam had said. When he'd turned his back on God, he had walked away from the only Source of light.


Joshua's limbs went numb with terror. He wanted to run from this terribly black void, but he was too dizzy and disoriented to move. He shivered, shaken to realize that Manasseh had lived in this eternal darkness, this midnight of the soul, for most of his life; now Joshua was lost in it too. How would he ever find his way out?
from Among the Gods (Book 5) p. 339, used by permission.




Have you visited the setting for your WIP/book in person or with a video media?
How has visiting the setting benefited your story?
How have you blended pages of facts smoothly into your book?


Lynn said she would stop by today to answer questions. What would you like to ask?