Thursday, May 9, 2013

Tips to Treasure - Scenes with Julie Lessman

If you've never heard of Julie Lessman let me just forward you to her website at www.julielessman.com . Her passion-packed-tight-tension novels inspire a heatwave of fury, fascination, and faith. AND since she's been so wonderful to provide you guys with some tasty excerpts from her work, I'm going to let her get on with her tips for today.

Leave a comment and have your name placed into a drawing to win her newest novel, Love at Any Cost.

What has been one of your favorite scenes to read?

 Well, there’s only been one scene in my life from another author’s book that literally pounded my heart so hard, I thought I was having an atrial fibrillation attack, seriously. And that scene was from Laura Frantz’s latest release, Love’s Reckoning. I contacted Laura and she graciously allowed me to provide the clip here. It takes place in a ballroom where the hero and the heroine who were once madly in love and parted on bittersweet terms, see each other for the first time in years.


A momentary hush in the large room made them turn. Another arrival?

“Ah, at last.” Judge O’Hara’s resonant voice overrode the conversations swirling around them as he glanced toward the parlor door. Isabel was threading her way toward them through the press of guests, a man following. “Stephen, Miss Lee, allow me to introduce my good friend and business partner.”


Isabel stepped into their circle, transformed, beaming. The tall figure at her side became clear, and Eden’s composure collapsed. She went completely still. The fan she held fluttered to a stop.

Silas.

“My apologies for arriving late. Business, ye ken.” His rustic Scots speech had mellowed to a more refined lilt, smooth and self-effacing. He was looking at Stephen Elliot, extending a hand. He hadn’t yet seen her, and Eden felt an overwhelming urge to pull back—disappear. Stephen shook his hand heartily, inquiring after some business matter, to which Silas answered thoughtfully.

Dumbstruck, Eden drank in every freshly shaven, tailored inch of him. Clad in rich, charcoal broadcloth, he looked the equal of any man she’d seen in Philadelphia. His ivory cravat set off his deeply tanned face and turned his gaze a keen, unforgettable green.

Her heart was pounding beneath her stays, as loud as the clock chiming nine across the room. When Silas turned from Stephen to her, she met his eyes reluctantly. His handsome, composed features went slack. He looked . . . stricken. Speechless, he shot a questioning glance at Stephen before returning to her. Did he think Stephen was her husband?

“Mr. Ballantyne, permit me to introduce Miss Eden Lee, assistant director of the Philadelphia Foundling Hospital.” Stephen’s warm voice reached out to her, jarring her into coherency.

Her voice came out a whisper. “Good evening, Mr. Ballantyne.”

“Miss Lee.”


What has been one of your favorite scenes to write?

A scene that comes to mind is from my new book Love at Any Cost between the widowed matriarch of the family Caitlyn McClare and her rogue brother-in-law Logan McClare (subordinate love story in book) with whom she was once in love. Engaged to Logan at a very young age, Cait broke the engagement when she discovered Logan’s infidelity, resulting in her marrying Logan’s brother instead. Now, twenty-seven years down the road, Cait is a widow and Logan is determined to win her back, so the romantic tension between these two was and is SO fun to write, such as in this scene where Logan gives her back his brother’s ring, even though it belongs to him as the McClare heir.


She pulled away and swiped at her eyes, her lips quivering into a smile. “You must think I’m crazy, but I’m just so very grateful . . .” Peering up, she gently braced his jaw with her palm, eyes shimmering with gratitude. “I don’t think I’ve ever loved you more than right this moment, Logan McClare. Thank you.”

He stopped breathing when she pressed a kiss to his cheek, and almost by accident, he turned into her touch, their lips so close he could smell the hint of hot chocolate they’d enjoyed around the fire. They froze in the same split second of time, and his pulse thudded slow and hard as he waited for her to pull away. Only she didn’t, and heat scorched his body.

“Cait,” he whispered, barely believing her lips nearly grazed his. He waited, not willing to push for fear she would retreat, but when her eyelids flickered closed, his fate was sealed. “So help me, Cait, I love you,” he rasped, quickly caressing her lips before she could pull away. The moment his mouth took hers, he was a man hopelessly lost, bewitched by her spell. She jolted in his arms as if suddenly realizing her folly, but he refused to relent, his grip at the nape of her neck strong and sure, allowing him a taste of the sweetest lips he’d ever known. A groan trapped in his throat, and he devoured her, delving deeper with a passion stoked by almost twenty-six years of denial and longing. “God help me, Cait,” he whispered, voice hoarse as he nuzzled her ear, “I need you in my life.”

He felt it the moment the winds shifted, pulse skyrocketing when her blanket dropped to the ground and she melded in his arms. His mouth explored with a vengeance, the frenzied beat of her heart throbbing beneath his lips as he grazed the hollow of her throat. He skimmed up to suckle the lobe of her ear, and his heart swelled with joy when a soft moan escaped her lips. Blood pounding in his veins, he wove fingers into her hair to cradle her face. “Marry me, Cait, please!”

Her eyelids fluttered open to reveal a glaze of desire so strong, his mouth descended again, dominant and possessive until her lips surrendered to his. “Marry me,” he repeated, his kiss gentling to playful nips meant to coax and tease. “I need you, Cait . . . and I want you.”

In the space of a painful heartbeat, she hurled him away, breasts heaving and eyes wild. “You’re a devil, Logan McClare, always lusting after what you can’t have!”

Sleet slithered through his veins. “No, Cait, it’s not true—I want you because I love you.”

He reached for her, and she thrust back, fury welling in her eyes. “You want me because you can’t have me. And once you had me, you would just throw me away again, returning to your old habits of carousing with women all hours of the night.”

“You’re wrong—let me prove it, please. Marry me.”

She shook her head, an auburn curl quivering against her neck. Her tone trembled with a violence that stunned. “I-don’t-want-you, and I-don’t-need-you, do you hear?”

His anger surged, but he tamped it down with a clamp of his jaw, his words as hard as hers. “Really, Cait? Why don’t you tell that to the woman whose body just responded to mine?”

The lightning force of her slap shifted his jaw clean to the right, the sound of it like a crack of thunder. “How dare you?” she whispered, tears streaming her cheeks. “You forced yourself on me in your usual callous way, and if you ever do so again, it will be the last time you step foot in my house, is that clear?” He didn’t answer, and she took a step forward, her jaw engaged once again. “I said, is-that-clear?”

Gritting his teeth, he turned away. He sucked in a harsh breath and released it again, fighting to keep his temper under control, the only control he apparently possessed with the woman before him. Well, she might hold all the cards and he might lose this hand, but he would not lose the game. With a heavy blast of air, he turned—and stopped—all anger fading at what he’d reduced her to. A quivering mass of tears. God, forgive me . . . He studied her with sorrow in his eyes. “Yes,” he whispered, all of his emotion finally spent, “it’s clear.” She started for the door and he stopped her with a gentle hand. “Forgive me, Cait—I never meant to hurt you. Not then, not now.”

She nodded stiffly and started to leave.

“Cait?” She turned at the door. He plunged his hands in his pockets, no longer a man of the world, but a little boy whose heart was on the line. “I love you, and deep down inside, I think you know that, know I would never cheat on you again.” He stared, his eyes naked with the truth for the very first time. “That said, I need to know why? What else are you afraid of?”

She must have sensed his honesty because the hard plain of her face ebbed into a look of such sorrow, it plucked at his heart. Her voice was gentle and low once again, the Caitlyn he was privileged to love. “I love you as family, Logan, but I can never be ‘in love’ with you again.”

The words stabbed. “Why?” he whispered, his voice no more than a croak.

Her bodice quivered with a burdensome sigh. “Because I don’t trust you.”

“Why? I swear to you Cait—I will be faithful.”

“No, Logan, you can’t. A man of your habit and ilk can’t be faithful without God.”

“Let me prove it. I can do this.”

“Maybe. But I can’t. I refuse to fall in love with a man who doesn’t share my faith.”

He took a step forward, his eyes intense. “I believe in God, Cait.”

“No, Logan, you believe in yourself first, God after. There’s a difference.”

His jaw sagged in disbelief. “You’re attracted to me and love me, yet you turn me away because my faith isn’t up to snuff?” Fury boiled in his veins, trumping his passion. He chilled her with a look so cold, he saw her shiver. “Even if it means your precious Vigilance Committee?”

The blood leeched from her face. “You wouldn’t,” she whispered, her words laced with shock. “Y-you agreed, and it’s the decent thing to do.”

He moved in, fists clenched and a nerve twitching in his cheek. “No, Cait, the decent thing to do is to forgive the past and admit you’re in love with me.”

Her legs faltered before steel appeared to fuse in her spine. “That’s your price, then?”

He stared, his jaw as rigid as his pride. She loved him, she wanted him, but she wouldn’t have him because of God? Outrage like he’d never known singed his very soul. “It is.”

She winced as if she’d been struck, pain contorting her face while she listed against the wrought-iron chaise. Firelight flickered across her beautiful features, illuminating myriad feelings that tore at his heart. Shock, fear, fury, resolve . . . and sorrow. The same sorrow he saw in himself, a man of missed opportunities. The flames spit and popped behind him, as if portending a fiery future that would ravage both him and the woman he loved.

He watched as the anger slowly siphoned from her body, softening her features, welling her eyes, and he was reminded once again what a rare woman she was. Prone to gentleness rather than anger, giving rather than taking, others rather than self. Despite the fact he would rob her of something so dear, her eyes bore no retribution or blame, only a sadness that seemed to personify Caitlyn McClare where he was concerned.

“Then it’s too high,” she whispered, the trace of a tear glazing her cheek as she placed his ring on the chaise. She turned away, her voice a broken whisper that prophesied their doom. “Even for my precious Vigilance Committee.”

What are some key elements to writing a powerful scene:

Well, being a bona-fide CDQ (caffeinated drama queen), I would have to say the most important components for me are TENSION-TENSION-TENSION!! I’ll take it anyway I can get it — romantically, spiritually or relationally, but take me on a roller-coaster ride and make me beg for mercy—please!! J  Ways I like doing that are having lots of ups and downs in a single scene where I take both the characters—and the readers, I hope—on an emotional roller-coaster such as in the scene above from Love at Any Cost

Even in interviews she PACKS a punch! Thanks for sharing with us today, Julie. I'm so tempted to put up my Cassie McClare look-alike shot :-)

Do you have a scene you've read or written lately in which you savored the moment? Share!

Wednesday, May 8, 2013

Tips to Treasure - Writing Tips with Beth Vogt



Beth K. Vogt believes God’s best is often behind the doors marked “Never.” 

After being a nonfiction writer and editor who said she'd never write fiction, Beth's second inspirational contemporary romance novel, Catch a Falling Star, released May 7, 2013 from Howard Books. I have my copy and am turning the last pages as we speak! It's fabulous!


She's the Skills Coach for My Book Therapy and has graciously accepted my invitation to teach us the art of backstory. Her tips will help you understand what to keep and what to put on the chopping block.


Beth went back to our last discussion on backstory, read your questions and tailored her post to meet our needs.



Backstory: I’d Like to Get to Know You—Now Back Off


“The most important things to remember about back story are that (a) everyone has a history and (b) most of it isn’t very interesting.”
—Stephen King (1947-), author



Today I’m breaking down how to handle backstory, a crucial skill for every writer to master.

You know, I’ve wanted to be a writer forever. I wrote my first novel when I was in middle school. Private school, actually. I blissfully plagiarized my favorite author at the time, Georgette Heyer, and wrote a Regency romance. I asked my English teacher, Mrs. Gossart, to read it. I used to babysit for her too – my English teacher, not Georgette Heyer.

Ahem. And that, dear readers, is a backstory “dump.” By the time you finished reading that last paragraph – if you didn’t end up skimming it – you probably thought, “Why is she telling us this?” and “Who cares?”

Everything I told you was true – and none of it belongs in this post.

As we develop our imaginary characters, we create their history, which includes things like their:
·      age
·      job
·       “Dark Moment” – what My Book Therapy (MBT)* explains as a specific painful event in their past that influences who they are today
·       “Lie” – a MBT term for the false idea a character has about himself because of their Dark Moment

As writers, we know everything there is to know about our characters. Problems occur when we also think our readers need to know everything about our characters – and to know it all within the first few pages of the story.

Best-selling author Susan May Warren, the founder of the MBT, encourages writers to think of backstory as “breadcrumbs … soft, tasty, small morsels to lure your reader into the story.” The key? Give readers just enough backstory to help them understand our characters’ motivations, actions and decisions in a particular scene.

As you write the rough draft of your novel, you’ll often dump in loads of backstory. Why? Because you’re still discovering and developing your characters. Backstory dumps are okay in rough drafts – even expected – so long as you haul them away when you rewrite.

How do you do that? Here are a few tips from award-winning author Rachel Hauck, who differentiates between backstory and character history:
1.     Layer in enough of the character’s emotions so that readers feel what’s happening in the scene.
2.     As you layer in information, have you taken the reader into a different story, time or place? That’s backstory. Cut it.
3.     Character history lets readers know the why and how of the character in that moment. Use one line to explain why your heroine is desperate to go on a date – one line … for now.
4.     Tease the reader by hinting at issues and problems. Don’t write the solution.

Writing a compelling novel is all about pulling your readers into a story – and then continuing to pull them through the story with each turn of the page. If your story slows down, step back and figure out if a huge load of backstory is blocking the forward motion of your characters – and your readers.

*My Book Therapy is the writing and coaching community founded by best-selling and award-winning author, Susan May Warren.

 Connect with Beth at bethvogt.com.



Thank you so much, Beth!

Alley Pals, it's your turn to let us know. 

Did this stir more questions? 

Did it answer a few you had from before? 

Have you learned additional tips to drizzle in backstory?

Is there another topic you are struggling with?


Tuesday, May 7, 2013

Tips to Treasure: Writing Tips with Siri Mitchell

Today we're excited to welcome Siri Mitchell to the Alley. She's brought some fantastic writing tips for us. Siri is the author of both historical and contemporary romance. She writes with an amazing subtlety that simmers beneath the surface. Her most recent novel, Unrivaled, is a sweet escape to the candy world of the early 20th century and has a hero and heroine who are phenomenal!!
Let's see what Siri has to say today:
What are two of the most important writing tips you think authors should know?
1. Respect your process. Because writing is a creative endeavor, every writer’s process is different. Once you’ve figured out how you write, how many words a day you can comfortably produce, what kinds of drafts and how many of them you need, and how many months it takes you to produce a respectable product, do yourself a favor and accept it. That’s not to say you can’t experiment and try different things, but if it takes you six months of writing five hours a day, four days a week to produce a book, then don’t promise anyone a book in three months figuring that you’ll just work extra hard and produce more words every day. That’s a recipe for breakdown!
2. Write it down. When your characters start talking to you, write down what they say. I’ve fallen asleep listening to brilliant conversations between my characters promising myself I’ll remember them and I never have. Your characters talk to you because they have something to say! And they’re kind of like people: they tend to do it at inconvenient moments. Worse, if you ignore them they get offended. And sometimes in retaliation they even give you the silent treatment.
Oh my goodness, Siri, I LOVE these tips. It's so refreshing to hear how we need to respect our process. When we try to write like someone else, or in a different way that doesn't fit our style, it usual ends in tears :-)
(Btw, I totally respect anyone who listens to their imaginary friends)
What is one of your favorite writing quotes and why do you like it? How does it inspire you?
My favorite writing quote isn’t by a writer and it wasn’t meant to pertain to writing, but it inspires me anyway. It’s attributed to Beethoven (see picture). I picked this postcard up at Opera Garnier in Paris and it sits on my desk. It loses a little bit in translation, but here’s what it says: “One day, they’ll like it.” It inspires me to be true to my own voice and own expression as a writer. Just think if Beethoven had decided that he should just write the kind of music everyone else was writing. What wonderful music we all would have missed out on!
Again, what great insight here! This really is about trusting God to bring the stories he's birthing in us to life in His good time. There's always that 'one day' when His plans and our dreams collide. Fantastic thoughts!!!
So AlleyPals and AlleyCats, how well do you listen to your characters?

Leave a comment to have your name placed in a drawing for Siri's historical novel, The Messenger.*******

Monday, May 6, 2013

Tips to Treasure - Writing Tips with Rachel Hauck


Rachel Hauck's last book, The Wedding Dress, rocked the fiction world with rave reviews and awards such as ECPA and CBA best sellers. It was also listed as a TOP PICK for Romantic Times.

She's the co-creator and a coach of My Book Therapy, a fabulous opportunity to fine-tune your novel with specific teaching geared for your story.

Rachel is also a fantastic person, with a heart to serve God through worship and writing!
With a track record like this, we thought it would be a good idea to glean from her inspiration :-)

What are two of the most important writing tips you think authors should know?

Rh: Only two? It seems there are so many. But if I had to give a writer two key tips I'd say "backside in chair" and "books are not written, they are rewritten."

Writing a novel is hard work and it requires carving out time to just sit and write. Then after you write, you have to rewrite. And rewrite again. And again. Writing takes time and discipline so just determine up front you're going to make the time and effort.

Great reminders, Rachel. It's so easy to think once we have words on a page we're finished, but rewriting is really at the heart of the writing process.

What is one of your favorite writing quotes and why do you like it? How does it inspire you?

RH: I love the term "Write Who You Are." We hear "Write What You Know" but that knowledge is finite. Write who you are… let your core come out on the page and in the characters. Who we are is the key component to the writer's voice. So write what you love and what stirs your passion.
Oh man, I love this!!! It puts a deeper spin on the 'heart' of why we write. Besides, it really opens us up to enjoying the journey even more. It truly does become an extension of who God has truly made us to be!
Thanks for having me on Writer's Alley!
Thanks for coming, Rachel!
Now it's your turn, Alley Pals!
What's one of your favorite writing tips?

Saturday, May 4, 2013

What's Up the Street Next Week

We have a WONDERFUL week planned for you!

BECAUSE......

We are featuring some fabulous authors to bring you Tips to Treasure from the Experts.

AND we'll have another week of guests during May 20th.

So What's up the Street this Week?

Monday - Writing Tips with Rachel Hauck
 
Tuesday - Backstory with Beth K. Vogt
 
Wednesday - Writing Tips with Siri Mitchell
 
Thursday - Scenes to Inspire with Julie Lessman
 
Friday - Writing Tips with Ruth Logan Herne
 
By the way, did you know that Rachel Hauck's new novel Once Upon a Prince is out NOW!!!!!
 
 
 
AND
 



Beth Vogt's Catch a Falling Star!!!!!!!!!!!!!!!!!!!
 

Thursday, May 2, 2013

Knowing When to Pick Your Flowers



I don’t know about you, but there’s something about flowers that I can’t refuse. I’ll plan a “quick trip” up to Lowe’s and come home with four new plants and some half-dead clearance flowers. I love the color, and the fragrance, and the bounty of flowers.

In many ways, I think they work as a great example of the beauty that can come from writing.

For starters, we reap what we harvest. I know we’ve all heard the concept so many times, and yet it’s so easy to allow time to gradually slip on past. We have to be intentional about claiming our harvest. We have to sow good seed and water it well, and pull up the weeds.

But sometimes weeds aren’t the only things that need pulling up. Sometimes we have to pull up flowers to make room for new growth. So how do you know when it’s time to “deadhead” your writing?

Well, for starters, let’s take a lesson from flowers.

My mom got me a beautiful daisy plant for my four anniversary last month. I love daisies because they grow well in Florida (which you can’t say about many flowers—thank you, ridiculous summer heat) and are easy to care for. Plus, who doesn’t agree with Meg Ryan’s character in You’ve Got Mail? Daisies really are the friendliest flower.

Thing is, I do not like picking off the kind-of-dead daisies. I wait and wait and wait for these little flowers to bloom after carrying for the green leaves for months, and when they finally do, the last thing I want is to pick off the flowers prematurely.

But the thing I’ve learned is this. If I don’t deadhead my wilting flowers, I prevent new blooms from forming.

Did you catch that? Because it’s a powerful concept God showed me this week.

Sometimes when we are writing, we become so emotionally invested in our story that all we can see are the petals. One by one, they may be wilting, but we do not want to pick them off the plant because they matter so much to us. What we don’t realize is that by not being proactive about cutting off the dead flowers, we are actually refusing future blooms. We are holding back the life of the plant by hanging on to the dying petals just a little longer.

What we don’t see is the bountiful harvest God has in store with the fresh blooms.

The question then becomes… what ways can we clean up our stories to allow this kind of fresh growth?


  •     The narrative. There have been so many times I have loved—and I mean absolutely loved—a particular line or passage, only to have someone read it and say, “ehhhh,” or even to later read it myself and think, “Why did I write that?” When we hold too tightly to the story we started with, we can’t grasp the bigger story that might still be forming.
  •       The plot. Yes, I know this is a tough one. In fact, cleaning up the plot is probably a lot more like pruning than deadheading flowers, but for the purpose of the analogy, it’s really the same. Writing books takes a long time. Often when we finish, we don’t feel like going back and restructuring plot problems. But the thing is, we may as well be leaving a gaping, diseased tree limb in the middle of our favorite tree, just waiting for it to take the whole tree down. When your critique partner or first readers come back to you and say they think a plot point just isn’t strong enough, I encourage you to listen. Brainstorm creative alternatives to what you have written. You may be amazed at what you come up with, and find that your current story is just the starting point for something better than you ever imagined.
  •    The book. Okay, this is a hard one, but it has to be mentioned. Sometimes God gives us a story for a purpose other than for it to be published. In any other arena of life, we have to practice a lot before we master form and craft. Think of piano lessons, or dancing, or even learning to read. I think we are often too hard on ourselves by expecting our first novels to not only sell, but to sell well. The reality is, sometimes it takes not only multiple drafts, but also multiple novels. It doesn’t mean your novel is dead forever, but maybe God is calling you to put it on the shelf for a while so you can focus on the new bud that is forming in your heart. Currently, I’m doing a total overhaul of the first book I ever wrote, and I’m confident it’s the best story God has given me yet. What may look like the death of a book to you may actually be God asking you to trust Him as He calls you to redirect your time and focus, and allow Him to do the planting. Maybe He is in the process of rooting an old project you have long since considered dead, but is really in a period of dormancy so the harvest will be greater in the end. Don’t give up hope. Follow God, and keep writing the stories He has put on your heart.


Do you like gardening in the spring and summer months? Do you, like me, hesitate to pull off those kind-of-dying blooms? What sorts of blooms are you hoping for in your writing as you “deadhead” the weak areas?


*******************************************************************************
Ashley Clark writes romantic comedy with southern grace. She's dreamed of being a writer ever since the thumbprint-cookie-days of library story hour. Ashley has an M.A. in English and enjoys teaching literature courses at her local university. She's an active member of ACFW and runs their newcomer's loop. When she's not writing, Ashley's usually busy rescuing stray animals and finding charming new towns. You can find Ashley on her personal blog, Facebook,Pinterest, and Twitter. She is represented by Karen Solem.

Wednesday, May 1, 2013

The reasons you write

Have you ever struggled with the daily commitment to writing?

Image by m_bartosch, freedigitalphotos.net

Perhaps you started out strong, but the middle has become a hard slog, and you feel like you’ve lost your way. Perhaps you’ve received negative feedback from people whose opinions you value, and you wonder if the whole thing is a waste of time. Maybe your characters have fallen down a plot hole and you can’t see any way for them to climb out. Perhaps your life circumstances have changed (new job? New baby? Elderly parent to care for? Fill in the blank) and your writing routine has been thrown so badly out of kilter that you’re scrambling to make any time to write at all.

I could put my hand up for all of these things. I’ll be honest: the book I’m working on right now has become a struggle. A mental, emotional, physical, spiritual struggle.
 
Recently I’ve been reading “Platform” by Michael Hyatt. Great book. Hyatt suggests writing down seven reasons for why you write, and reviewing these daily.

I did this. I actually came up with eight. Today I’d like to be completely transparent, and share them with you. These are very personal, very intimate reasons, and while it makes me feel quite vulnerable to share them, I hope my honesty might help someone else who may be struggling just as I am.

Eight reasons why I need to finish my novel.

1. To finish what I started. “I want to suggest that you finish what you started to do… Let your enthusiastic idea at the start be equalled by your realistic action now.” (2 Cor 8:10-11, TLB) Finishing when it’s tough takes character. I CHOOSE to be a woman of character, no matter how I feel.

2. To experience pride in my accomplishment. The results of not writing? I feel defeated, useless, inadequate. The results of writing? I feel energised, completed, purposeful. This state of mind flows out to every other area of my life.

3. God wants me to finish this book. A pastor once stopped me after a service and spoke this word over me: “You’ve sometimes thought that writing is your dream and your desire. But God wants you to know, it’s His desire.” I love him so much, and writing for God is my expression of love to him. It’s my daily sacrifice of praise.

4. Writing is my purpose in life. If I want to live a life that’s purpose-driven and meaningful, I need to walk within my purpose. To walk outside my purpose is to live a half-life, an incomplete life that doesn’t fulfil my potential.

5. I want to impact others. My biggest prayer has always been that I might produce fruit for God’s kingdom. God has given me a voice, and writing is my platform. Through the power of the written word, my sphere of influence will expand to reach countless more people than I could ever reach alone. My greatest privilege and joy in life would be to impact many others for God. 

6. I am a better mother when I follow my dreams. Following my dreams feeds my spirit. Do I want to feel begrudging and resentful that I don’t have time for myself, or do I want to make that time, and then mother with generosity and joy, out of an overflowingly abundant heart?

7. I believe in this book. I love my story. I love my characters. Those who’ve read it so far have found it gripping and compelling. I believe this story has the potential to be a success.

8. I choose to live my dream. Writing is what I’ve always wanted to do, ever since I was a little girl. The dream will not happen on its own. I alone have the power to make it happen through my daily choices.


The power of a reason
I’ve begun a practice of reading over my eight reasons at the start of every writing session. It centers me on the purpose behind the task. Gives me a bigger perspective. Inspires me to continue when it’s tough.

What are the reasons YOU write?

28-Day Challenge check-in:
For those participating, how is your new habit coming along? Don’t forget – double entries for the Amazon gift card in two weeks’ time if you’ve stuck with your habit every day!





Karen Schravemade lives Downunder and likes to confuse her American friends by using weird Australian figures of speech. When she's not chasing after two small boys or cuddling her baby girl, she spends her spare minutes daydreaming about the intricate lives of characters who don't actually exist. Find her on her website and Twitter.